Ignatz Wiemeler Modern Bookbinder

Describes over 250 books bound by this modern bookbinder.

"Unusually well done and informative." — Lafayette (Indiana) Journal & Courier A book bound by hand can be a work of art in a way that machine-bound books can never be. And in this comprehensive, profusely illustrated guide to hand bookbinding, a noted expert in the field explains the techniques needed to create your own choice specimens of the binder's art. Directed especially toward beginners, Creative Bookbinding shows how this ancient craft offers a satisfying hobby and rewarding aesthetic experience — even for those with little previous knowledge of the craft. As Pauline Johnson states in the Preface: "Even with a limited background of knowledge [the craftsperson] can experience a great deal of enjoyment in binding his own books and building up a distinctive personal library of which he can be proud. Each product can be an artistic creation to be cherished." Detailed illustrated instructions for achieving such beautiful hand-crafted volumes are presented here in a readable, informal, and easy-to-follow format. After a brief history of printing and binding, the author provides an in-depth discussion of book design — the proportion and size of books, the parts of a book, materials, tools, and equipment needed for book construction ( a list of supply sources is included), and more. Working procedures are clearly explained, progressing from binding simple folders, notepads, folios, pamphlets, and magazines to full-size sewn books with bindings of cloth and leather. You'll also find an indispensable chapter on the preservation and repair of valuable or irreplaceable volumes. Over 600 photographs and diagrams explain and clarify each step of each process, as well as depicting an abundance of beautiful bindings, both ancient and modern. With this book as a guide, bookbinders at all skill levels can strive to achieve similar magnificent results.

Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)

George Platt Lynes: The Daring Eye is a life of the gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s to 1955. From age 18, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. Intending to pursue a literary and small press publishing career, Lynes also began photographing authors like Stein, Jean Cocteau, André Gide, and Colette. Soon, he turned exclusively to photography, establishing himself as one of the premier fashion photographers in the Condé Nast stable, documenting the early ballets of George Balanchine, and pursuing his private obsession with seductive images of young male nudes almost never published in his time. Lynes's private life was as glamorous and theatrical as his images with their brilliant studio lighting and dramatic Surrealist set-ups. Barely out his teens, he met the publisher Monroe Wheeler who was already in a relationship with the emerging expatriate novelist Glenway Wescott. The peripatetic threesome maintained a polyamorous connection that lasted some 15 years. Their New York apartment became a mecca for elegant cocktail and name-dropping dinner parties. Their ménage-à-trois complicates our understanding of the pre-Stonewall gay "closet." This biography, drawing upon intimate letters and an unpublished memoir of Lynes's life by his brother, writer and editor Russell Lynes, paints a portrait of the emerging influence of gays and lesbians in the visual, literary, and performing arts that defined transatlantic cosmopolitan culture and presaged later gay political activism.