Illusions The Art Of Magic

In 2015 the McCord Museum in Montreal, Canada, was gifted with the Allan Slaight Collection, one of the largest treasuries of posters and documents on magic in the world. Published in conjunction with the exhibition Illusions. The Art of Magic at the McCord Museum, this volume presents 250 exceptional posters from this collection, dating from the 1880s to the 1940s. During this period, known as the Golden Age of Magic, droves of traveling magicians and prestidigitators fought a veritable advertising war. All over the United States and Europe, city walls and billboards were plastered with posters offering tantalizing previews of their most spectacular tricks, giving poster designers and printers of the era a golden opportunity to flex their imaginations and load their work with devils and demons, skeletons and skulls, bodies and decapitated heads, playing-cards and rabbits, alluring assistants, phantasmagoria and esoteric symbols. Seven authors recognized as experts in their respective fields introduce this dazzling array of color and fantastic imagery, providing insights to explain the full historic, social and artistic value of these magnificent posters.

Optical illusions, a magical melding of science and art, appeal to all ages. This lavish full-color book looks at both the science (the peculiarities of human vision that make illusions possible) and the art (famous deceptive images and their creators). Included are a wide variety of eye-fooling tricks, including those practiced by Mother Nature herself.

Books like this contain what may be called the raw material of the art, the processes which the magician can employ at will in building up his larger experiments in magic, each of which should be a complete play in itself. Then, when the student has found out how tricks can be done, he would do well to turn his attention to Our Magic, by Mr. Maskelyne and his associate, Mr. David Devant. And from this logical treatise he can learn how experiments in magic ought to be composed. It is from this admirable discussion of the basic principles of modern magic that more than one of the points made in this paper have been borrowed. Mr. Devant calls attention to the fact that new tricks are common, new manipulative devices, new examples of dexterity and new applications of science, whereas new plots, new ideas for effective presentation, are rare. He describes a series of experiments of his own, some of which utilize again but in a novel manner devices long familiar, while others are new both in idea and in many of the subsidiary methods of execution. One of the most hackneyed and yet one of the most effective illusions in the repertory of the conjurer is that known as the Rising Cards. The performer brings forward a pack of cards, several of which are drawn by members of the audience and returned to the pack, whereupon at the command of the magician they rise out of the pack one after the other in the order in which they were drawn. In the oldest form in which this illusion is described in the books on the art, the pack is placed in a case supported by a rod standing on a base, and the secret of the trick lies on this rod and its base. The rod is really a hollow tube and the base is really an empty box. The tube is filled with sand, on the top of which rests a leaden weight, to which is attached a thread so arranged over and under certain cards as to cause the chosen cards to rise when it descends down the tube; and in putting the cards into the case the conjurer released a valve at the bottom of the tube, so that the sand might escape into the box, whereby the weight was lowered, the thread then doing its allotted work, and the cards ascending into view, no matter how far distant the performer might then be standing. It seems likely that the invention of this primitive apparatus may have been due to the fact that some eighteenth century conjurer happened to observe the sand running out of an hour-glass and set about to find some means whereby this escape of sand could be utilized in his art. The hollow rod, the escaping sand, and the descending weight have long since been discarded; but the illusion of the Rising Cards survives and is now performed in an unending variety of ways. The pack may be held in the hand of the performer, without the use of any case, or it may be placed in a glass goblet, or it may be tied together with a ribbon and thus suspended from cords that swing to and from almost over the heads of the spectators; and however they may be isolated the chosen cards rise obediently when they are bidden. The original effect subsists, even though the devices differ.... The Bookman: A Review of Books and Life, Volume 40

Magic has entranced public forums for hundreds of years, predating many other forms of entertainment that we enjoy today. This ancient art, with its captivating illusions and seemingly impossible sleight of hand, is still as relevant today as ever. Originally published in 1935, master magician John Mulholland’s Story of Magic is a delightful tour through the progression of magic, from its origin to the book’s contemporary period. It offers insights and reflections on famous routines and tricks, black-and-white photographs and illustrations to give readers visual reference, as well as informative facts that weave together a timeline of events for those interested in the history of magic. With a brand-new foreword written by renowned master magician and historian Ben Robinson, this timeless classic will enchant readers and educate them on the art of magic.

Finally back in print, the complete Blackstone story and the history of magic from the 1920s to today. This much in-demand classic gift book contains over 250 photos & drawings exploring the complete Blackstone story and a vivid and varied appreciation of the history, science, and art of illusion and magic from ancient Egypt to vaudeville to Broadway, Las Vegas, and television. It contains 20 classic magic routines in detailed execution. Traces the history of magic, describes the acts of prominent magicians, and demonstrates some basic cup, card, and coin tricks.

From impossible shapes to three-dimensional sketches and trick art, you won't believe your eyes as you learn to draw optical illusions in graphite and colored pencil. Perfect for beginning artists, The Art of Drawing Optical Illusions begins with a basic introduction to optical illusions and how they work. Jonathan Stephen Harris then guides you step-by-step in creating mind-blowing pencil drawings, starting with basic optical illusions and progressing to more difficult two- and three-dimensional trick art. Perspective and dimension are difficult to capture for both beginning and established artists, but now you can hone those skills in the most unique way possible, while also exercising your mind with these brain-boosting, unbelievable tricks!

Magic is an age-old art form, which has the power to amaze and amuse both children and adults alike. This fully illustrated book includes over 120 amazing magic tricks to be used on a variety of different occasions. It offers simple tricks as well as some designed for the more advanced practitioner. History of Mystery: the book opens with an introduction to the most important events and names in magic's rich history, including comedy and close-up magicians, illusionists and television magicians. Card Magic: the scope for performing tricks with cards is enormous. This chapter explains how to grip, shuffle and control cards, how to force cards, do self-working tricks and peform advanced card flourishes. Dinner Table Magic: items found on the dinner table can be used to entertain and amaze your guests. The tricks in this chapter focus on glasses, napkins, cutlery, straws, cups and sugar cubes. Match Magic: the shape and size of matches make them ideal for creating optical illusions and simple magic tricks. With a box of matches in your pocket, you can perform an entire magic show. String, Cord and Rope Magic: the cut and restored rope effect is a staple of the magician's repertoire. This chapter shows how to do this and other illusions such as making a knot disappear at will. Mind Magic: your audiences will believe that you have psychic powers with the routines in this chapter. There are many ways of creating the impression of mind-reading and thought transference. Silk, Thimble and Paper Magic: tricks using handkerchiefs and small objects have always been popular. This chapter shows how to do a variety of sleights of hand with these everyday props. Money Magic: everyone enjoys watching money appear out of thin air! Once you have learnt basic techniques such as palming and vanishing, there are many tricks to perform with both coins and banknotes. This book reveals the secrets of a wide range of tricks, and explains how to achieve a polished performance, with tips and advice on planning patter, rehearsing, and creating your own performance style. Step-by-step instructions with over 1000 photographs make it an indispensable guide for anyone seeking to master this fascinating art.

DigiCat Publishing presents to you this special edition of "Magic, Stage Illusions and Scientific Diversions, Including Trick Photography" by Albert A. Hopkins. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.