Historical Fiction For Children

"Little House on the Prairie" is an autobiographical children's novel by Laura Ingalls Wilder, published in 1935] It was the third novel published in the Little House series, continuing the story of the first, Little House in the Big Woods (1932), but not directly related to the second, Farmer Boy (1933). It chronicles the months the Ingalls spent on the Kansas prairie around the town of Independence.

Dublin 1911 When Eliza Kane and her brother Jonty move from the leafy suburbs of Rathmines to a tenement flat on Henrietta Street they are in for a shock. Pigs and ponies in the yard, rats in the hallways and cockroaches or 'clocks' underfoot! When they meet their new neighbour, Annie, a kind and practical teenager and her brothers, and a travelling circus comes to town, offering them both jobs, helping Madam Ada, the bee charmer, and Albert the dog trainer, things start to look up. When a tragedy happens in the tenements, Eliza, Jonty and their new friends spring into action. A tale of family, friendship and finding a new home, with touch of magical bees!

Shaggy Beard wishes to take me to wife! What a monstrous joke. That dog assassin whose breath smells like the mouth of Hell, who makes wind like others make music, who is so ugly and old! Catherine's in trouble. Caught between a mother who is determined to turn her into the perfect medieval lady and a father who wants her to marry her off to much older and utterly repulsive suitor. Luckily, Catherine has a plan. She has experience outwitting suitors and is ready to take matters into her own hands. A fun and vibrant coming-of-age novel about a 14-year-old girl's fight for freedom and right to self-determination.

Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just "kid's stuff" anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you.

This study is concerned with how readers are positioned to interpret the past in historical fiction for children & young adults. Looking at literature published within the last 30-40 years, Wilson explores a prevalent trend for re-visioning & rewriting the past according to modern social & political ideological assumptions.

An Anglo-Saxon girl saves her village from Viking raiders-and herself from an arranged marriage.

An office worker and an aristocratic young lady become unlikely friends as they work together for women's right to vote. A thrilling story of secret meetings, police oppression and social upheaval, as well as an accurate account of the Suffragette movement in the years before the First World War. Republished to coincide with the 100th anniversary of the death of suffragette martyr Emily Davison.

At the end of the American Civil War, Charley - a young African-American slave - is ostensibly freed. But then her adopted mother is raped and lynched at the hands of a mob and Charley is left alone. In a terrifyingly lawless land, where the colour of a person's skin can bring violent death, Charley disguises herself as a man and joins the army. Soon, she's sent to the prairies to fight a whole new war against the 'savage Indians'. Trapped in a world of injustice and inequality, it's only when Charley is posted to Apache territory that she begins to learn what it is to be truly free.