I Wrote On All Four Walls

In their own words nine contemporary teenagers give accounts of violence, as witnesses, victims, instigators or all three. An afterword by a youth services specialist explores how teenagers can come to terms with violent events.

Half a century ago a rag-tag group of innovators was building a foundation for modern American rock climbing from a makeshift home base in Yosemite. Photographer Glen Denny was a key figure in this golden age of climbing, capturing pioneering feats on camera while tackling challenging ascents himself. In entertaining short pieces enlivened by his iconic black-and-white images of Yosemite's big wall legends, Denny reveals a young man's coming of age and provides a vivid look at Yosemite’s early climbing culture. He relates such precarious achievements as hauling water in glass gallon jugs up the east face of Washington Column, nailing the 750-foot Rostrum in a punishing heat wave, and dangling overnight on El Capitan’s Dihedral Wall in a lightning storm. Each true tale captures the spirit of historic Camp 4, where Denny and others plan the next big climb while living on the cheap and dodging park rangers.

"Everything begins on my return to Rwanda" begins Victoire Ingabire Umuhoza's new book written from her prison cell. Victoire Ingabire Umuhoza's new book written from her prison cell. After 16 years of exile in Holland, Victoire decided to return to her home country. This book recounts her life experience for 3 years, from the moment she announced her candidacy for presidential elections, to her incarceration into the famous "1930" maximum security prison. In this book, she describes her encounter with corrupt Rwandan judicial system from within. Interrogations, continuous threats, fabricated charges, her attempts to register her party, the prohibition of visiting her family in the Netherlands especially not being able to attend her son's 8th birthday. "Those politicians are ruthless. There are reasons to be afraid to live in this country. I have just spent more than twelve hours behind bars having done nothing, whatsoever" "The problem is not that they ignore who I am or that they don't know what is good for our fellow citizens, they just don't want to run the risk of losing power."

This is a study of Virginia Woolf's lifelong preoccupation with silence and the barrier between the sayable and the unsayable. Using a wide range of thinkers from Kierkegaard to Kristeva and Derrida, Laurence demonstrates convincingly that Woolf was the first modern woman novelist to practice silence in her writing and that, in so doing, she created a new language of the mind and changed the metaphor of silence from one of absence or oppression to one of presence and strength. It suggests new directions for Woolf criticism.

The church today is in many places “on the nose.” For many people, it stinks. It has passed its “use-by” date and should be relegated to the dustbins of history, and the sooner, the better. Nevertheless, the contributors to this volume believe that the church, in spite of its somewhat checkered history and its many present failures, remains an integral part of God’s redemptive purposes being worked out in the world, and that God’s call to the church is now what it has always been: to be the faithful people of God, bearing joy-filled witness to the resurrection of Jesus Christ in word, worship, and work, in its corporate life, and in the lives of each of its members. Each chapter in this book explores an aspect of what it means to be the church, both with respect to its own life, and with an eye to its presence and mission in the world.

Don Rose came to the U.S. from England in 1908, when he was 18, entering through Ellis Island like countless other immigrants. By 1941 he was one of Philadelphia's best-known newspaper columnists. That year he published his gentle, funny memoir My Own Four Walls, the story of the ramshackle farmhouse he and Marjorie, his wife, bought in 1918 for themselves and their 12 children. One of his grandsons, Neil Genzlinger, himself a journalist at the New York Times, here brings that book back to life, with the original illustrations, a century after his grandfather had signed the deed. Part diary, part DIY manual, Rose's unsung classic is a tale of smoky fireplaces, leaky ceilings and unruly gardens, at a time when refrigerators were newfangled and suburban homes were furnished at country auctions. Most of all it is a story of how one man, with persistence, slowly put down roots in his adopted country.