Idols Riot

IDOLS RIOT! is a book in the order of John Bunyan's "Pilgrims Progress" or Oswald Chamber's "My Utmost for His Highest!" IDOLS RIOT! unpacks the holy grail of scripture on the subject of God, Idols, and altars. It contains power-packed revelation that will overthrow idols and evil altars in your soul or bloodline that are keeping you from enjoying a life of abundance and intimacy with God! IDOLS RIOT! is the combined work of two prolific apostolic writers, Katie Souza and Francis Myles. Inside of its pages, you will learn: * Why worshipping idols delays and blocks the fulfillment of God's promises! *Why Satan tempts people to break the first of the ten commandments! *Why an unhealed soul window shops for idols! *How Satan infiltrates your life with idols and evil altars in your bloodline inorder to control you. *How to silence idols when they are rioting in your soul! *How to take idols and evil altars into the Courts of Heaven to face prosecution *How to identify and stop money stealing idols and evil altars, and much more!

An Economist Best Book of the Year In this timely and lively look at the act of toppling monuments, the popular historian and author of Blood and Sand explores the vital question of how a society remembers—and confronts—the past. In 2020, history came tumbling down. From the US and the UK to Belgium, New Zealand, and Bangladesh, Black Lives Matter protesters defaced, and in some cases, hauled down statues of Confederate icons, slaveholders, and imperialists. General Robert E. Lee, head of the Confederate Army, was covered in graffiti in Richmond, Virginia. Edward Colston, a member of Parliament and slave trader, was knocked off his plinth in Bristol, England, and hurled into the harbor. Statues of Christopher Columbus were toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. Belgian King Leopold II was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill’s monument in London was daubed with the word “racist.” As these iconic effigies fell, the backlash was swift and intense. But as the past three hundred years have shown, history is not erased when statues are removed. If anything, Alex von Tunzelmann reminds us, it is made. Exploring the rise and fall of twelve famous, yet now controversial statues, she takes us on a fascinating global historical tour around North America, Western and Eastern Europe, Latin America and Asia, filled with larger than life characters and dramatic stories. Von Tunzelmann reveals that statues are not historical records but political statements and distinguishes between statuary—the representation of “virtuous” individuals, usually “Great Men”—and other forms of sculpture, public art, and memorialization. Nobody wants to get rid of all memorials. But Fallen Idols asks: have statues had their day?

An authentic compendium of 1970s' New York style and attitude and a confirmed masterpiece. Idols began with an awestruck Larrain visiting Kansas City in the explosively liberating early years of the gay rights movement and befriending Taylor Meade and John Noble. Once they had been photographed, the rest of the troupe followed suit. The result is a collection of photographs of a generation of New York's most talented, outrageous, glamorous and mostly gay personalities who posed for Larrain in his now legendary Soho studio.

This innovative study uses one well-documented moment of violence as a starting point for a wide-ranging examination of the ideas and interactions of pagan philosophers, Christian ascetics, and bishops from the fourth to the early seventh century. Edward J. Watts reconstructs a riot that erupted in Alexandria in 486 when a group of students attacked a Christian adolescent who had publicly insulted the students' teachers. Pagan students, Christians affiliated with a local monastery, and the Alexandrian ecclesiastical leaders all cast the incident in a different light, and each group tried with that interpretation to influence subsequent events. Watts, drawing on Greek, Latin, Coptic, and Syriac sources, shows how historical traditions and notions of a shared past shaped the interactions and behavior of these high-profile communities. Connecting oral and written texts to the personal relationships that gave them meaning and to the actions that gave them form, Riot in Alexandria draws new attention to the understudied social and cultural history of the later fifth-century Roman world and at the same time opens a new window on late antique intellectual life.

The health of your soul is connected to your physical life. A career criminal most of her life, Souza was sent to federal prison to serve almost twelve years. While serving her sentence, she encountered God in a way that dramatically changed her life. Now an outspoken advocate for Jesus, she helps readers find a pathway to healing and receive the blessings God is pouring out.

True crime, memoir, and ghost story, Mean is the bold and hilarious tale of Myriam Gurba’s coming of age as a queer, mixed-race Chicana. Blending radical formal fluidity and caustic humor, Gurba takes on sexual violence, small towns, and race, turning what might be tragic into piercing, revealing comedy. This is a confident, intoxicating, brassy book that takes the cost of sexual assault, racism, misogyny, and homophobia deadly seriously. We act mean to defend ourselves from boredom and from those who would cut off our breasts. We act mean to defend our clubs and institutions. We act mean because we like to laugh. Being mean to boys is fun and a second-wave feminist duty. Being mean to men who deserve it is a holy mission. Sisterhood is powerful, but being mean is more exhilarating. Being mean isn't for everybody. Being mean is best practiced by those who understand it as an art form. These virtuosos live closer to the divine than the rest of humanity. They're queers. Myriam Gurba is a queer spoken-word performer, visual artist, and writer from Santa Maria, California. She's the author of Dahlia Season (2007, Manic D) which was a finalist for the Lambda Literary Award, Wish You Were Me (2011, Future Tense Books), and Painting Their Portraits in Winter (2015, Manic D). She has toured with Sister Spit and her work has been exhibited at the Museum of Latin American Art in Long Beach. She lives in Long Beach, where she teaches social studies to eighth-graders.

Libby I found Killian drunk and sprawled out on my lawn like some lost prince. With the face of a god and the arrogance to match, the pest won’t leave. Sexy, charming, and just a little bit dirty, he’s slowly wearing me down, making me crave more. He could be mine if I dare to claim him. Problem is, the world thinks he’s theirs. How do you keep an idol when everyone is intent on taking him away? Killian As lead singer for the biggest rock band in the world, I lived a life of dreams. It all fell apart with one fateful decision. Now everything is in shambles. Until Liberty. She’s grouchy, a recluse —and kind of cute. Scratch that. When I get my hands on her, she is scorching hot and more addictive than all the fans who’ve screamed my name. The world is clamoring for me to get back on stage, but I’m not willing to leave her. I’ve got to find a way to coax the hermit from her shell and keep her with me. Because, with Libby, everything has changed. Everything.

Why do white Protestants in America embrace a president who seems to violate their basic standards of morality? The answer, Andrew Whitehead and Samuel Perry argue, is "Christian nationalism," the belief that the United States is -- and should be -- a Christian nation. Knowing someone's stance on Christian nationalism, this book shows, tells us more about his or her political beliefs than race, religion, or political party. Drawing on national survey data and interviews with Americans across the political spectrum, Taking America Back for God illustrates the tremendous influence of Christian nationalism on debates about the most contentious issues dominating American public life.