Idp 2043

A graphic novel in collaboration with the Edinburgh International Book Festival to mark its 30th anniversary, IDP (short for 'internally displaced person or persons') imagines a Scotland 30 years in the future. Six teams of major names in European comics and graphics novels collaborate on a single narrative. Celebrated French graphic novelist and illustrator Barroux, Costa Award short-listed Mary Talbot and artist Kate Charlesworth, 'grandfather of British comics' and co-creator of 2000AD Pat Mills and graphic novelist Hannah Berry, enfant terrible of Scottish letters and author of Trainspotting Irvine Welsh and graphic artist Dan McDaid, graphic novelists Adam Murphy and Will Morris, have been brought together by story editor, crime writer and graphic novelist, Denise Mina. The story follows the catastrophic effects of a small rise in sea levels on the county's heavily populated low lying areas and how society reimagines itself in the face of a huge population shift in a world of scarce resources.

The creative partnership of acclaimed writer and academic Mary M. Talbot and graphic-novel pioneer Bryan Talbot has produced some of the most challenging and entertaining graphic novels in recent memory, including 2012's Costa Award medalist Dotter of Her Father's Eyes. The Red Virgin and the Vision of Utopia explores the life of revolutionary French feminist Louise Michel, a visionary teacher, poet, and radical who took up arms against a reactionary regime that executed thousands. Even deportation to a distant penal colony could not stop Michel from taking up the cause of the indigenous population against French colonial oppression.

From acclaimed writer/historian Mary M Talbot and graphic-novel pioneer Bryan Talbot comes Rain, a chronicle of the growing relationship of two young women, one an environmental activist, set against the backdrop of the disastrous 2015 floods in northern England. The wild Brontë moorlands are being criminally mismanaged as crops are being poisoned, and birds and animals are being slaughtered. While the characters are fictional, the tragedy is shockingly real. Rain is the fourth graphic-novel collaboration between Mary M Talbot and husband Bryan Talbot, a partnership that has produced the award winning Dotter of Her Father's Eyes, Sally Heathcote: Suffragette (with Kate Charlesworth), and The Red Virgin and the Vision of Utopia.

What can a pesticide pump, a jar full of sand, or an old calico print tell us about the Anthropocene—the age of humans? Just as paleontologists look to fossil remains to infer past conditions of life on earth, so might past and present-day objects offer clues to intertwined human and natural histories that shape our planetary futures. In this era of aggressive hydrocarbon extraction, extreme weather, and severe economic disparity, how might certain objects make visible the uneven interplay of economic, material, and social forces that shape relationships among human and nonhuman beings? Future Remains is a thoughtful and creative meditation on these questions. The fifteen objects gathered in this book resemble more the tarots of a fortuneteller than the archaeological finds of an expedition—they speak of planetary futures. Marco Armiero, Robert S. Emmett, and Gregg Mitman have assembled a cabinet of curiosities for the Anthropocene, bringing together a mix of lively essays, creatively chosen objects, and stunning photographs by acclaimed photographer Tim Flach. The result is a book that interrogates the origins, implications, and potential dangers of the Anthropocene and makes us wonder anew about what exactly human history is made of.

Cold Water Oil: Offshore Petroleum Cultures is a collection of essays examining how societies conceive of fossil fuel extraction in the inhospitable but fragile waters of the North Atlantic and Arctic oceans. What happens offshore matters. Currently, over a quarter of the world’s oil and gas is produced from beneath the seas. The offshore petroleum industry is thus a crucial point of origin for global carbon emissions, and other environmental harms. Cold Water Oil: Offshore Petroleum Cultures illuminates ignored histories, influential contemporary narratives, and emerging energy and environmental futures. The volume centres on North Atlantic and Arctic regions; the continuing but often strongly contested pursuit of oil and gas in frigid, tumultuous, and environmentally sensitive seas enforces the lengths to which corporations and governments will go to maintain the centrality of fossil fuels. The book’s contributors focus on the cultural, social, and ecological implications of oil and gas extraction in the oceanic territories of Canada, Norway, the UK, Russia, the US, and the Iñupiat of Alaska at a time of profound global uncertainty. In conversation with the energy and environmental humanities, and critical ocean studies, Cold Water Oil considers a region central to debates about climate change and the planet’s future. Cold Water Oil engages students and researchers interested in climate change, energy humanities, critical ocean studies, and North Atlantic and Arctic issues.

Guy Colwell’s 1970s underground comic book series Inner City Romance tread new territory: it was filled with stories about prison, black culture, ghetto life, the sex trade, and radical activism. It portrayed the unpleasant realities of life in the inner city, where opportunities were limited and being on the lowest end of the economic ladder meant that one’s vision of the American dream was more about survival than lifestyle choices. Every issue of Inner City Romance is included in this collection, as well as many of the highly detailed paintings Colwell created at the time. In an accompanying text piece, Colwell provides context for the material.

On March 21, 1968, Yasir Arafat and his guerrillas made the fateful decision to break with conventional guerrilla tactics, choosing to stand and fight an Israeli attack on the al-Karama refugee camp in Jordan. They suffered terrible casualties, but they won a stunning symbolic victory that transformed Arafat into an Arab hero and allowed him to launch a worldwide campaign, one that would reshape Cold War diplomacy and revolutionary movements everywhere. In The Global Offensive, historian Paul Thomas Chamberlin offers new insights into the rise of the Palestine Liberation Organization in its full international context. After defeat in the 1967 war, the crushing of a guerrilla campaign on the West Bank, and the attack on al-Karama, Arafat and his fellow guerilla fighters opened a global offensive aimed at achieving national liberation for the Palestinian people. In doing so, they reinvented themselves as players on the world stage, combining controversial armed attacks, diplomacy, and radical politics. They forged a network of nationalist revolutionaries, making alliances with South African rebels, Latin American insurrectionists, and Vietnamese Communists. They persuaded the United Nations to take up their agenda, and sent Americans and Soviets scrambling as these stateless forces drew new connections across the globe. "The Vietnamese and Palestinian people have much in common," General Vo Nguyen Giap would tell Arafat, "just like two people suffering from the same illness." Richard Nixon's views mirrored Giap's: "You cannot separate what happens to America in Vietnam from the Mideast or from Europe or any place else." Deftly argued and based on extensive new research, The Global Offensive will change the way we think of the history of not only the PLO, but also the Cold War and international relations since.

It's the case that could make DS Alex Morrow's career, it would make any cop salivate. A home invaded in the dead of night, deep in the heart of the cosy suburbs; a hard-working, god-fearing family at the heart of it and a vulnerable old man taken hostage. It's a high profile, black-and-white case and it shouldn't be hard to solve.The attackers were slovenly. The two strangers who forced their way into the warm comfortable home demanded millions the family didn't have and shouted for a man nobody had heard of. It had to be a mistake, and a bad one at that -- after all, Morrow knows that if there's one thing more volatile than a dangerous man with a gun it's two stupid men with guns.But Alex Morrow can't be depended on and the bosses know it. Scattering fury like buckshot, she insults the people she should curry favour with and finds comfort only in the thought of delivering a couple of wide-armed slaps to her superior's smug face. Working this case is tearing her apart and as it unravels, Morrow finds that the only people she can bear to see are the very ones she's been running from for twenty years.As the dark undercurrents start to wash away the family's story, the truth of her own shame and unspeakable grief explode into the case in ways no-one could imagine.