I M Not Your Manic Pixie Dream Girl

From acclaimed author Gretchen McNeil comes her first realistic contemporary romance—perfect for fans of Kody Keplinger’s The Duff and Morgan Matson’s Since You've Been Gone. Beatrice Maria Estrella Giovannini has life all figured out. She's starting senior year at the top of her class, she’s a shoo-in for a scholarship to M.I.T., and she’s got a new boyfriend she’s crazy about. The only problem: All through high school Bea and her best friends Spencer and Gabe have been the targets of horrific bullying. So Bea uses her math skills to come up with The Formula, a 100% mathematically guaranteed path to social happiness in high school. Now Gabe is on his way to becoming Student Body President, and Spencer is finally getting his art noticed. But when her boyfriend Jesse dumps her for Toile, the quirky new girl at school, Bea realizes it's time to use The Formula for herself. She'll be reinvented as the eccentric and lovable Trixie—a quintessential manic pixie dream girl—in order to win Jesse back and beat new-girl Toile at her own game. Unfortunately, being a manic pixie dream girl isn't all it's cracked up to be, and “Trixie” is causing unexpected consequences for her friends. As The Formula begins to break down, can Bea find a way to reclaim her true identity and fix everything she's messed up? Or will the casualties of her manic pixie experiment go far deeper than she could possibly imagine?

Seventeen-year-old Tyler Darcy looks back on his first three years of high school and considers the significant events involving Becky, his elusive "dream girl" who may be more troubled than he is willing to acknolwedge.

"Riley, a Manic Pixie Dream Boy, lives in Trope Town, where he makes a living appearing as a side character in novels--until he and his fellow manic pixies must ban together to save themselves from retirement"--

One of the most recognizable young poets in America, Olivia Gatwood dazzles with her tribute to contemporary American womanhood in her debut book, New American Best Friend. Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

“Transcendent.” —New York Times Book Review “Magnificent.” —Village Voice “Sparkling.” —Publishers Weekly Francesca Lia Block’s dazzling debut novel, Weetzie Bat, is not only a genre-shattering, critically acclaimed gem, it's also widely recognized as a classic of young adult literature, having captivated readers for generations. This coming-of-age novel follows the eponymous Weetzie Bat and her best friend Dirk as they navigate life and love in a timeless, dreamlike version of Los Angeles. When Weetzie is granted three wishes by a genie, she discovers that there are unexpected ramifications…. Winner of the prestigious Phoenix Award, Weetzie Bat is a beautiful, poetic work of magical realism that is perfect for fans of Laura Ruby, Neil Gaiman, and Kelly Link.

Set in the magical world of Renthia, The Queen of Blood is Sarah Beth Durst’s ambitious entry into adult epic fantasy. With the danger of Peter Brett’s The Warded Man, heart of Naomi Novik’s Uprooted, and lyricism of Patrick Rothfuss’ The Name of the Wind, this is the first chapter in a series destined to be a classic. Everything has a spirit: the willow tree with leaves that kiss the pond, the stream that feeds the river, the wind that exhales fresh snow . . . But the spirits that reside within this land want to rid it of all humans. One woman stands between these malevolent spirits and the end of humankind: the queen. She alone has the magical power to prevent the spirits from destroying every man, woman, and child. But queens are still just human, and no matter how strong or good, the threat of danger always looms. With the position so precarious, young women are chosen to train as heirs. Daleina, a seemingly quiet academy student, is under no illusions as to her claim to the throne, but simply wants to right the wrongs that have befallen the land. Ven, a disgraced champion, has spent his exile secretly fighting against the growing number of spirit attacks. Joining forces, these daring partners embark on a treacherous quest to find the source of the spirits’ restlessness—a journey that will test their courage and trust, and force them to stand against both enemies and friends to save their land . . . before it’s bathed in blood.

A heart-wrenching novel about best friends on a collision course with the real world from Amy Zhang, the critically acclaimed Indies Introduce and Indie Next author of Falling into Place. Janie and Micah, Micah and Janie. That’s how it’s been ever since elementary school, when Janie Vivien moved next door. Janie says Micah is everything she is not. Where Micah is shy, Janie is outgoing. Where Micah loves music, Janie loves art. It’s the perfect friendship—as long as no one finds out about it. But then Janie goes missing and everything Micah thought he knew about his best friend is colored with doubt. Using a nonlinear writing style and dual narrators, Amy Zhang masterfully reveals the circumstances surrounding Janie’s disappearance in an astonishing second novel that will appeal to fans of Lauren Oliver.

Sally Rosen Kindred’s third book, Where the Wolf, is a wood where a girl-turned-woman, a daughter-turned-mother, goes walking, searching for the warm fur, the hackles and hurts—past and future—inside her. These poems explore how stories—fairy tales, family memories, myths, and dreams—tell us, and let us tell each other, who we are, and what’s wild and sacred in our connections. From “the beast your mother made/ who scans hood and bed,” to the ghost-guard summoned by a child on the night her family fractures, to the teenage son who transforms into “beauty, his dread-body,” the beings in these poems are themselves stories, spells: alchemized through language, always becoming, bearing hope and loss. They fragment in anxiety, and form into new wilderness. They open themselves to reconstruction, redemption. Through it all, “Wolf is the ghost of a hurt remembering itself. Is She. You can hear Her between trees.” These poems are a calling out—through meadows, emptied houses, dark skies—to wolf and self, parent and child, girl and woman, love and grief.