Idolatry In The Pentateuch

Idolatry in the Pentateuch addresses both the manner in which the Pentateuch was produced and how theological intentions can be discerned from the texts that constitute it. McKenzie attempts to read the final shape of the Pentateuch while not ignoring the diachronic complexities within its pages. Using a compositional approach to the Pentateuch, he establishes his methodology, analyzes several idolatry-related texts, and traces the theological intentions through an inner-textual strategy. Moreover, McKenzie briefly considers the history of interpretation through the last few centuries and discusses the state of Old Testament studies as he understands it.

Idolatry in the Pentateuch addresses both the manner in which the Pentateuch was produced and how theological intentions can be discerned from the texts that constitute it. McKenzie attempts to read the final shape of the Pentateuch while not ignoring the diachronic complexities within its pages. Using a compositional approach to the Pentateuch, he establishes his methodology, analyzes several idolatry-related texts, and traces the theological intentions through an inner-textual strategy. Moreover, McKenzie briefly considers the history of interpretation through the last few centuries and discusses the state of Old Testament studies as he understands it.

The heart of the biblical understanding of idolatry, argues Gregory Beale, is that we take on the characteristics of what we worship. Employing Isaiah 6 as his interpretive lens, Beale demonstrates that this understanding of idolatry permeates the whole canon, from Genesis to Revelation. Beale concludes with an application of the biblical notion of idolatry to the challenges of contemporary life.

One of Desiring God's Top 15 Books "So God created man in his own image, in the image of God he created him; male and female he created them." (Genesis 1:27) Genesis 1:26-27 has served as the locus of most theological anthropologies in the central Christian tradition. However, Richard Lints observes that too rarely have these verses been understood as conceptually interwoven with the whole of the prologue materials of Genesis 1. The construction of the cosmic temple strongly hints that the "image of God" language serves liturgical functions. Lints argues that "idol" language in the Bible is a conceptual inversion of the "image" language of Genesis 1. These constructs illuminate each other, and clarify the canon's central anthropological concerns. The question of human identity is distinct, though not separate, from the question of human nature; the latter has far too frequently been read into the biblical use of image. Lints shows how the "narrative" of human identity runs from creation (imago Dei) to fall (the golden calf/idol, Exodus 32) to redemption (Christ as perfect image, Colossians 1:15-20). The biblical-theological use of image/idol is a thread through the canon that highlights the movements of redemptive history. In the concluding chapters of this New Studies in Biblical Theology volume, Lints interprets the use of idolatry as it emerges in the secular prophets of the nineteenth century, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the "culture of desire." Addressing key issues in biblical theology, the works comprising New Studies in Biblical Theology are creative attempts to help Christians better understand their Bibles. The NSBT series is edited by D. A. Carson, aiming to simultaneously instruct and to edify, to interact with current scholarship and to point the way ahead.

Did Moses write about Jesus? Jesus himself made this bold claim (recorded in John 5:46). Yet while most readers of the Bible today recognize a few Messianic prophecies in the Pentateuch, they don't often see them as part of its central message. In The Messianic Vision of the Pentateuch, Kevin Chen challenges the common view of the Pentateuch as focused primarily on the Mosaic Law, arguing instead that it sets forth a coherent, sweeping vision of the Messiah as the center of its theological message. Each Messianic prophecy in the Pentateuch contributes to the fuller vision of the Messiah that emerges when it is appropriately related to the others and to the Pentateuch as a whole. Giving priority to exegesis of the author's intent, Chen's approach focuses on the meaning of the Old Testament on its own terms more than typological arguments do. Building on the work of John Sailhamer, he sheds new light on the topic of the Messiah using compositional exegesis of the Pentateuch as a unified literary work. From the prophecy about the "seed of the woman" in Genesis 3 to Moses' climactic blessing in Deuteronomy 33, careful examination of key passages reveals the intrinsic Messianic glory that shines through the Pentateuch and its compositional strategy. For Bible scholars, pastors, and thoughtful lay readers, The Messianic Vision of the Pentateuch provides a fascinating study and an exegetical basis for a Christ-centered biblical theology.

"An emerging field of study that explores the Hispanic minority in the United States, Latino Studies is enriched by an interdisciplinary perspective. Historians, sociologists, anthropologists, political scientists, demographers, linguists, as well as religion, ethnicity, and culture scholars, among others, bring a varied, multifaceted approach to the understanding of a people whose roots are all over the Americas and whose permanent home is north of the Rio Grande. Oxford Bibliographies in Latino Studies offers an authoritative, trustworthy, and up-to-date intellectual map to this ever-changing discipline."--Editorial page.

This study questions why the relationship between the worship of other gods and the worship of idols within the Old Testament is difficult to define, acknowledging how various traditions have seen these two issues as synonymous and others have viewed them as separate commandments. Judge argues that there are four factors at play in this diversity. He introduces the first three through an examination of the relationship between the prohibitions listed in the biblical text, and the fourth through a study of the biblical depiction of the war against idols before and after the fall of the Northern Kingdom. Judge argues that texts depicting the era before the fall provide a context in which there are strong grounds to distinguishing the worship of the “wrong gods” and the worship of the right God in the wrong way. However, texts depicting the era after the fall provide a context in which the issues appear to have been fused.