Home In The Bear S Domain

This is a box set of the first three books in the Northeast Kingdom Bears, the trilogy Called by the Bear. Join the adventure readers don't want to end! Who up and moves from California to Maine based on a recurring dream? No one who’s thinking straight—but that’s what I convinced my best friend, Sierra, we should do. Did I mention that dream includes smoking-hot guys? Or that we both have tattoos nobody else can see? Like I said, this isn’t normal. Neither is the fact our cross-country road trip nabs us two more women like us—all of us summoned by something we don’t understand. Now here we are in Maine where they grow the men big. The women too. Things that shouldn’t happen, do. Things that shouldn’t exist, do. Where fate is more than a joke—because it appears I was called here for a reason. To save a clan of werebear, to have a true mate by my side. But can I become what destiny has planned for me and save a clan from extinction? Hold on tight for the wild ride that will leave you sleepless until it ends. romantic suspense, werebear romance, fated mates, true mate love, love triangle, friends to lovers, new adult, small town romance

Lord I'm Coming Home focuses on a small, white, rural fishing community on the southern reaches of the Great Dismal Swamp in North Carolina. By means of a new kind of anthropological fieldwork, John Forrest seeks to document the entire aesthetic experience of a group of people, showing the aesthetic to be an "everyday experience and not some rarefied and pure behavior reserved for an artistic elite." The opening chapter of the book is a vivid fictional narrative of a typical day in "Tidewater," presented from the perspective of one fisherman. In the following two chapters the author sets forth the philosophical and anthropological foundations of his book, paying particular attention to problems of defining "aesthetic," to methodological concerns, and to the natural landscape of his field site. Reviewing his own experience as both participant and observer, he then describes in scrupulous detail the aesthetic forms in four areas of Tidewater life: home, work, church, and leisure. People use these forms, Forrest shows, to establish personal and group identities, facilitate certain kinds of interactions while inhibiting others, and cue appropriate behavior. His concluding chapter deals with the different life cycles of men and women, insider-outsider relations, secular and sacred domains, the image and metaphor of "home," and the essential role that aesthetics plays in these spheres. The first ethnography to evoke the full aesthetic life of a community, Lord I'm Coming Home will be important reading not only for anthropologists but also for scholars and students in the fields of American studies, art, folklore, and sociology.

The Berenstain Bears welcome readers to their family tree and invite them inside for a grand tour. Full color.