Illustrated Medieval Alexander Books In Germany And The Netherlands

"The core of this book on the French verse Alexander in France and Italy was written by eminent Alexander specialist David J.A. Ross, who left an incomplete typescript at his death. In its emphasis on illustration, this book offers new perspectives on the reception of one of the most popular medieval heroes. Ross's analysis of the illustrations proves that despite some convergent patterns there is no iconographic programme that coordinates the three major verse traditions as there is for the versions in prose. Nevertheless, the verse versions continued to be copied and illustrated long after the emergence of prose. The editors have expanded Ross's text, as he wished, to include a comparative analysis of the iconography and they have situated each manuscript as far as possible in its cultural context, demonstrating that the producers of the verse Alexander were also responsible for writing and illustrating a large number of other vernacular and liturgical books in Northern France, Paris, the South, and Italy. This volume is a sequel to Ross's Studies in the Alexander Romance and his Illustrated medieval Alexander-books in Germany and the Netherlands, and makes available an extensive corpus of high-quality images of this great hero."--

Beyond the boundaries of the known Christian world during the Middle Ages, there were alien cultures that intrigued, puzzled, and sometimes frightened the people of Europe. The reports of travelers in Africa and Asia revealed that "monstrous" races of men lived there, whose appearance and customs were quite different from the European norm. This book examines the impact of these races upon Western art, literature, and philosophy, from their earliest mention until the age of exploration. Friedman furnishes a descriptive catalog of the races, most of which were real, geographically remote peoples, some of which were fabled creatures that served as symbols. He traces the evolution of European attitudes toward them, with particular emphasis on the high Middle Ages, when they seem most strongly to have captured the Western imagination. Ranging through literature, the arts, cartography, canon law, and theology, he considers the widely varying ways in which Christians viewed and depicted strange races of men. Finally, he examines transformations in European consciousness brought about by the discoveries of the exotic peoples of the Americas. Whatever their form—pygmy, giant, hirsute cave—dweller, cyclops, or Amazon-the monstrous races clearly challenged the traditional concept of man in the Christian world scheme. It is the medieval thinking about this challenge that Mr. Friedman addresses in this revealing account.

1. Areas 2. Language 3. "Pertaining 4. Inhabitants to the area" and variants a. The Dutch language area (de Nederlanden); a. (Nederlands); a. (Nederlands); a. (Nederlander(s)!Vlaming(en{raquo}: the Netherlands Dutch Netherlandish Netherlander(s) b. The country whose capital is Amsterdam b. (Noordnederlands); b. {laquo}Noord)nederlands); b. (Nederlander(s{raquo}; (Nederland); Northern Dutch Northern; Northern Netherlander(s); the Northern Netherlands; Holland Dutch Dutch(man) c. The Dutch speaking part of Belgium c. (Zuidnederlands); c. (Vlaams); c. (Vlaming(en{raquo}; (V laanderen); Southern Dutch Southern Netherlander(s); Southern; the Southern Netherlands; Flanders Flemish Fleming(s) d. The western provinces of Holland d. (Hollands); d. (Hollands); d. (Hollander(s{raquo}: (Holland = Noord-Holland and Hollands Hollander(s) Hollands Zuid-Holland); the provinces of Holland e. The western provinces of Flanders e. (Vlaams); e. (Vlaams); e. (Vlaming(en{raquo}: (Vlaanderen ('de Vlaanders') = West Vlaams Vlaams Vlaming(en) Vlaanderen and Oost-Vlaanderen); the provinces of Flanders The Dutch terms are italicized. LINGUISTICS APPLIED LINGUISTICS IN THE SEVENTEENTH CENTURY, AND THE DUTCH GRAMMAR OF WILLEM BEYER, 1661, 1681 JOHN GLEDHILL In the flourishing culture of the Northern Netherlands in the early seventeenth century, a proportionate amount of attention was paid to the state of the language. Between 1623 and 1625 several of the leading literary figures, including Hooft and Vondel, had joined in a series of meetings to discuss many aspects of linguistic usage in literature. In this atmosphere it is to be expected that several grammars of the language would appear, and this is indeed the case.

Survey of one of the most important surviving medieval manuscripts reveals much of its contemporary cultural, literary and social milieu. Oxford, Bodleian Library, MS Bodley 264 is one of the most famous and most sumptuous illuminated manuscripts of the entire Middle Ages. Completed in 1344 in Tournai, in what is now Belgium, the manuscript preserves the fullest version of the interpolated Old French Roman d'Alexandre (Romance of Alexander the Great), and some of the most vivid illustrations of any medieval romance, ranking amongst the greatest achievements of the illuminator's art, its borders in particular offering a panorama of medieval society and imagination. A celebration of courtliness, a commemoration of urban chivalry, a mirror for the prince instructing in the arts of rule, and a meditation on crusade, it manifests the extraordinary richness and creativity of late medieval manuscript culture. This study examines the manuscript as a monumental expression of the beliefs and social practices of its day, placing it in its historical and artistic context; it also analyzes its later reception in England, where the addition of a Middle English Alexander poem and of Marco Polo's Voyages reflects changing concepts of language, historiography, and geography. Mark Cruse is Assistant Professor of French, School of International Letters and Cultures, Arizona State University.

This is the third and final volume of essays issuing from the Leverhulme International Network 'Renaissance Conflict and Rivalries: Cultural Polemics in Europe, c. 1300–c. 1650'. The overall aim of the network was to examine the various ways in which conflict and rivalries made a positive contribution to cultural production and change during the Renaissance. The present volume, which contains papers delivered at the third colloquium, draws that examination to a close by considering a range of different strategies deployed in the period to manage conflict and rivalries and to bring them to a positive resolution. The papers explore these developments in the context of political, diplomatic, social, institutional, religious, and art history.

Mappa mundi texts and images present a panorama of the medieval world-view, c.1300; the Hereford map studied in close detail. Filled with information and lore, mappae mundi present an encyclopaedic panorama of the conceptual "landscape" of the middle ages. Previously objects of study for cartographers and geographers, the value of medieval maps to scholars in other fields is now recognised and this book, written from an art historical perspective, illuminates the medieval view of the world represented in a group of maps of c.1300. Naomi Kline's detailed examination of the literary, visual, oral and textual evidence of the Hereford mappa mundi and others like it, such as the Psalter Maps, the '"Sawley Map", and the Ebstorf Map, places them within the larger context of medieval art and intellectual history. The mappa mundi in Hereford cathedral is at the heart of this study: it has more than one thousand texts and images of geographical subjects, monuments, animals, plants, peoples, biblical sites and incidents, legendary material, historical information and much more; distinctions between "real" and "fantastic" are fluid; time and space are telescoped, presenting past, present, and future. Naomi Kline provides, for the first time, a full and detailed analysis of the images and texts of the Hereford map which, thus deciphered, allow comparison with related mappae mundi as well as with other texts and images. NAOMI REED KLINE is Professor of Art History at Plymouth State College.