Hungary Between Two Empires 1526 1711

The Hungarian defeat to the Ottoman army at the pivotal Battle of Mohács in 1526 led to the division of the Kingdom of Hungary into three parts, altering both the shape and the ethnic composition of Central Europe for centuries to come. Hungary thus became a battleground between the Ottoman and Habsburg empires. In this sweeping historical survey, Géza Pálffy takes readers through a crucial period of upheaval and revolution in Hungary, which had been the site of a flowering of economic, cultural, and intellectual progress—but battles with the Ottomans lead to over a century of war and devastation. Pálffy explores Hungary's role as both a borderland and a theater of war through the turn of the 18th century. In this way, Hungary became a crucially important field on which key debates over religion, government, law, and monarchy played out. Reflecting 25 years of archival research and presented here in English for the first time, Hungary between Two Empires 1526–1711 offers a fresh and thorough exploration of this key moment in Hungarian history and, in turn, the creation of a modern Europe.

"In the late 16th century, hundreds of travelers made their way to the Habsburg ambassador's residence, known as the German House, in Constantinople. In this centrally located inn, subjects of the emperor found food, wine, shelter, and good company-and left an incredible collection of albums filled with images, messages, decorated papers, and more. Portraits of Empires offers a complete account of this early form of social media, which had a profound impact on later European iconography. Revealing a vibrant transimperial culture as viewed from all walks of life-Muslim and Christian, noble and servant, scholar and stable boy-the pocket-sized albums containing these curiosities have never been fully connected to the abundant archival records on the German House and its residents. Robyn Dora Radway not only introduces these objects, the people who filled their pages, and the house at the center of their creation, but she also presents several arguments regarding chronologies of exchange, workshop practices, the curation of social networks and visual collections based on status, and the purposes of these highly individualized material portraits. Featuring 162 fascinating color images, Portraits of Empires reconstructs the world of Habsburg subjects living in Ottoman Constantinople, using a rich and distinctive set of objects to raise questions about imperial belonging and the artistic practices used to articulate it"--

For more than four and a half centuries, the Jesuits in Hungary were forced to repeatedly recommence their activities due to wars, uprisings, and political conflicts. The Society of Jesus first settled in Hungary in 1561 during the period of Ottoman conquest. Despite their difficulties in a war-torn country, a network of Jesuit colleges was established as part of the Austrian Province, and the eighteenth century was a period of cultural and scientific prosperity for the Jesuits in Hungary. The Suppression of 1773, however, abruptly suspended this tradition for eighty years. After they resettled in Hungary in 1853, the Jesuits searched for new ways of apostolic work. The independent Hungarian Jesuit Province was established in 1909. The totalitarian regimes of the twentieth century posed fresh challenges. During the Communist period, the Hungarian Jesuit Province was forced to split up into two sections. The Jesuits in exile and those who remained in Hungary were reunited in 1990.

This book is about the folk: the folk in folk dance, the folk in folklore, the folk in folk wisdom. When we see folk dance on the stage or in a tourist setting, which is the way in which many of us experience folk dance, the question arises are these the “real folk” performing their authentic dances? Or are they urban, well trained, carefully-rehearsed professional dancers who make their livelihood as representatives of a specific nation-state acting as the folk? Or something in between? This study delves more deeply into the folk, their origins, their identities in order to know the source of inspiration for ethno identity dances - dances prepared for the stage and the ballroom and for public performances from ballet, state folk dance ensembles and their amateur emulators, immigrant folk dance group performances, and tourist presentations. These dances, unlike modern dance, ballet, or most vernacular dances, always have strong ethnic references. It will also look at a gallery of choreographers and artistic directors across a wide spectrum of dance genres.

Exploring new perspectives concerning regions traditionally considered “on the margins” of Europe, this book fills a gap in current historiography through its analysis of cities, space, and economy from the High Middle Ages to the present. Markets, trade, and economy in general have formed the backbone of urban life ever since the emergence of cities and towns, but classical theorists have largely focused on developments in Western Europe. Urban research in the last few decades has advanced in many ways to supersede and correct this still influential image and to include other parts of Europe into the analytical framework. Building on these emerging methodologies, this volume pays close attention to the fringes of Europe in the East, North, West, and South. The essays discuss the development of various spaces as nodal points for the exchange and production of commodities that took place in cities and towns. The scope of this work allows for a point of comparison to frequently studied examples in Europe, encouraging readers to identify larger patterns beyond individual examples. Cities and Economy in Europe: Markets and Trade on the Margins from the Middle Ages to the Present is the perfect resource for students and researchers of economic and urban history.

This microhistory of the Salvagos—an Istanbul family of Venetian interpreters and spies travelling the sixteenth- and seventeenth-century Mediterranean—is a remarkable feat of the historian’s craft of storytelling. With his father having been killed by secret order of Venice and his nephew to be publicly assassinated by Ottoman authorities, Genesino Salvago and his brothers started writing self-narratives. When crossing the borders of words and worlds, the Salvagos’ self-narratives helped navigate at times beneficial, other times unsettling entanglements of empire, family, and translation. The discovery of an autobiographical text with rich information on Southeastern Europe, edited here for the first time, is the starting point of this extraordinary microbiography of a family’s intense struggle for manoeuvring a changing world disrupted by competition, betrayal, and colonialism. This volume recovers the Venetian life stories of Ottoman subjects and the crucial role of translation in negotiating a shared but fragile Mediterranean. Stefan Hanß examines an interpreter’s translational practices of the self and recovers the wider Mediterranean significance of the early modern Balkan contact zone. Offering a novel conversation between translation studies, Mediterranean studies, and the history of life-writing, this volume argues that dragomans’ practices of translation, border-crossing, and mobility were key to their experiences and performances of the self. This book is an indispensable reading for the history of the early modern Mediterranean, self-narratives, Venice, the Ottoman Empire, and Southeastern Europe, as well as the history of translation. Hanß presents a truly fascinating narrative, a microhistory full of insights and rich perspectives.

Mămăligă, maize porridge or polenta, is a universally consumed dish in Romania and a prominent national symbol. But its unusual history has rarely been told. Alex Drace-Francis surveys the arrival and spread of maize cultivation in Romanian lands from Ottoman times to the eve of the First World War, and also the image of mămăligă in art and popular culture. Drawing on a rich array of sources and with many new findings, Drace-Francis shows how the making of mămăligă has been shaped by global economic forces and overlapping imperial systems of war and trade. The story of maize and mămăligă provides an accessible way to revisit many key questions of Romanian and broader regional history. More generally, the book links the history of production, consumption, and representation. Analyses of recipes, literary and popular depictions, and key vocabulary complete the work.