History Erased

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The untold history of the Panama Canal--from Panama's point of view. Sleuth and scholar, Marixa Lasso has uncovered a long-overlooked story: to build their Canal, Americans displaced 40,000 Panamanians and erased entire cities, only to convince the world they had brought modernity to the tropics.--

Hundreds of Palestinian villages were left empty across Israel when their residents became refugees after the 1948 war, their lands and property confiscated. Most of the villages were razed by the new State of Israel, but in dozens of others, communities of Jews were settled—many refugees in their own right. The state embarked on a systematic effort of renaming and remaking the landscape, and the Arab presence was all but erased from official maps and histories. Israelis are familiar with the ruins, terraces, and orchards that mark these sites today—almost half are located within tourist areas or national parks—but public descriptions rarely acknowledge that Arab communities existed there within living memory or describe how they came to be depopulated. Using official archives, kibbutz publications, and visits to the former village sites, Noga Kadman has reconstructed this history of erasure for all 418 depopulated villages.

Cutting a path from the Atlantic to the Pacific, the Panama Canal set a new course for the development of Central America—but at considerable cost to Panamanians. Sleuth and scholar Marixa Lasso recounts how the canal’s American builders displaced 40,000 residents and erased entire towns in the guise of bringing modernity to the tropics.

The first book of its kind, Doubly Erased is a comprehensive study of the rich tradition of LGBTQ themes and characters in Appalachian novels, memoirs, poetry, drama, and film. Appalachia has long been seen as homogenous and tradition-bound. Allison E. Carey helps to remedy this misunderstanding, arguing that it has led to LGBTQ Appalachian authors being doubly erased—routinely overlooked both within United States literature because they are Appalachian and within the Appalachian literary tradition because they are queer. In exploring motifs of visibility, silence, storytelling, home, food, and more, Carey brings the full significance and range of LGBTQ Appalachian literature into relief. Dorothy Allison's Bastard Out of Carolina and Alison Bechdel's Fun Home are considered alongside works by Maggie Anderson, doris davenport, Jeff Mann, Lisa Alther, Julia Watts, Fenton Johnson, and Silas House, as well as filmmaker Beth Stephens. While primarily focused on 1976 to 2020, Doubly Erased also looks back to the region's literary "elders," thoughtfully mapping the place of sexuality in the lives and works of George Scarbrough, Byron Herbert Reece, and James Still.

Erased de Kooning Drawing ist ein Kunstwerk, das auf radikale Weise die Definition von Kunst und das Verständnis von Autorschaft herausfordert. Drei amerikanische Künstler waren 1953 an seiner Erschaffung beteiligt: Robert Rauschenberg radierte eine Zeichnung Willem de Koonings aus, der mit einem gewissen Widerwillen sein Einverständnis gegeben hatte. Jasper Johns versah es anlässlich seiner ersten Präsentation mit einem Label, das maßgeblich zu seiner Wahrnehmung als eigenständigem Werk beitrug. Das zu etwas Neuem transformierte Blatt wurde in den 1950er-Jahren als Neo-Dada aufgefasst, in den 1960ern als Beginn der Konzeptkunst und in den 1980er-Jahren als Aufbruch in die Postmoderne. Zahlreiche Künstler*innen bezogen sich auf das Werk und Rauschenberg selbst griff es immer wieder auf. Es erwies sich als Testfall für Bestimmungen von Modernismus, Literalismus und Postmodernismus. Gregor Stemmrichs kenntnisreiche kunsttheoretische Betrachtung arbeitet die anhaltende Relevanz des Werks für die Theorie des Bildes, des Index, der Spur, des Allegorischen und der Frage nach Appropriation heraus.

This volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. For the first time anywhere, this collection analyzes all of the important theorists and major critical movements during a tumultuous ideological period in Russian history, including developments in émigré literary theory and criticism. Winner of the 2012 Efim Etkind Prize for the best book on Russian culture, awarded by the European University at St. Petersburg, Russia.

Abdulrahman bin Mohammad bin Khaldun Al-Hadrami, (1332-1406), generally known as Ibn Khaldun, was an Islamic theologian, scholar, and jurist internationally known as the father of sociology. His book, the world-renown Muqaddimah (The Introduction), is considered the breeding ground for numerous disciplines of study, including the social sciences, the philosophy of history, historiography, social history, demography, and economics. Mohammad Jaber Al-Ansari, a Bahraini professor of Islamic and Cultural Studies at the Arabian Gulf University in the Kingdom of Bahrain and, since 2000, the Advisor for Cultural and Scientific Affairs to the King of Bahrain, is a leading and highly respected Arab intellectual and the author of twenty-one books, well-known and widely-read throughout the expanse of the Arab world. His intellectual treatises have been honored by numerous Arab governments and intellectual organizations, and he has received a number of prestigious awards for his social, political, and cultural contributions to modern Arabic intellectualism. This book is the encounter between these two Arab minds, six centuries apart, trying to connect the past to the present, as Al-Ansari attempts to sow the seeds of Khaldunism, with its dimensions of modernity, in the public consciousness in order to establish a culture of reason and rationality in the modern Arab world. Only then, as Al-Ansari states, can the Arabs move forward, by understanding and analyzing the flaws of the past to make way for a better future. "If there were anyone to be considered the best representative of Ibn Khaldun's way of thinking in the 20th century, Mohammad Jaber Al-Ansari would definitely be one of them." Khalid Al Harub - Khulood Amro Cambridge Book Review "Electric shocks for the Arab mind...Al-Ansari threw out a burning ball of ideas...will Arab intellectuals consider it or will they be afraid of burning their hands?" Saudi Minister and poet Dr. Ghazi Al-Gosaibi