Home At The End Of The World

Boyhood friends, Jonathan and Bobby meet up again in New York after college. Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city’s erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare’s child. When Clare and Bobby have a baby, the three move to a small house upstate to raise “their” child together and, with an odd friend called Alice, create a new kind of family.

1st person non-fiction stories of Key West in the 1960s, 70s, and 80s.

Set against the backdrop of a brutal Toronto summer heatwave, seventeen-year-old Jamilah Monsour makes plans for what she’s certain is the beginning of the climate change catastrophe that will end the world. Luckily, Jamilah knows what has to be done to save her family: transform the back alley garage into a bunker. Reluctantly her parents allow the bunker, but they draw the line when she announces she’s going to skip university and instead use the money they had saved for her education to buy solar panels and a generator. When an electricity blackout strikes, Jamilah’s climate change anxiety kicks into high gear and she ends up staying out all night, infuriating her father who is done with all this doomsday nonsense. Tension at home erupts and Jamilah runs away and joins a climate change protest where she learns about solidarity and agency, giving her hope for the future. When she returns home, her parents see just how deep Jamilah’s climate change convictions run and the family discusses her attending university to study environmental science, a plan they can all agree on. But Jamilah still plans on buying a generator, just in case.

In this fast-paced survival story set in Hawaii, electronics fail worldwide, the islands become completely isolated, and a strange starscape fills the sky. Leilani and her father embark on a nightmare odyssey from Oahu to their home on the Big Island. Leilani’s epilepsy holds a clue to the disaster, if only they can survive as the islands revert to earlier ways. A powerful story enriched by fascinating elements of Hawaiian ecology, culture, and warfare, this captivating and dramatic debut from Austin Aslan is the first of two novels. The author has a master’s degree in tropical conservation biology from the University of Hawaii at Hilo. Praise for Islands at the End of the World: “A riveting tale of belonging, family, overcoming perceived limitations, and finding a home.”--School Library Journal, Starred "Aslan’s debut honors Hawaii’s unique cultural strengths--family ties and love of home, amplified by geography and history--while remaining true to a genre that affirms the mysterious grandeur of the universe waiting to be discovered."--Kirkus Reviews, Starred "Aslan’s debut is a riveting tale of belonging, family, overcoming perceived limitations, and finding a home."--School Library Journal, Starred

This is no ordinary apocalypse... Hannah wakes up to silence. The entire city around her is empty, except for one other person: Leo. Stuck with only each other, they explore a world with no parents, no friends, and no school and realise that they can be themselves, instead of playing the parts everyone expects of them. Together, they search for answers amid crushing isolation. But while their empty world may appear harmless . . . it's not. Because nothing is quite as it seems, and if Hannah and Leo don't figure out what's going on, they might just be torn apart forever. Perfect for fans of John Green. A romantic apocalypse story like no other.

How To Build a Home for the End of the World is a case study in three parts, authored by Californian anthropologist, Dr. Maria Camphor, and commissioned by the International Program for the Advancement and Longevity of the Universal Body. Contained within this frame, the 'case' is the story of Donny, a carpenter who renovates houses nobody lives in, and his daughter Mary-Beth, who is hell-bent on following her first love, Ida, to California, where she has gone to seek care for a chronic illness.Together, father and daughter must go on a road trip across a waterless American wasteland, populated by a cast of angels and ghosts, revolutionaries and academics, performance artists and desert hippies. Along the way, they must reckon with past mistakes, a broken home, and their own contentious relationship with each other. What home, if any, can we build in the face of oblivion? What is love like when memory, bodily integrity and relationships disintegrate? How do we deal with our staggering fragility when bodies and families are dismembered and reassembled? How can we still find time for joy and love and beauty without dishonest platitudes? How do we negotiate hope and despair? This novel explores these questions.

Paul Tremblay’s terrifying twist to the home invasion novel—inspiration for the upcoming major motion picture from Universal Pictures “Tremblay’s personal best. It’s that good.” — Stephen King Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road. One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, “None of what’s going to happen is your fault.” Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.” Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

Carrie, Tom, Em and Michael Fielding are at the mercy of their rotten Uncle Rudolph after a fire leaves them homeless, with their mother in hospital and their father abroad at sea. Uncle Rudolph and his vain wife Val reluctantly take the children in, but soon let them live alone at World's End, their ramshackle house in the countryside, rather than look after them. So begins a life with no grown-ups where the Fielding children can adopt as many dogs, cats, monkeys and horses as they like. Free at last from interference from their relatives, they begin to fend for themselves, adding to their already sizeable collection of animals – rescuing them from the thoughtless cruelty of adults. The House at World's End is the first adventure in The World's End series.