Igbo Deities

The aim of the rebirth of the sacred arts of Igbo African spirituality by Sirius Ugo Art is to restore the glory of African methodology, and unveil the hidden African intelligence in our spiritual systems. As we are the ones witnessing the beginning of Uga Anwu, the age of enlightenment, it is our duty to lay the foundations of Anwu for the next generation. All the arts in this book were shot and digitally created by Sirius Ugo Art. They were all based on the fashion, designs, and decorations of the ancient Igbo people. Spirits are not human beings, however, spirits are manifested in human form because humans are spiritual beings experiencing materialism. The colors of the deities are also well-known in ancient Igbo. When a spirit is pure white, it represents purity, or the moon and sun. When a spirit is green, it represents life, health and Fertility. When a spirit is red, it represents blood, war, and power. When a spirit is dark in color, it represents dark energy. When a spirit is blue, it represents water, and air. All the deities work with one or two of the four elements. For example, Agunkwo works with Eke, while Nneono Oshimiri works with Orie. There are over seven hundred thousand Igbo deities. It would be impossible to create the arts of all Igbo deities, because that would be one claiming to understand all the energy forces in the universe, which is impossible. However, all the energy forces (Umu agbara nine) of the universe are different manifestations of Chukwu na Nnechukwu. Igbo people do not believe that humans created umu agbara. Igbo enlightens us that Umu Agbara (Energy forces) existed before humans. And that humans came to recognize them and work with them to become Agbara as well. A human being becomes Agbara through self Illumination.

Immerse yourself in the vibrant world of Igbo heroes, deities, creatures, folktales, and myths, including Chineke the creator, Ana, Igwe, Anyanwu, Ekwensu, and more, plus the story of the first mermaid, the legend of Udenolu the shapeshifting crow, and the story of the tortoise and the Lion King. The first definitive collection of Igbo legends and traditions for kids, this book explores the mythological origins of the Igbo people, the ancient Nri Kingdom, and Igbo cosmology before delving into the Alusi, or the core Igbo deities. Following this introduction to the pantheon of gods and goddesses, a collection of the most popular Igbo myths, folktales, and legends will immerse kids in exciting stories of tricksters, shapeshifters, and heroes, including: The Wrestler Whose Back Never Touched the Ground Ojiugo, the Rare Gem The Tortoise and the Birds, or The Origin Story of Sea Turtles Ngwele Aghuli, Why the Crocodile Lives Alone How Death Came to Be And more! The perfect book for kids who are fascinated by Greek mythology or love the Rick Riordan series, Introduction to Igbo Mythology for Kids offers a fun look into the stories, history, and figures that characterize Igbo culture.

The Agwu is the Igbo patron deity of health and divination, and one of the basic Igbo theological concepts employed to explain good and evil, health and sickness, wealth and poverty, and fortune and misfortune. Belief in the Agwu was widespread in thepast. Most communities had some Agwu people, who were considered victims of its malignant powers or recipients of its positive influences, such as priest-diviners and physicians. This books analyses this belief system in past and present times, and posits the view that it still exists but to a lesser degree or in a modified forms. The author conducted his research through personal interviews and observer-participant methods. Themes range from beliefs about the Agwu deity through the rites and initiation into Agwu cult, to the guild of diviners and traditional healers. The six chapters cover: supernaturalism and disease causation; the anthropocentricity of Agwu; art and symbol in the Agwu cult; the rites of Dibia initiation; significance and consequences of Dibia initiation; and Agwu therapeutic forces in a time perspective.

If there is no religion in the world, the world would more or less become a jungle. The world will be inhuman. Religion touches all aspects of human life. Identifying God's will in our world today has become a major problem for many religions of the world. In the past, in Igbo Traditional Religion, human sacrifice as well as the killing of twins were practised. For the Igbo traditionalists then, that was the will of the deities and equally not against God's will. But following the encounter of Igbo Traditional Religion with Christianity these are no longer practised. Misinterpretation of God's will by some religions of the world has given rise to religious violence, religious extremism, fanaticism and terrorism we are experiencing today in the world. For these problems to be resolved, it is pertinent that the study of various religions be taken seriously. This study should be aiming at better understanding, co-existence, respect for one another and frequent inter-religious dialogues among the various religions of the world. When this is achieved, the believers of various religions would realize that many are worshipping one God and their desire is to communicate with Him, although they may approach Him differently.

Igbo Funeral Rites is about the rigorous and complex nature of death and burial obsequies in Igboland. Analytical as it is descriptive and anthropological as it is theological, the book is an attempt to provide new insights for handling some of the pastoral challenges of Igbo funeral rites. It exhibits admirable maturity by acknowledging the need for flexibility along with harmonization.

The contributors to this investigation of dreaming in a diversity of African cultures and settings have each approached the matter with a respect for an indigenous discourse which does not necessarily subscribe to Western evaluations of the objective and subjective. The matter of dreaming is not so much a psychological constant as ultimately sociological and historical. Dream discourse as a strategy deploys contingencies in the elaboration of social relationships and the defence, restoration and promotion of identities. Dreaming is therefore prominent in such critical settings as sickness and healing, artistic inspiration and craftwork, election to religious office, conversion to Islam or Christianity.

Religious education in Nigeria is in a state of transformation, owing to the country's current pluralist nature among other factors. In the process, concepts of religion and education are revisited and reassessed in order to make them meaningful to mankind in his pluralist world. With this book, author Michael Okoh inaugurates a fundamental revision. He brings traditional African education and values alongside Christian ideals into dialogue with the "Western progressive learning approaches," paving new ways for religious education activity in Nigeria, particularly in Igboland. (Series: Tubingen Prospects on Pastoral Theology and Religious Pedagogics / Tubinger Perspektiven zur Pastoraltheologie und Religionspadagogik - Vol. 45)