Horace On Poetry

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This is the first of Professor Brink's three-volume commentary on Horace's literary epistles, originally published in 1963. The volumes' chief focus is the primary source of Horatian literary criticism: the Epistula ad Pisones, known as the Ars Poetica to most ancient and modern readers. Volume I of Horace on Poetry looks at the structure of the Ars Poetica, Neoptolemus and literary criticism, and the criticism and satire of Horace. Professor Brink's overriding argument is that the common dismissal of the Ars as a disorderly piece fails to take into account Horace's architectonic style. For Brink, this disorder is itself part of an intrinsic poetic design. The complete three-volume commentary constitutes one of the fullest scholarly commentaries on Horace's critical writing. It will continue to be of great value to all with an interest in this much-debated subject.

Horace in English seeks to reach through translation to Roman Horace, the friend of Virgil and Maecenas, while at the same time presenting a many faceted portrait of English Horace, moralist, love poet, patriot, ironist, wit, convivial companion, everyman's poet for all occasions.

This book explores the whole range of the output of an exceptionally versatile and innovative poet, from the Epodes to the literary-critical Epistles. Distinguished scholars of diverse background and interests introduce readers to a variety of critical approaches to Horace and to Latin poetry. Close attention is paid throughout to the actual text of Horace, with many of the chapters focusing on reading a single poem. These close readings are then situated in a number of different political, philosophical and historical contexts. The book sheds light not only on Horace but on the general problems confronting Latinists in the study of Augustan poetry, and it will be of value to a wide range of upper-level Latin students and scholars.

Horace lived at a pivotal moment. Rome was facing a profound crisis: though it ruled the world, the values which had made it great were disintegrating. As efficiency and pragmatism became watchwords, Horace championed the 'supremely useless' endeavour of poetry, and glorified friendship and wine. Horace and Me charts Harry Eyres' evolving relationship with the Latin poet to show how, in an era of affluence and excess which seems to be hurtling out of control, Horace can help us navigate our way in uncertain times.

This wide-ranging selection showcases the work of one of ancient Rome’s master poets—and originator of the phrase “carpe diem”—whose influence on poetry can be traced through the centuries into our own time. Quintus Horatius Flaccus, who lived from 65 to 8 BCE, saw the death of the Roman Republic and the beginning of the Roman Empire and was personally acquainted with the emperor Augustus and the poet Virgil. He was famous during his lifetime and since for his odes and epodes, for his satires and epistles, and for Ars Poetica. His lyric poems, brief and allusive, have been translated into English by a range of famous poets, including Milton, Ben Jonson, John Dryden, William Cowper, A. E. Housman, Ezra Pound, Louis MacNeice, Robert Lowell—and even Queen Elizabeth I and the Victorian prime minister William Gladstone. Horace’s masterly verses have inspired poets from antiquity to modernity, and his injunction to “seize the day” has echoed through the ages. This anthology of superb English translations shows how Horace has permeated English literature for five centuries.