Illustrious Dames Of The Court Of The Valois Kings

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The book of the ladies by Pierre de Bourdeille Brantôme brings a very interesting testimony as a book of good manners, and also shows the author's lightness of storytelling during 18th century in France.

The riveting true story of mother-and-daughter queens Catherine de' Medici and Marguerite de Valois, whose wildly divergent personalities and turbulent relationship changed the shape of their tempestuous and dangerous century. Set in magnificent Renaissance France, this is the story of two remarkable women, a mother and daughter driven into opposition by a terrible betrayal that threatened to destroy the realm. Catherine de' Medici was a ruthless pragmatist and powerbroker who dominated the throne for thirty years. Her youngest daughter Marguerite, the glamorous "Queen Margot," was a passionate free spirit, the only adversary whom her mother could neither intimidate nor control. When Catherine forces the Catholic Marguerite to marry her Protestant cousin Henry of Navarre against her will, and then uses her opulent Parisian wedding as a means of luring his followers to their deaths, she creates not only savage conflict within France but also a potent rival within her own family. Rich in detail and vivid prose, Goldstone's narrative unfolds as a thrilling historical epic. Treacherous court politics, poisonings, inter-national espionage, and adultery form the background to a story that includes such celebrated figures as Elizabeth I, Mary, Queen of Scots, and Nostradamus. The Rival Queens is a dangerous tale of love, betrayal, ambition, and the true nature of courage, the echoes of which still resonate.

Anne of France (1461-1522), daughter of Louis XI and sister of Charles VIII, was one of the most powerful women of the fifteenth century. She was referred to by her contemporaries as Madame la Grande, and remained an active and influential figure in France throughout her life. As the fifteenth century drew to a close, Anne composed a series of enseignements, "lessons", for her daughter Suzanne of Bourbon. These instructions represent a distillation of a lifetime's experience, and are presented through the portrait of an ideal princess, thus preparing her daughter to act both circumspectly and politically. Having steered her own course successfully, Anne offers her daughter advice intended to help her negotiate the difficult passage of a woman in the world of politics. This is the first translation into English of Anne of France's Lessons.

A new biography of Catherine de' Medici, the most powerful woman in sixteenth-century Europe, whose author uses neglected primary sources to recreate the life and times of a remarkable – and remarkably traduced – woman. History is rarely kind to women of power, but few have had their reputations quite so brutally shredded as Catherine de' Medici, Italian-born queen of France and influential mother of three successive French kings during that country's long sequence of sectarian wars in the second half of the sixteenth century. Thanks to the malign efforts of propagandists motivated by religious hatred, history tends to remember Catherine as a schemer who used witchcraft and poison to eradicate her rivals, as a spendthrift dilettante who wasted ruinous sums of money on building and embellishment of monuments and palaces, and most sinister of all, as instigator of the St Bartholomew's Day massacre of 1572, in which thousands of innocent Protestants were slaughtered by Catholic mobs. Mary Hollingsworth delves into contemporary archives to discover deeper truths behind these persistent myths. The correspondence of diplomats and Catherine's own letters reveal a woman who worked tirelessly to find a way for Catholics and Protestants to coexist in peace (a goal for which she continued to strive until the end of her life), who was well-informed on both literary and scientific matters, and whose patronage of the arts helped bring into being glorious châteaux and gardens, priceless work of art, and magnificent festivities combining theatre, music and ballet, which display the grandeur of the French court.