Ibiza Man

In Ibiza Man, Michael Lieberman gathers an array of inventive and unforgettable stories. In this, his second collection, he demonstrates his abilities in precisely distilled, unflinchingly honest studies of human connection and disconnection. From the deliverance of an English working girl's dysfunctional relationship to a spoiled aristocrat by the mysterious Ibiza man; the fate of a trouble female attorney's long lost lover revealed at a lunch with Mike Arnold; a rock star's return to his twentieth high school reunion, including a dance with his most potent past muse; to the punch line, the exclamation point to a well-intentioned, but disastrous family reunion, Lieberman evokes painful and tender truths, poetic, painful, and deeply political. The well-meaning protagonists of Ibiza Man are caught to both disastrous and hilarious effect in the maelstrom of family and social upheaval, life in the modern world, and the intimate connection between the foreign, familiar, and the inescapably human. In Ibiza Man Michael Lieberman delves deep into the heart of modern life in a work that overflows with hilarity, heartache, and irony.

From roaring nightlife to peaceful yoga retreats, Ibiza’s hippie-chic atmosphere is its hallmark. This quintessential Mediterranean hot spot has served as an escape for artists, creatives, and musicians alike for decades. It is a place to reinvent oneself, to walk the fine line between civilization and wilderness, and to discover bliss. Ibiza Bohemia explores the island’s scenic Balearic cliffs, its legendary cast of characters, and the archetypal interiors that define its signature style.

Norman Lewis was the best not-famous writer of his generation, and a better writer than almost all who were. He was not-famous because of an English prejudice: because critics who judged his works of travel and non-fiction as lower than the yardstick of artistic genius represented by the novel have ignored the truth that over four decades, from the 1950s to the 1990s, he wrote books that have survived better than all but a handful of novels. A pharmacist's son from Enfield, Lewis (1908-2003) became unmatched as a witness to his times. His account of south-east Asia before the Vietnam war, A Dragon Apparent, remains required reading. Voices of the Old Sea, a glimpse of Spain as it was before the tourists arrived, is a classic in the literature of the Mediterranean. His memoir of wartime Naples, Naples '44, is a masterpiece. An expert at penetrating the glorious, and inglorious, surfaces of our planet, as a stylist he was a revolutionary, entirely self-taught. In appearance he was someone you could pass in the street without realising anyone had gone by, yet his self-effacing quality, which allowed him to observe unnoticed, concealed extraordinary glamour. For more than twenty years he spied for the British government. He raced Bugattis before the war, lived in Ibiza after it, and was a crack shot, flamboyant host, and businessman with mafia connections, leading a life of such self-pleasing hedonism that his existence at times was closer to a rock star's than anyone else's. Published to mark Norman Lewis's centenary, Julian Evans's Semi-invisible Man is a fascinating view of a suburban fugitive and adventurer; an incomparable witness; a writer of unsurpassed humour, wisdom and compassion for the ridiculous. It is a biography that aims to send its readers hurrying to the books of an overlooked master.

The first collection of short stories from one of Britain's finest novelists and critics A nameless man who has fallen out of love with life, refuses to get out of bed, with unexpected consequences. A sociologist recalls how he learned his first and formative lesson about the oppressive power of capitalism selling newspapers and magazines up and down the platforms of Waterloo station. Some years before the era of the Pill and the Permissive Society, four university friends travel to the Mediterranean for their first holiday together, where the climate is sultry and sex is on everyone’s mind. And a strong-willed young woman defies adverse circumstances to pursue the perfect wedding at all costs. These are some of the characters that populate David Lodge’s shrewd, funny and delightfully entertaining short stories, collected here for the very first time. What prompted their publication in this form is a short story in itself, told by the author in his Foreword. LONGLISTED FOR THE EDGE HILL SHORT STORY PRIZE 2017

In Ibiza Man, Michael Lieberman gathers an array of inventive and unforgettable stories. In this, his second collection, he demonstrates his abilities in precisely distilled, unflinchingly honest studies of human connection and disconnection. From the deliverance of an English working girl's dysfunctional relationship to a spoiled aristocrat by the mysterious Ibiza man; the fate of a trouble female attorney's long lost lover revealed at a lunch with Mike Arnold; a rock star's return to his twentieth high school reunion, including a dance with his most potent past muse; to the punch line, the exclamation point to a well-intentioned, but disastrous family reunion, Lieberman evokes painful and tender truths, poetic, painful, and deeply political. The well-meaning protagonists of Ibiza Man are caught—to both disastrous and hilarious effect—in the maelstrom of family and social upheaval, life in the modern world, and the intimate connection between the foreign, familiar, and the inescapably human. In Ibiza Man Michael Lieberman delves deep into the heart of modern life in a work that overflows with hilarity, heartache, and irony.

