How Do I Draw These Memories

Jonell Joshua spent her childhood shuttling back and forth between Savannah and New Jersey – living in grandparents' homes during the times her mother, struggling with mental illness, could not take care of her and her brothers. Together the family found a way to keep going even in the darkest of times. How Do I Draw These Memories? is a graphic novel memoir about nostalgia, faith, the preciousness of life, and unconditional love. From Jonell's devastatingly brilliant pen as a writer and an artist, it plumbs the depths of what family can be, and how joy and hope can be found in the most ordinary and extraordinary moments.

Caldecott medalist Allen Say chronicles his experiences as an artist during World War II, and describes his relationship with his mentor Noro Shinpei, Japan's leading cartoonist.

Jonell Joshua spent her childhood shuttling back and forth between Savannah and New Jersey – living in grandparents' homes during the times her mother, struggling with mental illness, could not take care of her and her brothers. Together the family found a way to keep going even in the darkest of times. How Do I Draw These Memories? is a graphic novel memoir about nostalgia, faith, the preciousness of life, and unconditional love. From Jonell's devastatingly brilliant pen as a writer and an artist, it plumbs the depths of what family can be, and how joy and hope can be found in the most ordinary and extraordinary moments.

Southerners are known for their strong sense of history. But the kinds of memories southerners have valued--and the ways in which they have preserved, transmitted, and revitalized those memories--have been as varied as the region's inhabitants themselves. This collection presents fresh and innovative perspectives on how southerners across two centuries and from Texas to North Carolina have interpreted their past. Thirteen contributors explore the workings of historical memory among groups as diverse as white artisans in early-nineteenth-century Georgia, African American authors in the late nineteenth century, and Louisiana Cajuns in the twentieth century. In the process, they offer critical insights for understanding the many communities that make up the American South. As ongoing controversies over the Confederate flag, the Alamo, and depictions of slavery at historic sites demonstrate, southern history retains the power to stir debate. By placing these and other conflicts over the recalled past into historical context, this collection will deepen our understanding of the continuing significance of history and memory for southern regional identity. Contributors: Bruce E. Baker Catherine W. Bishir David W. Blight Holly Beachley Brear W. Fitzhugh Brundage Kathleen Clark Michele Gillespie John Howard Gregg D. Kimball Laurie F. Maffly-Kipp C. Brenden Martin Anne Sarah Rubin Stephanie E. Yuhl

This book encapsulates the creation of Bangladesh with stories of some of those who made it happen —from the perspectives of people who fought for recognition of Bangla as one of the state languages of Pakistan, those who brought the stories of war to life as it progressed through the Swadhin Bangla Betar Kendro, operations by valiant military men, sacrifices of Birangonas (women of valour) whose contribution to the liberation of Bangladesh has often been neglected, martyrs who laid down their lives for the birth of the nation, and those who worked among the freedom fighters and refugees and kept their morale high. The emergence of Bangladesh in 1971 shaped both the nation and its narratives that revolved around partition of the subcontinent earlier in 1947. The history of Bangladesh was rewritten from the people’s perspective. The struggle of individuals and families who contributed to the liberation of Bangladesh is etched in blood and it is but natural that their perspectives would inform those interested in studying the history of liberation in a larger context. More than fifty years have passed since Bangladesh was liberated. Yet stories of individual suffering, sacrifices and contributions illustrate how people endured the repression inflicted by the Pakistan Army on them and yet fought gallantly. Three million were killed, 2 million were raped and 10 million became refugees in India. Bangladesh’s liberation war also represents the struggle of a people to preserve their culture and identity. This book captures all these and much more, bringing in reminiscences of what 1971 represented to those who contributed directly to the war of liberation. The book will be of interest to scholars and researchers of politics and international relations, partition studies, South Asian studies and refugee and diaspora studies. The chapters in this book were originally published in Strategic Analysis.

Authors from a variety of disciplines dealing with diverse historical cases engage with the spatial deployment of violence and the possibilities for memory and resistance in contexts of state sponsored violence, enforced disappearances and regimes of exception. Contributors include Aleida Assmann, Jay Winter and David Harvey.