Home Nature And The Feminine Ideal

Take three things: the home, nature, and the feminine ideal—a notional and perfected femininity. Constitute them as inexorably and universally connected. Enrol them in diverse strategies and tactics that create varied anatomo-politics of the body and biopolitics of the population. Enlist those three things as the “handmaidens” of the government of individuals and groups, places and spaces, and comings and goings. Focus some effort on the periodical press, and on producing and disseminating narratives, discourses, and practices that relate specifically to health and well-being. Deploy those texts and shape those contexts in ways that affect flesh and bone, psychology and social conduct, and the spatial organization and relational dynamics of dwellings and streets, settlements and regions, and states and empires. Stretch these activities over the Anglophone world—from the epicentres of the United Kingdom and the United States to Australia or Canada, New Zealand or India—and extend their reach over the whole of the long nineteenth century. Such are the subjects of this work, in which Elaine Stratford draws from governmentality, the geohumanities, and geocriticism to converse with an extensive archive that profoundly shaped our engagements with home, nature, and the feminine ideal, deeply influenced our collective capacity to flourish, and powerfully constituted diverse geographies of the interior and of empire that still affect us.

The untold history of how Chicago served as an important site of innovation in environmental thought as America transitioned to modern, industrial capitalism. In Nature's Laboratory, Elizabeth Grennan Browning argues that Chicago—a city characterized by rapid growth, severe labor unrest, and its position as a gateway to the West—offers the clearest lens for analyzing the history of the intellectual divide between countryside and city in the United States at the end of the nineteenth century. By examining both the material and intellectual underpinnings of Gilded Age and Progressive Era environmental theories, Browning shows how Chicago served as an urban laboratory where public intellectuals and industrial workers experimented with various strains of environmental thinking to resolve conflicts between capital and labor, between citizens and their governments, and between immigrants and long-term residents. Chicago, she argues, became the taproot of two intellectual strands of American environmentalism, both emerging in the late nineteenth century: first, the conservation movement and the discipline of ecology; and second, the sociological and anthropological study of human societies as "natural" communities where human behavior was shaped in part by environmental conditions. Integrating environmental, labor, and intellectual history, Nature's Laboratory turns to the workplace to explore the surprising ways in which the natural environment and ideas about nature made their way into factories and offices—places that appeared the most removed from the natural world within the modernizing city. As industrialization, urbanization, and immigration transformed Chicago into a microcosm of the nation's transition to modern, industrial capitalism, environmental thought became a protean tool that everyone from anarchists and industrial workers to social scientists and business managers looked to in order to stake their claims within the democratic capitalist order. Across political and class divides, Chicagoans puzzled over what relationship the city should have with nature in order to advance as a modern nation. Browning shows how historical understandings of the complex interconnections between human nature and the natural world both reinforced and empowered resistance against the stratification of social and political power in the city.

This book extends Max Weber’s theory of the value-spheres of modernity into wholly new areas, showing that the addition of home, nature and sport to Weber’s own list of five spheres (economic, scientific/intellectual, political/legal, erotic and aesthetic) yields original insights into these aspects of modernity and modernity itself. It shows how each of these new spheres is able to create its own ‘inner cosmos’ of salvation from rationalised senselessness, just as Weber’s ‘irrational’ spheres offer release from the grim reality of capitalism, the disenchanted universe and the bureaucratic state formed by the more ‘rationalised’ spheres. Drawing on a wide, cross-disciplinary range of sources, the author sheds light on the role of home in creating a sense of our enchanted past, of nature in helping to restore to the world a teleological meaning constructed from innocence and purity and of sport in imposing sense on the world, at least temporarily. A Weberian Perspective on Home, Nature and Sport: Disenchantment and Salvation will appeal to scholars of sociology and social theory with interests in classical sociological theory and the analysis of modernity.

Within the frame of family farming, this book offers a longitudinal study of the Castra district in North-West Tasmania from first European settlement to the end of the twentieth century. It draws upon historical sources for yeomanry characteristics from Britain, Canada, the USA, New Zealand and Australian mainland colonies to show how these characteristics were persistently supportive of family farming. Surveying farming communities over several generations, this book explores a range of topics including colonial surveying practices, settler families’ motivation, attributes and demographics, the role of Methodism, the ways children were inculcated into yeoman farming enterprises, the role of women as companionate wives and the political participation of farmers in the public sphere. The book also offers a new perspective of three commonly held myths of settlement failure: the settlement of retired Anglo-Indian military and civil officers in the 1870s, the settlement of soldiers on small farms after the Great War and the claims that the ideal of yeoman family farming was anachronistic to capitalist commodity production. The book draws from a wide selection of previously underused primary source materials, including oral histories from current and past residents, to provide a comprehensive overview of an important aspect of rural Australian history. The book is a valuable contribution to Australian historiography, and will be a useful resource for students and scholars of rural history, social history, environmental history, colonialism and sustainable agriculture.

Historical geography is an active, theoretically-informed and vibrant field of scholarly work within modern geography, with strong and constantly evolving connections with disciplines across the humanities and social sciences. Across two volumes, The SAGE Handbook of Historical Geography provides you with an an international and cross-disciplinary overview of the field, presenting chapters that examine the history, present condition and future potential of the discipline in relation to recent developments and research.

In this cogent introduction to the state of contemporary geopolitics, Short provides an understanding of the basic themes of geopolitics and an overview of geopolitical issues around the globe. His regional approach to the study of the power relations between states is framed by a discussion of critical and popular geopolitical analysis.

This book tells a compelling story about invasion, settler colonialism, and an emergent sense of identity in place, as seen through topographical and landscape images by seven fascinating artists. Their ways of imagining the Vandemonian landscape are part of a much larger story about how aesthetic forces shaped empire and colony, place and migration, and people’s lives. They remain intriguing through-lines of global significance and local meaning.

Why, at a time when women's liberation was gaining force and momentum, did the corset become more cinched and restricting than at any time during the entire preceding century? Why was bra burning a political statement for the feminists of the 1970s? How far is the harnessed and restricted female form an outward symbol of Victorian and middle-class ideas of discipline and self-control? In what ways are women forced to conform to a "feminine ideal"? In The Feminine Ideal, Marianne Thesander examines the significance of the female body, beauty and culture. She shows how the female body is constantly being changed, and by various sometimes punishing means made to fit in with current feminine physical ideals. The use of corsets, bras, make-up, cosmetics and body decoration either emphasizes or plays down specific aspects of the female form. Marianne Thesander considers: sin and virtue; the forbidden, the concealed, the alluring body; woman as object, fetish and erotic sign. With extensive use of illustrative material, she examines the fashion history of underwear from the eighteenth century to the present day, exploring the significance of changing 'models' of the feminine."