Housman Country

A New York Times Book Review Editor's Choice and Nominated for the 2017 PEN/Bograd Weld Prize for Biography A captivating exploration of A. E. Housman and the influence of his particular brand of Englishness A. E. Housman’s A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English coun - tryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. The poems were taken to war by soldiers who wanted to carry England in their pockets, were adapted by composers trying to create a new kind of English music, and have influ - enced poetry, fiction, music, and drama right up to the present day. Everyone has a personal “land of lost content” with “blue remembered hills,” and Housman has been a tangible and far-reaching presence in a startling range of work, from the war poets and Ralph Vaughan Williams to Inspector Morse and Morrissey. Housman Country is a vivid exploration of England and Englishness, in which Parker maps out terrain that is as historical and emotional as it is topographical.

This collection of essays was conceived as part of the centenary celebrations of the first publication in 1896 of one of the most popular collections of poetry ever written - A Shropshire Lad - a collection never out of print in a hundred years. Yet Housman was a recluse, an austere classicist of great renown who devoted his academic life to the correction of ancient texts. He filled his poems with the lives, loves, and deaths of simple country people whose emotions are intense and often violent, but lived his own life in stoic acceptance of his loveless, arid existence. Why his life should have been so intentionally empty of emotion raises questions about Housman's own sexuality and the relationship he had with his friend Moses Jackson and Jackson's brother Afalbert. Housman's poetry, like his life, is deceptively simple: this volume shows some of the complex currents below the surface.

Why is it that for many people 'England' has always meant an unspoilt rural landscape rather than the ever-changing urban world in which most English people live? What was the 'England' for which people fought in two world wars? What is about the English that makes them constantly hanker for a vanished past, so that nostalgia has become a national characteristic? In March 1896 a small volume of sixty-three poems was published by the small British firm of Kegan Paul, Trench, Trübner & Co. Ltd in an edition of 500 copies, priced at half-a-crown each. The author was not a professional poet, but a thirty-seven-year-old professor of Latin at University College, London called Alfred Edward Housman who had been obliged to pay £30 towards the cost of publication. Although slow to sell at first, A Shropshire Lad went on to become one of the most popular books of poetry ever published and has never been out of print. As well as being a publishing phenomenon, the book has had an influence on English culture and notions of what 'England' means, both in England itself and abroad, out of all proportion to its apparent scope. Housman Country will not only look at how A Shropshire Lad came to be written and became a publishing and cultural phenomenon, but will use the poems as a prism through which to examine England and Englishness. The book contains a full transcript of A Shropshire lad itself, also making it a superb present.

A.E. Housman's poetry (especially A Shropshire Lad) remains well-known, widely read and often quoted. However, Housman did not view himself as a professional poet, always making quite clear that his 'proper job' was as a Professor of Latin. Housman's fame as a poet has often obscured the fact that he was the leading British classical scholar of his generation, and a Cambridge Professor. It has also sometimes been suggested that Housman's two areas of activity are the sign of a flawed or 'divided' personality. A.E. Housman: A Single Life argues that there is no fundamental tension between Housman the poet and Housman the scholar, and his career is presented very much as that of a working academic who also wrote poetry. The book gives a full account of what Housman described as 'the great and real troubles of my early manhood', and in particular his unrequited and life-long love for his undergraduate friend Moses Jackson. It resists the temptation to classify Housman too exclusively as a melancholic, and is sceptical about Housman's reputed rudeness and misanthropy, pointing out that, though Housman was famously aloof in manner, he was notably loyal and generous, courteous in his daily dealings and generally liked by those who knew him. He also possessed a highly developed sense of the absurd and a ready and often disconcerting wit, features which characterised not only his letters and miscellaneous writings, but also, famously, much of his scholarly work.

A. E. Housman, romantic poet and classical scholar, is best-known as the author of A Shropshire Lad and the meticulous editor of Manilius, the Latin poet of astronomy. In this first full biography, Richard Perceval Graves convincingly reconciles the two apparently conflicting sides of Housman's personality, and reassesses the reputation of a man who was something of a mystery even to his closest friends. 'This is bound to become the standard life.' John Carey, Sunday Times 'Dispassionate and well-researched.' Philip Larkin, Guardian