Horrors Of War

The first book to pair the story of a Holocaust victim with that of a liberator, All the Horrors of War compels readers to consider the full, complex humanity of both.

Only once in a lifetime does a war so brutal erupt. A war that becomes an official genocide, causes millions to run from their homes, compels the slaughtering of thousands in the most horrific of ways, and inspires terrorist attacks to transpire across the world. That is the chilling legacy of the ISIS onslaught, and Only Cry for the Living takes a profoundly personal, unprecedented dive into one of the most brutal terrorist organizations in the world. Journalist Hollie S. McKay offers a raw, on-the-ground journey chronicling the rise of ISIS in Iraq—exposing the group’s vast impact and how and why it sought to wage terror on civilians in a desperate attempt to create an antiquated “caliphate.”

In Horrors of War, Tudjman combines his first-hand war-torn Yugoslavian experience with a vast knowledge of history, philosophy and literature to prove that violence and retribution are not new to this world, and unfortunately show no sign of abatement. As part of his review of violence in history, and it's political uses, Tudjman examines the Yugoslav Communist creation of a croation 'black legend', attempting to fix the blame for the world war II crimes of Croatia's Ustasha puppet government on the entire Croation people. In particular, he assesses the nature and scope of the crimes committed by the Ustasha government, particularly at the Jasenovac death camp. He concludes that, although Jasenovac was a cruel and terrible place where tens of thousands were murdered, it does not and cannot justify the delegitimization of the Croatian nation. He chronicles the systematic use by the Yugoslav regime of Jasenovac and the ustasha terror as a tool in it's attempt to eliminate Croatian aspirations towards independence. He brings up the fact that the anti-fascist movement in Croatia was one of the strongest anti-fascist movements not only in Yugoslavia but also in Europe. Franjo Tudjman is the president of the Republic of Croatia and a signer of the Dayton Accords.

Battlefields have traditionally been considered places where the spirits of the dead linger, and popular culture brings those thoughts to life. Supernatural tales of war told in print, on screen, and in other media depict angels, demons, and legions of the undead fighting against—or alongside—human soldiers. Ghostly war ships and phantom aircraft carry on their never-to-be-completed missions, and the spirits—sometimes corpses—of dead soldiers return to confront the enemies who killed them, comrades who betrayed them, or leaders who sacrificed them. In Horrors of War: The Undead on the Battlefield, Cynthia J. Miller and A. Bowdoin Van Riper have assembled essays that explore the meaning and significance of these tales. Among the questions that the volume seeks to answer are: How do supernatural stories engage with cultural attitudes toward war? In what ways do these stories reflect or challenge the popular memories of particular wars? How do they ask us to think again about battlefield heroism, military ethics, and the politics of sacrifice? Divided into four sections, chapters examine undead war stories in film (Carol for Another Christmas, The Devil’s Backbone), television (The Twilight Zone), literature (The Bloody Red Baron, Devils of D-Day), comics (Weird War Tales, The Haunted Tank), graphic novels (The War of the Trenches), and gaming (Call of Duty: World at War). Featuring contributions from a diverse group of international scholars, these essays address such themes as monstrous enemies and enemies made monstrous, legacies and memories of war, and the war dead who refuse to rest. Drawing together stories from across wars, branches of service, and generations of soldiers—and featuring more than fifty illustrations—Horrors of War will be of interest to scholars of film, popular culture, military history, and cultural history.

Now in a significant new edition, this landmark book documents little-known wartime Japanese atrocities during World War II, including cannibalism; the slaughter and starvation of prisoners of war; the rape, enforced prostitution, and murder of noncombatants; and biological warfare experiments.

A harrowing portrait of a largely forgotten campaign that pushed one battalion to the limits of human suffering. Despite their lack of jungle training, the 32nd Division’s “Ghost Mountain Boys” were assigned the most grueling mission of the entire Pacific campaign in World War II: to march over the 10,000-foot Owen Stanley Mountains to protect the right flank of the Australian army during the battle for New Guinea. Reminiscent of the classics like Band of Brothers and The Things They Carried, The Ghost Mountain Boys is part war diary, part extreme-adventure tale, and—through letters, journals, and interviews—part biography of a group of men who fought to survive in an environment every bit as fierce as the enemy they faced. Theirs is one of the great untold stories of the war. “Superb.” —Chicago Sun-Times “Campbell started out with history, but in the end he has written a tale of survival and courage of near-mythic proportions.” —America in WWII magazine “In this compelling and sprightly written account, Campbell shines a long-overdue light on the equally deserving heroes of the Red Arrow Division.” —Military.com

Historian and Bram Stoker Award nominee W. Scott Poole traces the confluence of military history, technology, and art that gave us modern horror films and literature. From Nosferatu to Frankenstein’s monster, from Fritz Lang to James Whale, the touchstones of horror can all trace their roots to the bloodshed of the First World War. Bram Stoker Award nominee W. Scott Poole traces the confluence of military history, technology, and art in the wake of World War I to show how overwhelming carnage gave birth to a wholly new art form: modern horror films and literature. "Thoroughly engrossing cultural study . . . Poole persuasively argues that the birth of horror as a genre is rooted in the unprecedented destruction and carnage of WWI." —Publishers Weekly (starred review)

Get out! Run! We must leave this place! They are going to destroy this whole place! Go, children, run first! Go now! These were the final shouts nine year-old Kim Phuc heard before her world dissolved into flames—before napalm bombs fell from the sky, burning away her clothing and searing deep into her skin. It’s a moment forever captured, an iconic image that has come to define the horror and violence of the Vietnam War. Kim was left for dead in a morgue; no one expected her to survive the attack. Napalm meant fire, and fire meant death. Against all odds, Kim lived—but her journey toward healing was only beginning. When the napalm bombs dropped, everything Kim knew and relied on exploded along with them: her home, her country’s freedom, her childhood innocence and happiness. The coming years would be marked by excruciating treatments for her burns and unrelenting physical pain throughout her body, which were constant reminders of that terrible day. Kim survived the pain of her body ablaze, but how could she possibly survive the pain of her devastated soul? Fire Road is the true story of how she found the answer in a God who suffered Himself; a Savior who truly understood and cared about the depths of her pain. Fire Road is a story of horror and hope, a harrowing tale of a life changed in an instant—and the power and resilience that can only be found in the power of God’s mercy and love.