Howard Who

First paperback edition of a landmark collection of maverick science fiction.

Presents the first book in more than twenty years from the self-proclaimed King of All Media.

Part Falstaff, part King Lear, but all American, Howard Elman was a fifty-something workingman when he burst onto the literary scene in The Dogs of March, the first novel of the Darby Chronicles. Now in this, its seventh installment, the Darby constable is an eighty-something widower who wants to do "a great thing" before he motors off into the sunset. Maybe Howard achieves this goal, but he manages it in strange, wonderful, and dangerous ways. On his quest he's aided, abetted, hindered, and befuddled by his middle-aged children, his hundred-year-old hermit friend Cooty Patterson, a voice in his head, and the person he loves most, his grandson, Birch Latour. At 24, Birch has returned to Darby with his friends to take over the stewardship of the Salmon Trust and to launch a video game, Darby Doomsday. At stake is the fate of Darby. And the world? Maybe. Howard Elman's Farewell begins as a coming of (old) age story, morphs into a murder mystery, expands into a family saga, and in the end might just follow Howard Elman into the spirit world. This is a novel for people who like New England fiction with humor, pathos, and just a touch of magical realism.

The seven-decade career of Howard Hiatt, a pioneer in public health, advocate for global health and health equity, a mentor to generations of healthcare leaders. Howard Hiatt—physician, scientist, advocate for global health, and mentor to generations of healthcare leaders—has spent much of his seven-decade career being ahead of his time. His innovative ideas as head of Harvard's School of Public Health from 1972 to 1984—about preventive medicine, the incorporation of cutting-edge science into the curriculum, and cross-disciplinary collaboration—met fierce resistance at the time but are now widely recognized building blocks of public health. Hiatt's interest in global health and health equity equipped him to advocate for a series of younger physicians and researchers, including Paul Farmer and Jim Kim, two founders of Partners in Health, and the prominent health policy expert Don Berwick. This book tells the story of Hiatt's life and work, with important lessons for today drawn from Hiatt's 92 years of experience. Hiatt, born in 1925, attended Harvard College and received an M.D. degree from Harvard Medical School. Before he headed the School of Public Health, he was a modernizing force as chief of medicine at Boston's Beth Israel Hospital. After his stormy tenure at SPH, he went to Brigham and Women's as a professor of medicine and a senior physician with a portfolio of his own devising. It was at the Brigham that Hiatt took on the role of mentor, influencing generations of physicians and staking out new territory in the fields of global health and clinical effectiveness. He is still active at 92 as teacher and mentor.

Ebenezer Howard, an Englishman, and Jane Jacobs, a naturalized Canadian, personify the twentieth century’s opposing outlooks on cities. Howard envisaged small towns, newly built from scratch and comprised of single-family homes with small gardens, while Jacobs embraced existing inner-city neighbourhoods that emphasized the verve of the living street. Both figures have had their share of supporters as well as detractors: Howard's conceptualization received criticism for its uniformity and alienation from the city core, while Jacobs’s urban vision came to be recognized as the result of invasive gentrification. Presenting Howard and Jacobs within a psychocultural context, The Urban Archetypes of Jane Jacobs and Ebenezer Howard addresses our urban crisis in its recognition that "city form is a gendered, allegorical medium expressing femininity and masculinity within two founding features of the built environment: void and volume." These founding contrasts represent both tension as well as the opportunity for fusion between pairs of urban polarities: human scale against superscale, gait against speed, and spontaneity against surveillance. In their respective attitudes, Howard and Jacobs have come to embrace the two ancient archetypes of the Garden and the Citadel, leaving it to future generations to blend their two contrarian stances.

“Brilliant . . . entertaining . . . a thought-provoking portrayal of the multi-faceted Howard Cosell in all his glory and enmity.”—Don Ohlmeyer, Wall Street Journal Howard Cosell’s colorful bombast, fearless reporting, and courageous stance on civil rights made him one of the most recognizable and controversial figures in American sports history. “Telling it like it is,” he covered nearly every major sports story for three decades, from the travails of Muhammad Ali to the tragedy at the Munich Olympics. Now, two decades after his death, this deeply misunderstood sports legend has finally gotten the “definitive” (Kirkus Reviews, starred review) and revelatory biography he so much deserves. With more than forty interviews, Mark Ribowsky has brilliantly presented Cosell’s endless complexities in the “first thoroughly researched and effectively framed biography of Cosell and his times” (Huffington Post).

What were the origins of C.S. Forester's Horatio Hornblower series of novels? A good argument can be made that it all began here with Horatio Howard Brenton. In the early 1800's Sir Edward Belcher was a British Naval officer, surveyor and explorer of the first rank. In his 40 years of service he captained numerous ships and generated a well-deserved reputation as a skilled seaman. His final command was of the unsuccessful expedition to find the missing and ill-fated explorer, Sir John Franklin. In the process of attempting this rescue mission, however, Belcher lost four of his five ships to pack ice. While he was acquitted of negligence in a court martial, he never again served on active duty. Instead, Belcher, a cousin of Frederick Marryat, devoted the rest of his life to writing. Included was this book, Horatio Howard Brenton, originally published in 1856 as a three volume set. It can be plausibly argued that this novel was the real model for C.S. Forester's character: Horatio Hornblower. Forester's first wife, Kathleen, was a Belcher. Add to that the similarity of the story lines between Brenton and Hornblower, and the use of a common first name-and some reasonable questions might be asked. At a minimum, it is inconceivable that Forester did not at least know about Belcher's book. Was it the primary model for his work? You will need to read it and decide for yourself. "A Naval Novel of the most genuine and natural kind" - London Chronicle