Hot Sky At Midnight

Science fiction. By the author of T̀hebes of the hundred gates' and K̀ingdoms of the wall'.

“Intelligent and engaging science fiction” set against the backdrop of an environmental apocalypse from the SF Grand Master (The Washington Post). Not so very far in the future, the icecaps have melted and many coastal communities have been flooded out. The ozone layer is destroyed. Some areas are livable with breathing masks and injections that protect the skin from the now-deadly rays of the sun, but the only real refuge—for those who can afford it—has become the near-space orbital colonies built and run by private companies. Valparaiso Nuevo is one of these colonies—a haven and a center of action for hustlers, conspirators, and people looking for an edge. It is also the target of a disillusioned group of humans who become embroiled in a scheme to overthrow it. Their goals are individually motivated but the deadly combination of ambition, distrust, greed, stupidity, and lust leads to a dramatic conclusion that replicates in miniature the history of man’s destruction of his own living space on the planet. A bleak picture of future Earth and a complex plot peopled with dark, rich characters, comes together as one of Silverberg’s finer novels. “Silverberg focuses on his characters and their ruined world, providing a convincing portrayal of life in a greenhouse effect-cursed future. . . . [He] delivers powerful images of a world blighted by ecological abuse, and a satisfying novel as well.” —Publishers Weekly “It’s definitely major Silverberg and as such deserves all the readers it will undoubtedly get.” —Booklist

“A remarkable and gifted debut novel” (Colson Whitehead) about two outsiders—a lonely scientist in the Arctic and an astronaut trying to return to Earth—as they grapple with love, regret, and survival in a world transformed. THE INSPIRATION FOR THE NETFLIX ORIGINAL FILM THE MIDNIGHT SKY, DIRECTED BY AND STARRING GEORGE CLOONEY Augustine, a brilliant, aging astronomer, is consumed by the stars. For years he has lived in remote outposts, studying the sky for evidence of how the universe began. At his latest posting, in a research center in the Arctic, news of a catastrophic event arrives. The scientists are forced to evacuate, but Augustine stubbornly refuses to abandon his work. Shortly after the others have gone, Augustine discovers a mysterious child, Iris, and realizes that the airwaves have gone silent. They are alone. At the same time, Mission Specialist Sullivan is aboard the Aether on its return flight from Jupiter. The astronauts are the first human beings to delve this deep into space, and Sully has made peace with the sacrifices required of her: a daughter left behind, a marriage ended. So far the journey has been a success. But when Mission Control falls inexplicably silent, Sully and her crewmates are forced to wonder if they will ever get home. As Augustine and Sully each face an uncertain future against forbidding yet beautiful landscapes, their stories gradually intertwine in a profound and unexpected conclusion. In crystalline prose, Good Morning, Midnight poses the most important questions: What endures at the end of the world? How do we make sense of our lives? Lily Brooks-Dalton’s captivating debut is a meditation on the power of love and the bravery of the human heart. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SHELF AWARENESS AND THE CHICAGO REVIEW OF BOOKS “Stunningly gorgeous . . . The book contemplates the biggest questions—What is left at the end of the world? What is the impact of a life’s work?”—Portland Mercury “A beautifully written, sparse post-apocalyptic novel that explores memory, loss and identity . . . Fans of Emily St. John Mandel’s Station Eleven and Kim Stanley Robinson’s Aurora will appreciate the Brooks-Dalton’s exquisite exploration of relationships in extreme environments.”—The Washington Post

All at once the bright new red and yellow flames ghastly illuminated the interior of the room. He saw the bed was ablaze; he bent down and aimed his flashlight underneath the bed. Horrified he saw a women's foot, her red nail polish reflected back in the flashlight's beam. This story takes place on New Years Eve 1948 during a blizzard in Brooklyn, New York at Hook and Ladder 112. It is the love of adventure, the intrigue of a fireman's life, the spirit of patriotism and heroism. These things make a timely tale special, but it is the passion of the story told through years of experience. I was only two years old when my father was accepted into the Fire Academy and became one of New York's City's Firemen. I still can remember how I felt waiting for him to come home from the firehouse, especially when he was late. On those days I would go to my bedroom window and watch for his green Chrysler. I checked every car looking for the shadow of the tell-tale pipe in the drivers mouth, anticipating the smoke smelling hug that awaited me as he walked through the door. It is this and many other beloved memories of my father 'The Fireman' that are the heart and sole of this book. back and enabled me to visualize a bygone era. - Sal Moglen Hon. Battalion Chief Fire Department City of New York.

Americans have long been enthralled by visions of the apocalypse. Will the world end through nuclear war, environmental degradation, and declining biodiversity? Or, perhaps, through the second coming of Christ, rapture of the faithful, and arrival of the Antichrist—a set of beliefs known as dispensationalist premillennialism? These seemingly competing apocalyptic fantasies are not as dissimilar as we might think. In fact, Lisa Vox argues, although these secular and religious visions of the end of the world developed independently, they have converged to create the landscape of our current apocalyptic imagination. In Existential Threats, Vox assembles a wide range of media—science fiction movies, biblical tractates, rapture fiction—to develop a critical history of the apocalyptic imagination from the late 1800s to the present. Apocalypticism was once solely a religious ideology, Vox contends, which has secularized in response to increasing technological and political threats to American safety. Vox reads texts ranging from Christianity Today articles on ecology and the atomic bomb to Dr. Strangelove, and from Mary Shelley's The Last Man to the Left Behind series by Tim LaHaye and Jerry B. Jenkins, demonstrating along the way that conservative evangelicals have not been as resistant to science as popularly believed and that scientists and science writers have unwittingly reproduced evangelical eschatological themes and scenarios in their own works. Existential Threats argues that American apocalypticism reflects and propagates our ongoing debates over the authority of science, the place of religion, uses of technology, and America's evolving role in global politics.

Nearly twenty years ago Robert Silverberg began writing a monthly column of opinion and commentary, for Galileo Magazine, Amazing Stories, and then for Isaac Asimov's Science Fiction Magazine. Now he has chosen the liveliest and most relevant of his hundreds of magazine columns for the present collection. They constitute a vivid chronicle of events both in science fiction and the world in general over the past two decades. Robert Silverberg is one of the great veterans of fantasy and science fiction. During the course of a career that has now stretched across more than forty years, he has written dozens of novels and hundreds of short stories, many of them considered classics of the genre. He has won more major award nominations than any other writer in his field, and no less than nine Hugo and Nebula awards, the key s-f/fantasy trophies. His books have been translated into some eighteen languages and his short stories have appeared in every science-fiction and fantasy magazine in the world, as well as in Omni, Playboy, and Penthouse.