David Ralph Martin was a cross-dressing criminal who carried out a string of sophisticated offences in the 1970s and '80s. A prolific burglar, car thief, fraudster and gunman, he possessed a deep loathing of anyone in authority. In addition, he was a master of disguise and a veritable Houdini when it came to escaping from prison. After shooting a policeman during a botched burglary, he escaped from court on Christmas Eve, 1982. When police believed him to be in a yellow Mini in the Earls Court area with his girlfriend, they opened fire, only to discover they had shot an entirely innocent man – a 26-year-old film editor named Steven Waldorf. The investigation became a cause célèbre at the time, and was subsequently taken over by Scotland Yard's Flying Squad, of which the author was a member. One of the biggest manhunts in the history of the Metropolitan Police ensued, before Martin was finally arrested after dramatically fleeing down the tracks between two Underground stations. Author Dick Kirby reveals for the first time the inside story of the hunt for 'the most dangerous man in London', whose eventual arrest brought to an end one of the most contentious investigations in Met history.

The unforgettable finale to the international, bestselling Disco Days Trilogy ... Bobby, Joey and Max Mojo return in an attempt to reclaim the elusive stardom of their youth, reuniting a legendary band that didn't quite live up to expectations, with predictable results... 'A real new talent on the Scottish literary scene' Press & Journal 'By turn hilarious and heart-breaking, more than anything Ross creates beautifully rounded characters full of humanity and perhaps most of all, hope' Liam Rudden, Scotsman 'David Ross carved out an enduring place for himself among contemporary Scottish novelists' Alastair Mabb, Herald Scotland –––––––––––––––––––––––– The Disco Boys and The Band are back... In the early 80s, Bobby Cassidy and Joey Miller were inseparable; childhood friends and fledgling business associates. Now, both are depressed and lonely, and they haven't spoken to each other in more than ten years. A bizarre opportunity to honour the memory of someone close to both of them presents itself, if only they can forgive ... and forget. With the help of the deluded Max Mojo and the faithful Hamish May, can they pull off the impossible, and reunite the legendary Ayrshire band, The Miraculous Vespas, for a one-off Music Festival – The Big Bang – on a remote, uninhabited Scottish island? Absurdly funny, deeply moving and utterly human, The Man Who Loves Islands is an unforgettable finale to the Disco Days trilogy – a modern classic pumped full of music and middle-aged madness, written from the heart and pen of one of Scotland's finest new voices. –––––––––––––––––––––––– Praise for David F. Ross 'A warm, funny consideration of reconciliation between middle-aged friends and a celebration of music's healing powers. Suggest to fans of Nick Hornby' Library Journal 'Warm, funny and evocative. If you grew up in the eighties, you're going to love this' Chris Brookmyre 'Dark, hilarious, funny and heart-breaking all at the same time, a book that sums up the spirit of an era and a country in a way that will make you wince and laugh at the same time' Muriel Gray 'An astonishing tour de force' John Niven 'This is a book that might just make you cry like nobody's watching' Iain MacLeod, Sunday Mail 'Crucially Ross's novel succeeds in balancing light and dark, in that it can leap smoothly from brutal social realism to laugh-out-loud humour within a few sentences' Press & Journal 'Full of comedy, pathos and great tunes' Hardeep Singh Kohli 'If I saw that in a store I would buy it without even looking at what was inside' Irvine Welsh 'Like the vinyl that crackles off every page ... as warm and authentic as Roddy Doyle at his very best' Nick Quantrill 'A solid-gold hit of a book! The closest you'll ever get to being on Top of the Pops' Colin McCredie