Historia De Lo Fado Con Piano Portugal
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History of Fado on the Piano Portugal
Author | : Mário Moita |
Publsiher | : Mário Moita |
Total Pages | : 31 |
Release | : 2019-06-03 |
Genre | : Music |
ISBN | : 9783966611053 |
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Fado is the national song of Portugal. In this e-book you can read about the 1870s tradition of Fado, played on piano. You will learn also learn many other things about this musical genre, that has been made an Intangible Cultural Heritage of Humanity of Portugal by UNESCO.
Historia de lo Fado con Piano Portugal
Author | : Mário Moita |
Publsiher | : Mário Moita |
Total Pages | : 38 |
Release | : 2019-11-19 |
Genre | : Music |
ISBN | : 9789899800403 |
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El fado es la cancion nacional de portugal. En este e-book va a conocer la tradicion de 1870 cuando el fado era tocado en piano, tambien sabra muchas curiosidades sobre este genero musical, nombrado por la unesco patrimonio de la humanidad!!
Historia do fado ao Piano Portugal
Author | : Mário Moita |
Publsiher | : Mário Moita |
Total Pages | : 33 |
Release | : 2019-05-18 |
Genre | : Music |
ISBN | : 9789892032528 |
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O Fado é a canção nacional de Portugal. Neste e-book vai conhecer a tradição de 1870, quando o fado era tocado ao piano. Ficará a saber tambem muitas curiosidades deste género musical, consagrada pela Unesco como patrinónio imaterial da humanidade.
Histoire du fado et du Piano
Author | : Mário Moita |
Publsiher | : Mário Moita |
Total Pages | : 33 |
Release | : 2019-10-05 |
Genre | : History |
ISBN | : 9789899800410 |
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Fado est une chanson nationale du Portugal. Dans le E-book vous allez connaitre la tradition de 1870 quand le Fado est jouer par le piano, vous allez être curieux sur ce generique musical, appelé Unesco patrimonio imaterial de l'humanité.
Portuguese Piano Music
Author | : Nancy Lee Harper |
Publsiher | : Scarecrow Press |
Total Pages | : 362 |
Release | : 2013-01-10 |
Genre | : Music |
ISBN | : 9780810883000 |
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As the first book of its kind, Nancy Lee Harper’s Portuguese Piano Music: An Introduction and Annotated Bibliography fills the gap in the historical record of Portuguese piano music from its start in the 18th century to the present. While although Spanish piano music is well documented owing to the reputation of such composers as Isaac Albéniz, Enrique Granados, and Manuel de Falla, our knowledge of compositions in the tradition of Portuguese piano music has not fared as well, barring the work of Carlos Seixas (1704–1742). This obscurity, however, reflects poorly on the history of early piano music in light of the many compositions written for fortepiano on behalf of the Portuguese court during the first half of the 18th century. Indeed, it was in the royal halls of King John V during his reign from 1706 to 1750 where the early fortepiano was frequently heard. In Portuguese Piano Music, Harper explores this rich musical tradition, offering a brief introduction to the pianistic history of Portugal and overviews of Portugal’s contributions to solo piano music, piano in instrumental chamber music, piano concerti, piano for multiple pianists including with works with electronics, and didactic piano. While paying close attention to female composers, Harper adds an annotated and graded bibliography that presents readers with a comprehensive inventory of compositions. Appendixes include a selected discography, list of publishers, and other types of critical source information. To further illustrate its contents, Portuguese Piano Music contains a CD on which Harper performs representative repertoire, some of which are world premieres. This work is aimed at pianists, teachers, pupils, musicologists, and music lovers seeking to discover the remarkable world of Portuguese piano music.
Entertaining Lisbon
Author | : João Silva |
Publsiher | : Oxford University Press |
Total Pages | : 337 |
Release | : 2016 |
Genre | : Music |
ISBN | : 9780190215705 |
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During the decades leading up to 1910, Portugal saw vast material improvements under the guise of modernization while in the midst of a significant political transformation - the establishment of the Portuguese First Republic. Urban planning, everyday life, and innovation merged in a rapidly changing Lisbon. Leisure activities for the citizens of the First Republic began to include new forms of musical theater, including operetta and the revue theater. These theatrical forms became an important site for the display of modernity, and the representation of a new national identity. Author Jo o Silva argues that the rise of these genres is inextricably bound to the complex process through which the idea of Portugal was presented, naturalized, and commodified as a modern nation-state. Entertaining Lisbon studies popular entertainment in Portugal and its connections with modern life and nation-building, showing that the promotion of the nation through entertainment permeated the market for cultural goods. Exploring the Portuguese entertainment market as a reflection of ongoing negotiations between local, national, and transnational influences on identity, Silva intertwines representations of gender, class, ethnicity, and technology with theatrical repertoires, street sounds, and domestic music making. An essential work on Portuguese music in the English language, Entertaining Lisbon is a critical study for scholars and students of musicology interested in Portugal, and popular and theatrical musics, as well as historical ethnomusicologists, cultural historians, and urban planning researchers interested in the development of material culture.
The National Union Catalog Pre 1956 Imprints
Author | : Library of Congress,American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee |
Publsiher | : Unknown |
Total Pages | : 712 |
Release | : 1970 |
Genre | : Catalogs, Union |
ISBN | : UOM:39015082906416 |
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Music Theater and Society in the Comedies of Luiz Carlos Martins Penna 1833 1846
Author | : Luiz Costa-lima Neto |
Publsiher | : Lexington Books |
Total Pages | : 345 |
Release | : 2017-03-15 |
Genre | : Music |
ISBN | : 9781498532266 |
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This book clarifies the musical dramaturgy of comedy writer and musician Luiz Carlos Martins Penna (1815-48) – a notion that encompasses both the theatrical text and its performance. The corpus for this analysis is composed of twelve comedies by Martins Penna written between 1833 and 1846, divided into three groups, which I have called Lundu, Aria, and Alleluia. The sound universe made up by the three groups of comedies covers African-Brazilian genres and musical-choreographic styles (batuque, fado, lundu, miudinho, muquirão), the transnational urban popular universe (lundu, tirana, quadrilha, marcha, waltz, caxuxa, tonadilla, polka), and modinhas and Italian opera, in addition to romantic concertos, Gregorian chant and Iberian religious theater (loas). To evaluate the multiple meanings acquired by the musical allusions inserted into the comedy texts and theatrical performances, this research reveals the network which included the author, actors, theater owners, publishers and the public, and other agents, such as black Catholic irmandades (brotherhoods), Freemasonry, and institutions linked to the imperial government. The sound universe of the comedies of Martins Penna are compared to the comedic axes of the Western theatrical tradition (a study of situations and characters) and the axes of performance (solo and chorus), contemplating the relationship between the repertoires written by Martins Penna and the repertoires of Brazilians and Portuguese artists, a mix of actors, singers and dancers, who performed in his comedies. The research questions the notion of authorship and reveals the importance of the partnership between theatrical writers, artists and publishers, through which the comedies of Martins Penna have reached the second half of the nineteenth century through the present.