Home On The Strange

Under the desert's cracked and barren skin, spadefoot toads are waiting for rain. In the endless black of the deepest caves, blind fish find their way. Even in the frozen hearts of glaciers, ice worms by the billion flourish. In this fascinating look at fourteen animals who defy the odds by thriving in Earth's most dangerous places, renowned poet Marilyn Singer and celebrated artist Ed Young show that of all the miracles of life, it is life's persistence that astounds the most.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

When Tim and Gerry see a face at the window of a boarded up house they decide to investigate.

A picture book to release ahead of the third Spider-Man film, in theaters summer 2021.

A bitterly jealous brother, a samurai who makes the ultimate sacrifice, a cold-hearted husband, a monk who mistakes desire for piety, a fraudulent merchant who meets his match in a supernatural river otter — the motives underlying these traditional Japanese folktale characters are explored with haunting results. Prompted by the sometimes illogical and perplexing actions of folktale characters (Why doesn’t the wolf kill Little Red Riding Hood right away?), master storyteller Rui Umezawa revisits eight popular Japanese folktales, delving beneath their sometimes baffling plot lines to highlight the psychological motivations behind the characters’ actions. In “Betrayal,” a treacherous husband poisons his wife so he can marry another woman. In “Paradise,” a young man saves the life of a sea turtle, who takes him to a luxurious underwater palace, where his every whim is fulfilled. A brother in “Rage” is consumed by jealousy when his brother’s dog digs up a cache of gold. In “Honor,” a samurai kills himself to keep a promise made to his blood brother. Tales of addiction, bravery, sex, greed, abuse and control — these stories take their inspiration from the great Japanese storytelling traditions, as well as from Noh and Kabuki. Sometimes laced with ironic humor, sometimes truly horrifying, these stories of the strange and supernatural will appeal to readers of all ages, but they particularly speak to teenagers. Evocative and haunting illustrations by the stunningly talented Mikiko Fujita add to the eerie beauty of this collection. A detailed afterword outlines the author’s storytelling approach and provides source material for each tale.

Examining the relationship between strangers, embodiment and community, Strange Encounters challenges the assumptions that the stranger is simply anybody we do not recognize and instead proposes that he or she is socially constructued as somebody we already know. Using feminist and postcolonial theory this book examines the impact of multiculturalism and globalization on embodiment and community whilst considering the ethical and political implication of its critique for post-colonial feminism. A diverse range of texts are analyzed which produce the figure of 'the stranger', showing that it has alternatively been expelled as the origin of danger - such as in neighbourhood watch, or celebrated as the origin of difference - as in multiculturalism. The author argues that both of these standpoints are problematic as they involve 'stranger fetishism'; they assume that the stranger 'has a life of its own'.