Hollywood And Maine

With a new boyfriend, her own room (finally!), and a modeling agency trying to convince her to sign with them, Charmaine Upshaw’s life is just about perfect. But a surprising face appears at the dinner table: ex-con Uncle E. Uncle E skipped town a few months ago after Charmaine’s parents put up $1000 bail, leaving them in a bind that forced her mom to go back to work. Mom and Dad seem happy to see Uncle E, and her little live-in cousin Tracy John thinks he’s the greatest thing since sliced bread. But Charmaine is not fooled. Meanwhile, Charmaine struggles in her first romance and ponders the idea of taking Hollywood by storm. Does she have what it takes to see her name in lights? Only if she can survive the 10th grade. . . . From the Hardcover edition.

This book charts the Hollywood studio system's genesis, international dominance, and self-understood demise by way of its influences on modernist literature in the United States. It shows how the American film industry's business practices and social conditions inflected the form of some of the greatest works of prose fiction and non-fiction.

Beginning as a humble vaudeville hall in the Skowhegan-Madison trolley park, Lakewood Theatre has graced the southwestern shore of Lake Wesserunsett in Madison, Maine, since the turn of the 20th century. Under the masterful guidance of Herbert L. Swett, a Bangor native and Bowdoin graduate, Lakewood eventually developed into a nationally renowned playhouse that was called the "Broadway in Maine" by the New York Times in its heyday, from 1925 until World War II. In the years following the war, Lakewood was operated by Swett's heirs and became a virtual who's who of both Broadway and Hollywood, until it nearly went dark in the early 1980s. Operating today as a nonprofit community theater, Lakewood is the official state theater of Maine and the oldest continually running summer theater in the country.

The backstudio picture, or the movie about movie-making, is a staple of Hollywood film production harking back to the silent era and extending to the present day. What gives backstudios their coherence as a distinctive genre, Steven Cohan argues in Hollywood by Hollywood, is their fascination with the mystique of Hollywood as a geographic place, a self-contained industry, and a fantasy of fame, leisure, sexual freedom, and modernity. Yet by the same token, if backstudio pictures have rarely achieved blockbuster box-office success, what accounts for the film industry's interest in continuing to produce them? The backstudio picture has been an enduring genre because, aside from offering a director or writer a chance to settle old scores, in branding filmmaking with the Hollywood mystique, the genre solicits consumers' strong investment in the movies. Whether inspiring the "movie crazy" fan girls of the early teens and twenties or the wannabe filmmakers of this century heading to the West Coast after their college graduations, backstudios have given emotional weight and cultural heft to filmmaking as the quintessential American success story. But more than that, a backstudio picture is concerned with shaping perceptions of how the film industry works, with masking how its product depends upon an industrial labor force, including stardom, and with determining how that work's value accrues from the Hollywood brand stamped onto the product. Cohan supports his well theorized and well researched claims with nuanced discussions of over fifty backstudios, some canonical and well-known, and others obscure and rarely seen. Covering the hundred-year timespan of feature length film production, Hollywood by Hollywood offers an illuminating perspective for considering anew the history of American movies.

The Hollywood 100 is a carefully curated list that spans generations, genres, and the ever-evolving landscape of the film industry. Each actress selected for this collection has not only graced the screen but has also left an indelible mark on the cultural zeitgeist. From the luminosity of the Golden Age to the dynamism of contemporary cinema, these women have transcended the screen, becoming beacons of inspiration for aspiring actors and audiences alike. Behind the glamour and glitz, each actress's journey is a tale of passion, perseverance, and the pursuit of excellence. Whether they emerged from humble beginnings or were born into the limelight, their stories are threaded with the common theme of dedication to their craft. From auditions that tested their mettle to roles that defined careers, these narratives unfold like a script, revealing the raw, unfiltered reality that exists behind the scenes.

The Complete Regional Guide to Craft Beer With quality beer producers popping up all over the nation, you don’t have to travel very far to taste great beer; some of the best stuff is brewing right in your home state. Beer Lover’s New England features breweries, brewpubs, and beer bars geared toward brew enthusiasts looking to seek out the best beers New England has to offer, from bitter seasonal IPAs to rich, dark stouts. Written by a local beer expert, Beer Lover’s New England covers the entire beer experience for the proud, local enthusiast and the traveling visitor alike, including: Brewery and beer profiles with tasting notes and full-color photosMust-visit brewpubs and beer barsTop annual beer festivals, tastings, and eventsClone beer recipes for homebrewersn and hobbyistsFood recipes made with local craft beerBeer-centric city trip itineraries with pub-crawl maps

British film historians reassess the films, stars, genres, and directors omitted from conventional accounts of the decade and evaluate its forgotten and recently rediscovered films. They consider audiences, producer Julius Hagen and his independent Twickenham Film Studios, how MGM deal with the Films Acts, the shocker and musical genres, class and gender issues, national identity, and other dimensions. Distributed by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR