Iconologia Sacra

Scholarship often treats the post-Roman art produced in central and north-western Europe as representative of the pagan identities of the new 'Germanic' rulers of the early medieval world. In this book, Matthias Friedrich offers a critical reevaluation of the ethnic and religious categories of art that still inform our understanding of early medieval art and archaeology. He scrutinises early medieval visual culture by combining archaeological approaches with art historical methods based on contemporary theory. Friedrich examines the transformation of Roman imperial images, together with the contemporary, highly ornamented material culture that is epitomized by 'animal art.' Through a rigorous analysis of a range of objects, he demonstrates how these pathways produced an aesthetic that promoted variety (varietas), a cross-cultural concept that bridged the various ethnic and religious identities of post-Roman Europe and the Mediterranean worlds.

Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.

A new view on the various possibilities to experience and to perceive the Holy Roman Empire in the late medieval imperial cities Augsburg, Nürnberg und Lübeck. Einen neuen Blick auf die Möglichkeiten, das Reich in den spätmittelalterlichen Reichsstädten Augsburg, Nürnberg und Lübeck zu erfahren und wahrzunehmen.

This book is the first comprehensive and comparative study of the difficult relationship between ethnic identities and political organisation in the post-Roman and early medieval kingdoms. 16 authors (historians, archaeologists and linguists) deal with ten important kingdoms of this period and with its political and legal context.

In this pioneering study, the first of its kind, Galit Noga-Banai analyses silver reliquaries decorated with Christian figurative themes, offering a clearer and more detailed picture of the beginnings of the cult of relics in the early Church. The book is illustrated with nearly 100 finely reproduced drawings and photographs.

The gods were the true heroes of Rome. In this major new contribution to our understanding of ancient history, Jörg Rüpke guides the reader through the fascinating world of Roman religion, describing its unique characteristics and bringing its peculiarities into stark relief. Rüpke gives a thorough and engaging account of the multiplicity of cults worshipped by peasant and aristocrat alike, the many varied rites and rituals daily observed, and the sacrifices and offerings regularly brought to these immortals by the population of Ancient Rome and its imperial colonies. This important study provides the perfect introduction to Roman religion for students of Ancient Rome and Classical Civilization.

A comprehensive treatment of the significant symbols and institutions of Roman religion, this companion places the various religious symbols, discourses, and practices, including Judaism and Christianity, into a larger framework to reveal the sprawling landscape of the Roman religion. An innovative introduction to Roman religion Approaches the field with a focus on the human-figures instead of the gods Analyzes religious changes from the eighth century BC to the fourth century AD Offers the first history of religious motifs on coins and household/everyday utensils Presents Roman religion within its cultural, social, and historical contexts

Medieval and Renaissance viewers demanded art and architecture that provoked emotional and/or performative interactivity. The authors of these essays explore the history of this call and response from the view of both artists and devotees.