Hope Street Jerusalem

A love story that shines a hopeful light on a city where the choice of a romantic table by the window can turn into a life or death decision, from the award-winning aurthor of OUR WOMAN IN KABUL. 'I had no idea how demanding this consuming, cruel, dangerous and fascinating place would be. I would fall in love here, I would do some of my best reporting, I would be injured, ending my run of good luck - my life would change dramatically ...' Moving to a strange city always takes courage, but never more so than in a place where the daily expression of love and hate can turn a simple choice of a romantic table by the window into a life or death decision. Both a love story and bittersweet tribute to her beloved adopted city of Jerusalem, Irris Makler shines a hopeful light on a part of the world where the news reports often makes it seem impossibly dark. From juggling the danger and unpredictability of her work as a roving foreign correspondent , covering everything from Palestinian suicide attacks to Israeli incursions into the West Bank, to falling in love with a handsome and charming young Israeli, and gaining a mischievious four-legged companion along the way, she allows us an intimate glimpse into a passionate, vibrant and fascinating world. Adventurous, compassionate and engagingly honest, the award-winning author of OUR WOMAN IN KABUL is a master at capturing the personal stories behind the news we really want to know - and her story is the most interesting of all.

Everlasting hell and divine judgment, a lake of fire and brimstone--these mainstays of evangelical tradition have come under fire once again in recent decades. Would the God of love revealed by Jesus really consign the vast majority of humankind to a destiny of eternal, conscious torment? Is divine mercy bound by the demands of justice? How can anyone presume to know who is saved from the flames and who is not? Reacting to presumptions in like manner, others write off the fiery images of final judgment altogether. If there is a God who loves us, then surely all are welcome into the heavenly kingdom, regardless of their beliefs or behaviors in this life. Yet, given the sheer volume of threat rhetoric in the Scriptures and the wickedness manifest in human history, the pop-universalism of our day sounds more like denial than hope. Mercy triumphs over judgment; it does not skirt it. Her Gates Will Never Be Shut endeavors to reconsider what the Bible and the Church have actually said about hell and hope, noting a breadth of real possibilities that undermines every presumption. The polyphony of perspectives on hell and hope offered by the prophets, apostles, and Jesus humble our obsessive need to harmonize every text into a neat theological system. But they open the door to the eternal hope found in Revelation 21-22: the City whose gates will never be shut; where the Spirit and Bride perpetually invite the thirsty who are outside the city to "Come, drink of the waters of life."

2017 marked three important anniversaries for the Palestinian people: 100 years since the Balfour Declaration; 50 years since the Six-day War; and ten years since the Blockade of Gaza. As an act of penance, solidarity and hope, actor and musician Justin Butcher - along with ten other companions for the full route, plus another hundred joining him for various stretches along the way - walked from London to Jerusalem. This book is the record of his journey: a combination of walking journal, travel writing and pilgrim stories. It's less of a travel guide to walking across Europe and more an exploration of the many strands radiating from the Holy Land and its narrative, weaving paths across place and history, through the lives of Justin's fellow-walkers - and, of course, his own life. Between the route itinerary and the themes of Balfour and Christian Zionism, Weizmann and cordite, colonialism, Jerusalem Syndrome and Desert spirituality, Justin charts a chronicle of serendipity: happenstances hilarious, infuriating and occasionally numinous - or, as pilgrims might say, encounters with the Divine.

Today more than ever literature and the other arts make use of urban structures – it is in the city that the global and universal joins the local and individual. Babylon or New Jerusalem? Perceptions of the City in Literature draws a map of the concept of the city in literature and represents the major issues involved. Contributions to the volume revisit cities such as the London of Wordsworth, Dorothy Richardson and Virginia Woolf or Rilke’s Paris, but also travel to the politics of power in Renaissance theatre at Ferrara and to deliberate urban erasures in post-apartheid South Africa. The texts represented range from Renaissance plays to contemporary novels and to poetry from various periods, with references to the visual arts, including film. The role of memory in contemplating the city and also specific urban metaphors developed in literature, such as boxing – the square ring – and jazz are also discussed. The transformation of cities by legislation on cemeteries, by lighting or by projects of urban renewal are the subject of articles, while others reflect on images of the city in worlds specifically forged by writers like William Blake and James Thomson. The contributors themselves live and work in many varied cities, thus representing a dynamic and real variety of critical approaches, and introducing a strong theoretical and comparative element.

In August 2000 Emma Williams arrived with her three small children in Jerusalem to join her husband and to work as a doctor. A month later the Palestinian intifada erupted. For the next three years, she was to witness an astonishing series of events in which hundreds of thousands of lives, including her own, were turned upside down. Williams lived on the very border of East and West Jerusalem, working with Palestinians in Ramallah during the day and spending evenings with Israelis in Tel Aviv. Weaving personal stories and conversations with friends and colleagues into the long and fraught political background, Williams' powerful memoir brings to life the realities of the Palestinian-Israeli conflict. She vividly recalls giving birth to her fourth child during the siege of Bethlehem, and her horror when a suicide bomber blew his own head into the schoolyard where her children played each day. Understanding in her judgement, yet unsparing in her honesty, Williams exposes the humanity as well as the hypocrisy at the heart of both sides' experiences. Anyone wanting to understand this intractable and complex dispute will find this unique account a refreshing and an illuminating read.

Overlooking the Border: Narratives of Divided Jerusalem by Dana Hercbergs continues the dialogue surrounding the social history of Jerusalem. The book’s starting point is the border that separated the city between Jordan and Israel in 1948–1967, a lesser-known but significant period for cultural representations of Jerusalem. Based on ethnographic fieldwork, the book juxtaposes Israeli and Palestinian personal narratives about the past with contemporary museum exhibits, street plaques, tourism, and real estate projects that are reshaping the city since the decline of the peace process and the second intifada. What emerges is a portrayal of Jerusalem both as a local place with unique rhythms and topography and as a setting for national imaginaries and agendas with their attendant political and social tensions. As sites of memory, Jerusalem’s homes, streets, and natural areas form the setting for emotionally charged narratives about belonging and rights to place. Recollections of local customs and lifeways in the mid-twentieth century coalesce around residents’ desire for stability amid periods of war, dispossession, and relocation—intertwining the mythical with the mundane. Hercbergs begins by taking the reader to the historically Arab neighborhoods of West Jerusalem, whose streets are a battleground for competing historical narratives about the Israeli-Arab War of 1948. She goes on to explore the connections and tensions between Mizrahi Jews and Palestinians living across the border from one another in Musrara, a neighborhood straddling West and East Jerusalem. The author rounds out the monograph with a semiotic analysis of contemporary tourism and architectural ventures that are entrenching ethno-national separation in the post-Oslo period. These rhetorical expressions illuminate what it means to be a Jerusalemite in the context of the city’s fraught history. Overlooking the Border examines the social and geographic significance of borders for residents’ sense of self, place, and community, and for representations of the city both locally and abroad. It is certain to be of value to scholars and advanced undergraduate and graduate students of Middle Eastern studies, history, urban ethnography, and Israeli and Jewish studies.