House Of Clouds

The power of imagination, storytelling and magic combine in a poignant and uplifting novella on family and grief.

A sweeping saga of an impassioned romance set amidst the upheaval of a nation under siege and a way of life threatened with destruction. The American Civil War creates enemies of lifelong friends and allies of strangers, but no relationship is more unlikely than that of a passionate Northern Unionist and a loyal Virginia sympathizer. Actress and Northerner Jordan Colfax is hired by Allan Pinkerton to spy on behalf of the Union. When she meets Confederate sympathizer, Laura St. Clair, whose father is military aide to Jefferson Davis, the perfect opportunity presents itself. But when the truth about Jordan's real intentions are discovered, their growing love is put to the ultimate test - the result of which could mean the difference between life and death. Can a Southern belle and a Yankee spy overcome their differences or will divided loyalties keep them apart? From Tidewater Virginia to Washington, D.C., passion and betrayal converge in Civil War Richmond.

While many baby boomers are downsizing to a simpler retirement lifestyle, photographer and writer Judy Blankenship and her husband Michael Jenkins took a more challenging leap in deciding to build a house on the side of a mountain in southern Ecuador. They now live half the year in Cañar, an indigenous community they came to know in the early nineties when Blankenship taught photography there. They are the only extranjeros (outsiders) in this homely, chilly town at 10,100 feet, where every afternoon a spectacular mass of clouds rolls up from the river valley below and envelopes the town. In this absorbing memoir, Blankenship tells the interwoven stories of building their house in the clouds and strengthening their ties to the community. Although she and Michael had spent considerable time in Cañar before deciding to move there, they still had much to learn about local customs as they navigated the process of building a house with traditional materials using a local architect and craftspeople. Likewise, fulfilling their obligations as neighbors in a community based on reciprocity presented its own challenges and rewards. Blankenship writes vividly of the rituals of births, baptisms, marriages, festival days, and deaths that counterpoint her and Michael’s solitary pursuits of reading, writing, listening to opera, playing chess, and cooking. Their story will appeal to anyone contemplating a second life, as well as those seeking a deeper understanding of daily life in the developing world.

A personal and critical work that celebrates the pleasure of books and reading. Largely unknown to readers today, Sir Philip Sidney’s sixteenth-century pastoral romance Arcadia was long considered one of the finest works of prose fiction in the English language. Shakespeare borrowed an episode from it for King Lear; Virginia Woolf saw it as “some luminous globe” wherein “all the seeds of English fiction lie latent.” In Gallery of Clouds, the Renaissance scholar Rachel Eisendrath has written an extraordinary homage to Arcadia in the form of a book-length essay divided into passing clouds: “The clouds in my Arcadia, the one I found and the one I made, hold light and color. They take on the forms of other things: a cat, the sea, my grandmother, the gesture of a teacher I loved, a friend, a girlfriend, a ship at sail, my mother. These clouds stay still only as long as I look at them, and then they change.” Gallery of Clouds opens in New York City with a dream, or a vision, of meeting Virginia Woolf in the afterlife. Eisendrath holds out her manuscript—an infinite moment passes—and Woolf takes it and begins to read. From here, in this act of magical reading, the book scrolls out in a series of reflective pieces linked through metaphors and ideas. Golden threadlines tie each part to the next: a rupture of time in a Pisanello painting; Montaigne’s practice of revision in his essays; a segue through Vivian Gordon Harsh, the first African American head librarian in the Chicago public library system; a brief history of prose style; a meditation on the active versus the contemplative life; the story of Sarapion, a fifth-century monk; the persistence of the pastoral; image-making and thought; reading Willa Cather to her grandmother in her Chicago apartment; the deviations of Walter Benjamin’s “scholarly romance,” The Arcades Project. Eisendrath’s wondrously woven hybrid work extols the materiality of reading, its pleasures and delights, with wild leaps and abounding grace.

This book is essentially a study of British aristocratic and artistic patronage of the arts in the under-explored period after 1850, approached through an intensive look at a single house - Clouds, known as the house of the age. It was built by the glamorous and unconventionally gifted Percy and Madeline Wyndham, and designed by Philip Webb, one of Britain's greatest architects. It became one of the centres of artistic and political life in late-Victorian and Edwardian Britain, and set the style for a whole generation of country house living. Dakers recreates the atmosphere and the lives lived in the house, the personalities of its three generations of Wyndham owners, and the succession of distinguished guests drawn to it - Henry James, Rossetti, Burne-Jones, Kipling, Whistler and Lord Alfred Douglas, amongst many others. She tracks the decline in the tradition of aristocratic patronage through a decline in the fortunes of Clouds itself - by the 1930s, the palace of art was a vast white elephant, and the house was sold to an institution, its treasures dispersed and its structure dynamited into a more usable space.

Captured by ISIS, her bravery and faith became her pathway to freedom. Badeeah Hassan was just 18 when she witnessed firsthand the horrors of the 2014 genocide of the Yazidi people by ISIS forces. Captured by ISIS, known locally as Daesh, Badeeah was among hundreds forced into a brutal human trafficking network made up of women and girls of Yazidi ethnicity, a much-persecuted minority culture of Iraq. Badeeah’s story takes her to Syria where she is sold to a high-ranking ISIS commander known as Al Amriki, the American, kept as a house slave, raped, and routinely assaulted. Only the presence of her young nephew Eivan and her friend Navine, also prisoners, keeps her from harming herself. In captivity, she draws on memories and stories from her childhood to maintain a small bit of control in an otherwise volatile situation. Ultimately, it is her profound sense of faith and brave resistance that lead her to escape with Eivan and reunite with family. Since her escape, Badeeah has brought her harrowing story of war and survival to the world’s stage, raising awareness about the strength of her people and the acts of genocide against them. This captivating account of courage extends beyond the confines of her experience; Badeeah’s story is about the resilience of women, girls, and persecuted groups everywhere in the face of seemingly insurmountable oppression.

The House in the Clouds is the first novel in a brand new trilogy from the bestselling author of The Rose Girls and The Book Lovers series.

The novel tells the story of Akira Kumo, a retired couturier living in Paris, owner of the world's largest collection of books about clouds, and Virginie Latour, whom Kumo hires to help catalogue his library. While they work he tells her the story behind three figures in particular, all British, all obsessed by clouds: Luke Howard, a real-life Quaker who in 1802 wrote the first treatise classifying clouds (we still use it today); a painter named Carmichael, clearly based on John Constable, one of the most famous cloud painters of all time, and a fictional amateur meteorologist named Richard Abercrombie, who aspires to write the definitive book on cloud description, which would come to be known in cloud circles as the Abercrombie Protocol. Kumo sends Virginie Latour to London to buy the Protocol. By the end of the novel, we learn the Protocol's great secret; we understand what binds these men together; and and we learn that Kumo himself is a survivor of the Hiroshima blast, in whose cloud his family vanished.