Homer S Original Genius

The querelle des anciens et des modernes - the question whether writers should imitate the classics or use literary forms which seemed more suited to their own era - had been debated in Europe since the earliest days of the Renaissance. This book analyses the development of the querelle following the adoption of the argument of the modernist faction of seventeenth-century France.

Examines the first generation of artists in Britain to define themselves as history painters, attempting what then was considered to be art's most exalted category. This book features more than 120 black-and-white illustrations.

In the most comprehensive, up-to-date account of the poetry published in Britain between the Restoration and the end of the eighteenth century, a team of leading experts surveys the poetry of the age in all its richness and diversity. They provide a systematic overview, and restore these poetic works to a position of centrality in modern criticism.

As distinct from the extant studies of ancient canonical texts, which focus either on literary (Greco-Roman) or religious (Judeo-Christian) canons, the present volume aims at bridging between these two fields by proposing the first comparative study of canon. An international team of experts discusses the processes of canon-formation in societies of the ancient world, addressing such issues as canon and the articulation of identity; the hermeneutical attitude toward canonical texts; textual fixity and openness; oral and written canons; methods of transmission, and more. Among the topics discussed are Mesopotamian canons; Zoroastrianism; the Bible; Homer; literary and philosophical canons in ancient Greece and Rome; the New Testament; the Roman law; Rabbinic Judaism and Kabbalistic literature. The future of the so-called Western Canon is one of the most hotly debated issues of the day. There is reason to believe that what is perceived today as a unique crisis, can be put into perspective by students of ancient societies, for the simple reason that the ancient world offers us the historical perspective of civilizations as a whole and allows us to study cultural phenomena in the longue durée.

The "Gentleman's magazine" section is a digest of selections from the weekly press; the "(Trader's) monthly intelligencer" section consists of news (foreign and domestic), vital statistics, a register of the month's new publications, and a calendar of forthcoming trade fairs.

Intellectual property law has been interacting with nature for over two centuries. Despite this long history, this relationship has largely been ignored. Intellectual Property and the Design of Nature fills this gap by bringing together scholars from different disciplines to examine the important role that nature plays in intellectual property law. Based on the idea that many contemporary issues require a better understanding of these historical interactions, the book reflects on the ways intellectual property law has engaged with and understood nature in the past. The varied contributions show how the relationship between nature and intellectual property law is often more complex, permeable, and porous than is commonly recognized. Intellectual Property and the Design of Nature demonstrates the complex and changing role that nature has played in the history of intellectual property law. Each of the chapters casts a new light on these connections. A compelling read for everyone interested in exploring new perspectives in the field of intellectual property.