Iain Of New Scotland

Thirteen-year-old Iain Robertson is homesick for the Highlands of Scotland. It's September 1773, and he has just arrived in Nova Scotia with his parents and little sister after the long, disastrous, Atlantic voyage of the ship Hector. They wanted a new life in New Scotland-but the land agent lied to them. With no money, no food, no shelter, and winter fast approaching, how will they survive? Author Margaret MacKay of Pictou County, Nova Scotia, draws on the experiences of her ancestors to weave a tale of the first Gaels to settle in Nova Scotia.

A fascinating journey through Scotland's famous distilleries with legendary author Iain Banks No true Scotsman can resist the allure of the nation's whisky distilleries. In an absorbing voyage as interesting to non-drinkers as to true whisky connoisseurs, sci-fi and literary author Iain Banks explores the rich heritage of Scottish whisky, from the largest and most famous distilleries to the smallest, most obscure operations. Whisky is more than a drink: it's a culture, a binder that joins together people, places and products far across Scotland's rugged terrain. Switching from cars to ferries to bicycles, Banks crisscrosses his homeland, weaving an engrossing narrative from the strange people, fascinating traditions, and downright bizarre places he encounters on his journey down Scotland's great golden road.

'One of the best opening lines of any novel' Guardian 'It was the day my grandmother exploded. I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmony to Bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach.' Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances... Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times 'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian 'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman 'An exceptional wordsmith' Scotsman

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‘Sometimes I wonder, if I had known that it was going to take me fourteen years to paint this painting of the Crucifixion with Douglas as Jesus, and what it would take for me to paint this painting, would I have been as happy as I was then?’ Susan Alison MacLeod, a Glasgow School of Art graduate with a dark sense of humour, first lays eyes on Douglas MacDougal at a party in 1988, and resolves to put him on the cross in the Crucifixion painting she’s been sketching out, but her desire to create ‘good’ art and a powerful, beautiful portrayal means that a final painting doesn’t see the light of day for fourteen years. Over the same years, Douglas’s ever-more elaborately designed urine-based installations bring him increasing fame, prizes and commissions, while his modelling for Susan Alison, who continues to work pain and suffering on to the canvas, takes place mostly in the shadows. This Good Book is a wickedly funny, brilliantly observed novel that spins the moral compass and plays with notions of creating art. 'A novel about Glasgow, about art, and about obsession. This Good Book will have you gripped from the opening chapter to its disturbing conclusion. Iain Hood is an original new voice in Scottish fiction.' — Colette Paul

There are almost 200 Scottish clans in all, each with its own set of tartans. This book provides a short history of each clan accompanied by a picture of at least one of its tartans, and includes lists of various clan associations around the world.'

In August 1956 a young shepherd, his wife, two-year-old daughter and ten-day-old son sat huddled in a small boat on Loch Monar in Ross-shire as a storm raged around them. They were bound for a tiny, remote cottage at the western end of the loch which was to be their home for the next four years. Isolation Shepherd is the moving story of those years. Set against the awesome splendour of some of Scotland's most spectacular scenery, Iain R. Thomson's classic book provides a sensitive, richly detailed account of the shepherd's life through the seasons and recreates the events that shaped the family's life in Glen Strathfarrar before the area was flooded as part of a huge hydro-electric project.

Eighteen-year-old Kit is weird: big, strange, odd, socially disabled, on a spectrum that stretches from "highly gifted" at one end, to "nutter" at the other. At least Kit knows who his father is; he and Guy live together in a decaying country house on the unstable brink of a vast quarry. His mother's identity is another matter. Now, though, his father's dying, and old friends are gathering for one last time. "Uncle" Paul's a media lawyer now; Rob and Ali are upwardly mobile corporate bunnies; pretty, hopeful Pris is a single mother; Haze is still living up to his drug-inspired name twenty years on; and fierce, protective Hol is a gifted if acerbic critic. As young film students they lived at Willoughtree House with Guy, and they've all come back because they want something. Kit, too, has his own ulterior motives. Before his father dies he wants to know who his mother is, and what's on the mysterious tape they're all looking for. But most of all he wants to stop time and keep his father alive. Fast-paced, gripping and savagely funny, The Quarry is a virtuoso performance whose soaring riffs on the inexhaustible marvel of human perception and rage against the dying of the light will stand among Iain Banks' greatest work.