Hurricane Song

When Miles's mother remarries, Miles decides to move to New Orleans to be with his father. But he and his father are very different—Miles's dad lives for jazz, while Miles's first love is football. Then Hurricane Katrina hits, and the two must seek refuge in the Superdome. What would normally be a dream come true for a football fan, this safe haven turns into a nightmare when the power fails and gangs take over. And when his father decides to rebel, Miles must make a choice that will alter their relationship—and their lives—forever.

This book is generated based on annual hurricane tracking chart publicly available at National Hurricane Center (www.nhc.noaa.gov).

Three children play, sing, eat, and snuggle together as they wait for a thunderstorm to pass.

I'm standing in the spotlight with a cheque for one thousand dollars in one hand and a trophy in the other. It all began with my baby sister, a storm, and my neighbour, Wes. Suggested level: primary, intermediate.

How does Cajun literature, emerging in the 1980s, represent the dynamic processes of remembering in Cajun culture? Known for its hybrid constitution and deeply ingrained oral traditions, Cajun culture provides an ideal testing ground for investigating the collective memory of a group. In particular, francophone and anglophone Cajun texts by such writers as Jean Arceneaux, Tim Gautreaux, Jeanne Castille, Zachary Richard, Ron Thibodeaux, Darrell Bourque, and Kirby Jambon reveal not only a shift from an oral to a written tradition. They also show hybrid perspectives on the Cajun collective memory. Based on recurring references to place, the texts also reflect on the (Acadian) past and reveal the innate ability of the Cajuns to adapt through repeated intertextual references. The Cajun collective memory is thus defined by a transnational outlook, a transversality cutting across various ethnic heritages to establish and legitimize a collective identity both amid the linguistic and cultural diversity in Louisiana, and in the face of American mainstream culture. Cajun Literature and Cajun Collective Memory represents the first analysis of the mnemonic strategies Cajun writers use to explore and sustain the Cajun identity and collective memory.

THE BOOK BEHIND THE THIRD SEASON OF GAME OF THRONES, AN ORIGINAL SERIES NOW ON HBO. A SONG OF ICE AND FIRE: BOOK THREE Of the five contenders for power, one is dead, another in disfavor, and still the wars rage, as alliances are made and broken. Joffrey sits on the Iron Throne, the uneasy ruler of the Seven Kingdoms. His most bitter rival, Lord Stannis, stands defeated and disgraced, victim of the sorceress who holds him in her thrall. Young Robb still rules the North from the fortress of Riverrun. Meanwhile, making her way across a blood-drenched continent is the exiled queen, Daenerys, mistress of the only three dragons left in the world. And as opposing forces maneuver for the final showdown, an army of barbaric wildlings arrives from the outermost limits of civilization, accompanied by a horde of mythical Others—a supernatural army of the living dead whose animated corpses are unstoppable. As the future of the land hangs in the balance, no one will rest until the Seven Kingdoms have exploded in a veritable storm of swords. “Of those who work in the grand epic-fantasy tradition, [George R. R.] Martin is by far the best. In fact . . . this is as good a time as any to proclaim him the American Tolkien.”—Time “Long live George Martin . . . a literary dervish, enthralled by complicated characters and vivid language, and bursting with the wild vision of the very best tale tellers.”—The New York Times “One of the best series in the history of fantasy.”—Los Angeles Times

A widely-accepted explanation for India’s national unity is a narrative called the bhakti movement—poet-saints singing bhakti from India’s southern tip to the Himalayas between 600 and 1600. John Hawley shows that this narrative, with its political overtones, was created by the early-twentieth-century circle around Rabindranath Tagore in Bengal.

With stories set in 1950s America, 1970s Australia and Victorian London, Dave Franklin turns three killer rock songs into horrifying tales of crime: Riders on the Storm (The Doors) Then Came the Last Days of May (Blue Oyster Cult) Nice Man Jack (John Miles) In this murder-packed anthology, a young man vows to live by the gun and roam, three boys dream of escaping their outback town, and a well-respected gentleman takes to the streets of Whitechapel. Nice Man Jack & Then Came the Last Days of May are also available separately. Dave Franklin has written ten novels.