I Stand In The Center Of The Good

What is Indian art? There have been many attempts to define it, but the so-called Santa Fe style of the 1930s?placid, two-dimensional depictions of traditional scenes?set the standard by which subsequent art by Native Americans would be judged. Art that radically challenged the stereotype?the work of Joe Herrera, Fritz Scholder, and T. C. Cannon, for example?met with resistance; questions were raised about its authenticity as Indian art. Today's Indian art has resoundingly overturned old preconceptions: here are cartoon figures in throbbing neon colors, "decorated" grocery bags, messages to America on the Spectacolor billboard in Times Square, delicate abstractions and cubist images, work that ranges from monotype and photography to mixed media and clay, from humor and biting commentary to quiet introspection. I Stand in the Center of Good, the first book of its kind, offers a forum for seventeen contemporary Native American artists to speak about the development of their art, their creative processes, how they define their art, and how it relates to their Indianness. The interviews are handsomely illustrated with works by the artists, who include Rick Glazer-Danay, Shan Goshorn, Hachivi Edgar Heap of Birds, Rick Hill, G. Peter Jemison, Michael Kabotie, Frank LaPena, Carm Little Turtle, Linda Lomahaftewa, George Longfish, Mario Martinez, Nora Naranjo-Morse, Jaune Quick-to-See Smith, Susan Stewart, Frank Tuttle, Kay WalkingStick, and Emmi Whitehorse.

A monumentally devastating plague leaves only a few survivors who, while experiencing dreams of a battle between good and evil, move toward an actual confrontation as they migrate to Boulder, Colorado.

"An inside view of the Lakota world-of the meaning of Lakota song and dance, of their history, of what it is to be Lakota in America today. . . . A lasting personal tribute to the Lakota way of living."-Whole Earth Review. "A unique, in-depth presentation on Lakota music and the profession of singer, a useful contemporary Oglala representation of the core of their culture, and a version of the involvement of the American Indian Movement on Pine Ridge Reservation, told by a man who was affiliated but not a principal leader. . . . This is a subjective statement, well and persuasively written."-Choice. Severt Young Bear stood in the light-in the center ring at powwows and other gatherings of Lakota people. As founder and, for many years, lead singer of the Porcupine Singers, a traditional singing and drumming group, he also stood, figuratively, in the light of understanding the cherished Lakota heritage. Young Bear's own life in Brotherhood Community, Porcupine District of the Pine Ridge Sioux Reservation, is the linchpin of this narrative, which ranges across the landscape of Dakota culture, from the significance of names to the search for modern Lakota identity, from Lakota oral traditions to powwows and giveaways, from child-rearing practices to humor and leadership. "Music is at the center of Lakota life, " says Young Bear; he describes in rich detail the origins and varieties of Lakota song and dance. Severt Young Bear performed with the Porcupine Singers throughout North America, taught at Oglala Lakota College, and served on the Oglala Sioux tribal council. He was music and dance consultant for the films Dances with Wolves and Thunder Heart. This book is the fruit of his longfriendship and collaboration with R. D. Theisz, a fellow Porcupine Singer and professor of communications and education at Black Hills State University.

Facing public criticism, peer hostility, and widespread disapproval, would you compromise your principles to blend in with the crowd, or would you stand for what you believe? On July 31, 2020, the Orlando Magic starting forward Jonathan Isaac was the lone NBA player not to kneel for the national anthem amid a league-wide demonstration in support of Black Lives Matter. Standing alone, knowing the scrutiny to come, Jonathan had a peace he at one time never could have imagined possible. In Why I Stand, Jonathan shares the journey of how—through a series of divine connections and a willingness to follow Christ—his fear and insecurity-driven life was transformed into one of confidence and purpose. From his childhood in the Bronx to his high school years in Florida, from rail-skinny freshman at FSU to top draft pick in the NBA, Jonathan uses his life story to illuminate the freedom and peace found in the love of Jesus Christ. More than the story of an NBA player’s transformation from man on the court to man of God, Why I Stand is a testament to His love, power, and grace that extends to us all. This book is a discovery that no matter your level of confidence today, God’s strength will develop in your weakness. That courage is found in trusting that God is greater than your fears. As Jonathan takes you through the experiences that drove his decisions, he offers insight and inspiration to help you to grow to a point where standing alone is better than not standing at all.

Winner of the Hugo Award! In A Psalm for the Wild-Built, bestselling Becky Chambers's delightful new Monk and Robot series, gives us hope for the future. It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how. They're going to need to ask it a lot. Becky Chambers's new series asks: in a world where people have what they want, does having more matter? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Twelve--year-old Aisulu defies the expectations of her Kazakh family and tradition to train an eagle in order to save her brother, Serik, and prevent her family from giving up their nomadic life forever.