Homotopia

This book examines queer performance in Britain since the early 1990s, arguing for the significance of emerging collaborative modes of practice. Using queer theory and the history of early lesbian and gay theatre to examine claims to representation among other things, it interrogates the relationships through which recent works have been presented.

In this new book, Brian Hatcher examines the modern Hindu penchant for constructing religious worlds in an eclectic fashion. Noting how Hindu apologists from Rammohun Roy to Sarvepalli Radhakrishnan make an almost promiscuous use of the world's many philosophies and religions to define and defend Hinduism, Hatcher sets out to explore the ancient roots and contemporary significance of such eclectic borrowing. A discussion of the Vedic and classical roots of Hindu eclecticism affords Hatcher the opportunity to reflect upon the profound and widespread role of eclecticism in South Asian religion, while consideration of the work of Swami Vivekananda--as well as a variety of religious reformers from nineteenth-century Bengal--suggests the ongoing significance of the phenomenon in colonial and postcolonial contexts. By examining the development of Brahmo and Neo-Vedanta discourse, Hatcher is able both to problematize the notion of a monolithic concept of religious eclecticism and to reflect upon the various ways scholars might nevertheless attempt to make sense of a bewildering variety of eclectic philosophies. What emerges is not simply an attempt to refine our understanding of the role eclecticism has played in the modern Hindu context, but an extended reflection upon changing attitudes toward eclecticism in the West, from Diderot and Kant through postmodern critical theory. By investigating modern and postmodern perspectives on such issues as history, system, authenticity, and difference, Hatcher seeks to set in motion a dialectical approach to the study of eclectic world construction that balances the positivisitic confidence of modern scholarship with the playful exuberance of postmodern pastiche. Invoking the critical theories of Salman Rushdie, Theodor Adorno, and Richard Rorty, Hatcher advocates an approach to modern Hindu eclecticism that honors its creative poetics while retaining the critical distance necessary for judging its sometimes baleful fruits.

Shifting the postcolonial focus away from the city and towards the village, this book examines the rural as a trope in twentieth-century South Asian literatures to propose a new literary history based on notions of utopia, dystopia, and heterotopia and how these ideas have circulated in the literary and the cultural imaginaries of the subcontinent.

Analyses by the Israeli sociologist Michael Feige embraced every aspect of the State of Israel. He examined the ever-changing and complex identity of Israelis; how they remember and commemorate themselves; the long- and short-term conceptions of time of the left- and right-wing political movements; the spacial concept of the settlers; myths underlying the lives and deaths of its citizens; and the dialectical vicissitudes of the real and imagined Israel. The book contains material from Professor Feiges literary output, contextualized in an Introduction by David Ohana. Chapters delve into the meaning of Israeli signs and symbols; the semiotics of secular spaces (sites of disasters and graves of political and religious leaders); the semiotics of historical time and daily existence; forms of commemoration (of figures like David Ben-Gurion, Yitzhak Rabin, airforce pilots, a female settler and a peace activist). Feige scrutinized communities formed around political cells, the processes of fragmentation and globalization in Israel, the traumas and scars from the Yom Kippur War, the evacuation of settlements, and the killing of Yitzhak Rabin. Feiges scrutiny illuminated Israeli society in myriad ways. He was a sociologist among historians and a historian among sociologists, and internationally acknowledged as having an extraordinary ability to convey sociological meaning and structure to Israels radical political culture as expressed in its social actions and underlying mythology. Semiotics of Israeli Space and Time is not only an essential sociological toolbox for students and an historical masterpiece for the wider Israeli public to better understand the society to which they belong, but a commemorative volume to honour his life and work. Michael was murdered on 8 June 2016 when two Palestinian gunmen opened fire in the Sarona Market in Tel Aviv.

Following on from the bestselling "1000 things to do in London," "1000 Things to do in Britain" roams far and wide beyond the capital to bring you a unique guidebook to this incomparably unique island. The features include castles and kayaking, sculpture gardens and snorkelling hotspots, white sand beaches and white-knuckle rides, cider orchards and stately homes. Covering the length and breadth of Britain, it takes in both life-changing experiences and simple pleasures, with ideas for every budget. You can go wild camping on Dartmoor, or be pampered in a luxury spa; forage for your supper, or take afternoon tea in Park Lane; ride along a deserted beach, or go wild in the crowd at a festival. Packed with ideas from unusual takes on well-known attractions to once-in-a-lifetime experiences to everyday pleasures - many of them absolutely free.

In the wake of the end of the Cold War and worldwide protests against corporate globalization, anarchism continues to attract new adherents among both aging leftists and new generations of young radicals. Arena aims to tap into this revived interest in libertarian ideas, culture and practice by providing a dynamic focal point; a journal that brings together good, stimulating and provocative writing and scholarship on libertarian culture of all kinds. Designed for a general, intelligent, popular readership as well as for scholars and aficionados working in the area, the first issue of Arena focuses on film and video - historical and modern - and future issues will cover the entire spectrum of the arts; film, theatre, and art criticism as well as political theory and practice, reportage, letters, reviews, and unpublished fiction and nonfiction.

Leisure and Tourism Geographies considers leisure/tourism as an encounter. An encounter that exists between people, between people and space and between people and their expectations, experiences and desires. The contributors explore diverse aspects of leisure and tourism, ranging from the methodologies behind leisure practices to detailed case studies including: *Disneyland, Paris *tourism in sacred landscapes *leisure practices in cyberspace *leisure and yachting *use of recreational/holiday cottages *National Parks, local parks and gardens Presenting an exciting mix of attitudes and ideas concerning leisure and tourism, this book documents a lively debate, placing geography at its centre.