Hunks Hotties And Pretty Boys

White, heterosexual, middle-class men have long served as the standard for masculine “beauty,” even if such men have refused to embrace this term. This study seeks to denaturalize this standard by exploring the connections between beauty and the broad spectrum of masculinities. The chapters included in Hunks, Hotties, and Pretty Boys contribute primarily to the field of gender studies, specifically masculinity studies. They consider twentieth-century representations of male beauty through a variety of mediums: performance, literature, art, photography, film and television. Although the contributors hail from both the humanities and the social sciences, all share a concern for how beauty informs, shapes, defines, and re-defines our understanding of masculinity itself. These scholars investigate a range of historical periods and draw from a broad scope of critical approaches. Some interrogate male beauty through the female gaze and look to the influence of female performance on notions of masculine beauty. Others examine how queer and racial constructions of male beauty refuse and offer alternatives to hegemonic models of identity. Another revisits previous philosophical and theoretical conceptions of beauty, only to deconstruct gendered conceptions of the beautiful and the sublime. In all, these essays complicate masculine beauty by examining Chicano, Asian, working class, and female constructions of male beauty in Western culture.

In recent years the ‘body’ has become one of the most popular areas of study in the arts, humanities and social sciences. Bodybuilding, in particular, continues to be of interest to scholars of gender, media, film, cultural studies and sociology. However, there is surprisingly little scholarship available on contemporary bodybuilding. Critical Readings in Bodybuilding is the first collection to address the contemporary practice of bodybuilding, especially the way in which the activity has become increasingly more extreme and to consider much neglected debates of gender, eroticism, and sexuality related to the activity. Featuring the leading scholars of bodybuilding and the body as well as emerging voices, this volume will be a key addition to the fields of Sociology, Sport Studies, and Cultural Studies.

Through a gender, ethnicity, and sexuality lens, Pérez demonstrates that queer Chicana/o and Latina/o identities are much more prevalent in cultural production than most people think. By claiming a variety of characters and texts as queer, he expands the breadth of queer representation in cultural production.

In recent years the body has become one of the most popular areas of study in the arts, social sciences and humanities. Transgressive Bodies offers an examination of a variety of non-normative bodies and how they are represented in film, media and popular culture. Examining the non-normative body in a cultural studies context, this book reconsiders the concept of the transgressive body , establishing its status as a culturally mutable term, arguing that popular cultural representations create the transgressive or freak body and then proceed to either contain its threat or (s)exploit it. Through studies of extreme bodybuilding, obesity, disability and transsexed bodies, it examines the implications of such transgressive bodies for gender politics and sexuality. Transgressive Bodies engages with contemporary cultural debates, always relating these to concrete studies of media and cultural representations. This book will therefore appeal to scholars across a range of disciplines, including media and film studies, cultural studies, gender studies, sociology, sports studies and cultural theory.

So much of what we live goes on inside— The diaries of grief, the tongue-tied aches Of unacknowledged love are no less real For having passed unsaid. What we conceal Is always more than what we dare confide. Think of the letters that we write our dead. —from “Unsaid” Dana Gioia has long been celebrated as a poet of sharp intelligence and brooding emotion with an ingenious command of his craft. 99 Poems: New & Selected gathers for the first time work from across his career, including many remarkable new poems. Gioia has not arranged this selection chronologically but instead has organized it by theme in seven sections: Mystery, Place, Remembrance, Imagination, Stories, Songs, and Love. The result is a book that reveals and renews the pleasures, consolations, and sense of wonder that poetry bestows.

History and the speculative collide with the modern world when a group of high school girls form a secret society after discovering they can communicate with boys from the past, in this powerful look at female desire, jealousy, and the shifting lines between friendship and rivalry. After her life is upended by divorce and a cross-country move, 16-year-old Saskia Brown feels like an outsider at her new school—not only is she a transplant, but she’s also biracial in a population of mostly white students. One day while visiting her only friend at her part-time library job, Saskia encounters a vial of liquid mercury, then touches an old daguerreotype—the precursor of the modern-day photograph—and makes a startling discovery. She is somehow able to visit the man in the portrait: Robert Cornelius, a brilliant young inventor from the nineteenth century. The hitch: she can see him only in her dreams. Saskia shares her revelation with some classmates, hoping to find connection and friendship among strangers. Under her guidance, the other girls steal portraits of young men from a local college’s daguerreotype collection and try the dangerous experiment for themselves. Soon, they each form a bond with their own “Mercury Boy,” from an injured Union soldier to a charming pickpocket in New York City. At night, the girls visit the boys in their dreams. During the day, they hold clandestine meetings of their new secret society. At first, the Mercury Boys Club is a thrilling diversion from their troubled everyday lives, but it’s not long before jealousy, violence and secrets threaten everything the girls hold dear.

Soon to be a show on Hulu! Rights to develop Wild Cards have been acquired by Universal Cable Productions, the team behind The Magicians and Mr. Robot, with the co-editor of Wild Cards, Melinda Snodgrass, as executive producer. In this bitingly satirical companion novel to the Wild Cards title Inside Straight, American Hero combines two quintessentially pop culture phenomena: superheroes and reality TV. American Hero, the nation’s most highly anticipated competition show, kicks off its first season! People with incredible powers – from possessing death-defying healing to transforming into an insect swarm to shifting the earth itself – have been selected from all walks of life. Their goal: to win one million dollars and the admiration of millions more viewers by answering one question, “Do you have what it takes to be the next American Hero?” Contains week-by-week action-packed recaps and no-holds-bars contestant confessionals, all edited by New York Times #1 bestselling author George R. R. Martin. Features writing by Martin as well as Carrie Vaughn, Melinda M. Snodgrass, Walter Jon Williams, Victor Milan, Daniel Abraham, Stephen Leigh, and many more of the genre’s most innovative writers. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.