I Me Mine

Offers a rare inside view of the Beatles and the cultural revolution of which they were a part, with a personal recollection of Harrison's evolution as a musician and composer.

Beatrice Longuenesse presents an original exploration of our understanding of ourselves and the way we talk about ourselves. In the first part of the book she discusses contemporary analyses of our use of "I" in language and thought, and compares them to Kant's account of self-consciousness,especially the type of self-consciousness expressed in the proposition "I think." According to many contemporary philosophers, necessarily, any instance of our use of "I" is backed by our consciousness of our own body. For Kant, in contrast, "I think" just expresses our consciousness of beingengaged in bringing rational unity into the contents of our mental states. In the second part of the book, Longuenesse analyzes the details of Kant's view and argues that contemporary discussions in philosophy and psychology stand to benefit from Kant's insights into self-consciousness and the unityof consciousness. The third and final part of the book outlines similarities between Kant's view of the structure of mental life grounding our uses of "I" in "I think" and in the moral "I ought to," on the one hand; and Freud's analysis of the organizations of mental processes he calls "ego" and"superego" on the other hand. Longuenesse argues that Freudian metapsychology offers a path to a naturalization of Kant's transcendental view of the mind. It offers a developmental account of the normative capacities that ground our uses of "I," which Kant thought could not be accounted for withoutappealing to a world of pure intelligences, distinct from the empirical, natural world of physical entities.

The "magisterial biography" (Chicago Tribune) of the most enigmatic Beatle, now in a paperback edition.

"A fascinating read." –Associated Press Joshua Greene, who studied meditation with the legendary Beatle George Harrison, draws on personal remembrances, recorded conversations, and firsthand accounts to create a moving portrait of Harrison's spiritual life, his profound contribution to the Beatles' music, and previously unpublished anecdotes about his time with music legends Bob Dylan, Elvis Presley, and others. "Many well-known artists have touched people's hearts with their music, but few have ever succeeded in touching people's souls. That was George's gift, and his story is described here with affection and taste. A wonderful book." –Mia Farrow

"Daniel Randolph Deal is a Southern aristocrat, having the required bloodline, but little of the nobility. A man resistant to the folly of ethics, he prefers a selective, self-indulgent morality. He is a confessed hedonist, albeit responsibly so."--Back cover

A wonderfully compelling and entertaining memoir about the experiences of a London Irish family. In the tradition of ANGELA'S ASHES.

Paul McCartney's songwriting output as a member of the Beatles, mainly with his co-writer John Lennon, has been exhaustively documented over the years. Now, taking 50 key songs from his five-decade career since the break-up of the Fab Four, Paul McCartney: The Stories Behind 50 Classic Songs takes an in-depth look at the post-Sixties work of one of popular music's most versatile and prolific composers and performers. Paul McCartney has been a genuine pop idol, a cutting-edge experimenter, and in later years recognized as an international musical treasure. The 50 selections from his vast songwriting catalogue highlighted in Paul McCartney: The Stories Behind 50 Classic Songs mark half a century of musical creativity by a true icon of popular music. Each song includes full session details, personnel lists and chart data and is described in detail, from original inspiration to the final release. Quotes from session musicians and studio personnel – and star guests such as Stevie Wonder, Elvis Costello and Kanye West – bring the making of every song to life, alongside a wealth of related photographs in and out of the studio.