Holiday Reverie

Commemorate the holidays and special occasions with beautiful stitched designs, including framed pieces, decorated wreaths, accent pillows, table linens, and more. You'll love the stunning, vintage-like designs that fill this colorful cross stitch book.

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Twenty-three-year-old Jersey girl Eve Vitali is on the verge of something...whether it be a relationship, the fabulous life that she reads about in the Styles section of the New York Times or a nervous breakdown. Despite her Jackie O. suit, Eve works as an unappreciated assistant for—of all things—a bicycle magazine. Everyone keeps telling her that she's got her foot in the door, but the rest of her is surfing the Net and schlepping around with Tabitha, an Amazonian sex goddess. Between glam parties, obligatory visits home and myriad men, Eve is realizing that it takes a lot of work to get beyond the verge and on to the next big thing.... It seems everyone has advice on how to get there: Eve (on keeping her "foot in the door"): "Develop artificial cheeriness. Answer all requests with 'great.' Hypothetical: Person of dubious authority: 'Eve, why don't you count all of the paper clips in the entire department and then divide them into seven equal piles?' Me: 'Great. I'll get right on it. That'll be great.'" Tabitha (prefers foreign men, gets entree to the coolest parties, buys lots of underwear): "Remove unsightly hairs before all dates." Roseanne (Eve's roommate who works in—gasp!—finance): "Whatever you do, don't be predictable."

After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.

A young girl grapples with her grief over a tragic loss with the help of a new perspective from Hebrew school and supportive new friends in this heartfelt and “accessible” (Kirkus Reviews) middle grade novel about learning to look forward. Twelve-year-old Daisy and Ruby are totally inseparable. They’ve grown up together, and Daisy has always counted on having Ruby there to pave the way, encourage her to try new things, and to see the magic in the world. Then Ruby is killed in a tragic accident while on vacation, and Daisy’s life is shattered. Now Daisy finds herself having to face the big things in her life—like starting middle school and becoming a big sister—without her best friend. It’s hard when you feel sad all the time. But thanks to new friends, new insights, and supportive family members, Daisy is able to see what life after Ruby can look like. And as she reaches beyond that to help repair the world around her, she is reminded that friendship is eternal, and that magic can be found in the presence of anyone who chooses to embrace it.

China is no longer a Third World country. It is now the world's fastest growing economy. Even after the 2008 Olympics, this fact may come as a shock to many Americans, who continue to think that the Chinese still march around in brown uniforms with red stars on their caps arresting dissidents for wearing capitalist Levis. China has at last count, more than half a billion cell phone users. Indeed, the Chinese are not only the world's leading users of mobile phones, but also the leading suppliers. No Chinese student goes without one and even a donkey cart driver chatting away on a mobile is not an uncommon sight.China's educated New Generation is possibly the most highly motivated force since the post-World War II generation in America. The young people of China are the next wave of a flourishing Chinese middle class now estimated as 13.5 % of the population, and expected to be 600 million strong by 2015, according toBusiness Week. These young people want to drive cars like ours, live in houses like ours, own condos near the beach, wear designer clothes, and carry cell phones, iPods, camcorders, digital cameras, and MP3 players, just like Americans. Tens of millions already do.During a thirty-month stay in Chinabetween 2004 and 2007, Ayres was presented to soldiers straight out of boot camp, toasted by military generals and governors, invited to parties with local leaders as a ""foreign expert and dignitary,"" and begged to counsel dissidents and the lovelorn. He rode buses jammed with peasants hoping that they would actually be paid at the end of the month. He dickered with farmers in open markets and street vendors desperate to make ends meet. He dealt with smooth, savvy merchants in upscale department stores; and debated policy with Communist Party bosses. This revised paperback edition of the author's earlier work, A Billion to One, is a vivid, intimate account of China as it is today.

After Green Gables brings to life a distinctly Canadian literary and intellectual association of writers.