How Should A Person Be

A brilliant portrayal of finding a beautiful life by one of Canada's most exciting literary talents, now available as an Anansi Book Club edition featuring discussion questions. How Should a Person Be? is an unabashedly honest and hilarious tour through the unknowable pieces of one woman’s heart and mind, an irresistible torn-from-life book about friendship, art, sex, and love. Part literary novel, part self-help manual, and part racy confessional, it is a fearless exploration into the way we live now by one of the most highly inventive and thoughtful young writers working today.

From the internationally acclaimed author of The Middle Storiesand Ticknorcomes a bold interrogation into the possibility of a beautiful life. How Should a Person Be?is a novel of many identities: an autobiography of the mind, a postmodern self-help book, and a fictionalized portrait of the artist as a young woman — of two such artists, in fact. For reasons multiple and mysterious, Sheila finds herself in a quandary of self-doubt, questioning how a person should be in the world. Inspired by her friend Margaux, a painter, and her seemingly untortured ability to live and create, Sheila casts Margaux as material, embarking on a series of recordings in which nothing is too personal, too ugly, or too banal to be turned into art. Along the way, Sheila confronts a cast of painters who are equally blocked in an age in which the blow job is the ultimate art form. She begins questioning her desire to be Important, her quest to be both a leader and a pupil, and her unwillingness to sacrifice herself. Searching, uncompromising and yet mordantly funny, How Should a Person Be?is a brilliant portrait of art-making and friendship from the psychic underground of Canada's most fiercely original writer.

Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times "Funny...odd, original, and nearly unclassifiable...unlike any novel I can think of."—David Haglund, The New York Times Book Review "Brutally honest and stylistically inventive, cerebral, and sexy."—San Francisco Chronicle Named a Book of the Year by The New York Times Book Review, The New Yorker, San Francisco Chronicle, Salon, Flavorpill, The New Republic, The New York Observer, The Huffington Post A raw, startling, genre-defying novel of friendship, sex, and love in the new millennium—a compulsive read that's like "spending a day with your new best friend" (Bookforum) Reeling from a failed marriage, Sheila, a twentysomething playwright, finds herself unsure of how to live and create. When Margaux, a talented painter and free spirit, and Israel, a sexy and depraved artist, enter her life, Sheila hopes that through close—sometimes too close—observation of her new friend, her new lover, and herself, she might regain her footing in art and life. Using transcribed conversations, real emails, plus heavy doses of fiction, the brilliant and always innovative Sheila Heti crafts a work that is part literary novel, part self-help manual, and part bawdy confessional. It's a totally shameless and dynamic exploration into the way we live now, which breathes fresh wisdom into the eternal questions: What is the sincerest way to love? What kind of person should you be?

A daring, funny, and poignant novel about the desire and duty to procreate, by one of our most brilliant and original writers. Motherhood treats one of the most consequential decisions of early adulthood—whether or not to have children—with the intelligence, wit and originality that have won Sheila Heti international acclaim, and which led her previous work, How Should a Person Be?, to be called "one of the most talked-about books of the year" (TIME magazine). Having reached an age when most of her peers are asking themselves when they will become mothers, Heti's narrator considers, with the same urgency, whether she will do so at all. Over the course of several years, under the influence of her partner, body, family, friends, mysticism and chance, she struggles to make a moral and meaningful choice. In a compellingly direct mode that straddles the forms of the novel and the essay, Motherhood raises radical and essential questions about womanhood, parenthood, and how—and for whom—to live.

Should neighborhoods change? Is wearing a suit a good way to quit smoking? Why do people think that if you do one thing, you're against something else? Is monogamy a trick? Why isn't making the city more fun for you and your friends a super-noble political goal? Why does a computer last only three years? How often should you see your parents? How should we behave at parties? Is marriage getting easier? What can spam tell us about the world? Misha Glouberman's friend and collaborator, Sheila Heti, wanted her next book to be a compilation of everything Misha knew. Together, they made a list of subjects. As Misha talked, Sheila typed. He talked about games, relationships, cities, negotiation, improvisation, Casablanca, conferences, and making friends. His subjects ranged from the sublime to the ridiculous. But sometimes what had seemed trivial began to seem important—and what had seemed important began to seem less so. The Chairs Are Where the People Go is refreshing, appealing, and kind of profound. It's a self-help book for people who don't feel they need help, and a how-to book that urges you to do things you don't really need to do.

Literary ombudsman John Crace never met an important book he didn't like to deconstruct. From Salman Rushdie to John Grisham, Crace retells the big books in just 500 bitingly satirical words, pointing his pen at the clunky plots, stylistic tics and pretensions of Big Ideas, as he turns publishers' golden dream books into dross.

Balancing wisdom and innocence, joy and foreboding, Sheila Heti’s completely original stories lead you to surprising places. This edition featuring nine new stories. A frog doles out sage advice to a plumber infatuated with a princess, a boy falls hopelessly in love with a monkey, and a man with a hat keeps apocalyptic thoughts at bay by resolving to follow a plan that he admits he won’t stick to. Globe and Mail critic Russell Smith has described Heti’s stories as cryptic fairy tales without morals at the end, but really the morals are in the quality of the telling and in the details disclosed along the way. Look where you weren’t going to look, think what you wouldn't have thought, Heti seems to say, and meaning itself gains more meaning, more dimensions. Heti’s stories are not what you expect, but why did you expect that anyway? This special new edition features nine new stories that were not available in the first Canadian edition.

Ticknoris the first novel by Sheila Heti, the author of the acclaimed story collectionThe Middle Storiesand, with Misha Glouberman, the essay collectionThe Chairs are Where the People Go. George Ticknor is trying to reconcile his own failure with the success of his boyhood friend, the famous American historian William Prescott. Ticknor's life has been reduced to a series of awkward meetings, failed dinner parties, and other misfortunes he is loath to own up to. Situated in the complicated and contradictory moments that make friendships both tenuous and difficult to relinquish, Ticknor's fixated thoughts about his and Prescott's dissimilar fates lead him through a litany of rationalizations and recriminations, a psychological maze that is paranoid and harrowing as well as ludicrous and absurd. In George Ticknor, Sheila Heti has created a memorable new hero of Prufrockian dimension.Ticknoris an exquisite singularity.