Image And Value In The Graeco Roman World

In this volume, Dr Gordon examines the way in which images contributed to the creation of religious meanings in the Graeco-Roman world. Special attention is paid to Mithraism's notion of sacred space, its use of metaphors taken from the natural world, and its ideals of social action.

Panthée presents a collective reflection relating to the changes that affected the Graeco-Roman Empire and over the long term altered its religious landscapes. Fifty years after the foundation of the series EPRO, the volume aims to avoid the division between the supposedly "Roman" or "Graeco-Roman" and the "Oriental" by linking the available information relating the different major areas, such as the relation between local and global, the place of emotions in relation to soteriological and initiatory aspects, strategies of integration and negotiation of identities. For the first time the leading specialists in every field bring their approaches into contact with one another, and jointly construct a picture of practices and conceptual frames, which, in their diversity and inter-action, model a religious universe whose complexity will help to understand our modern globalising world. Panthée propose une réflexion collective sur les mutations qui ont affecté l'Empire gréco-romain et ont progressivement remodelé ses paysages religieux. Cinquante ans après la création de la collection des EPRO, ce livre ambitionne de dépasser le clivage entre ce qui serait "romain", ou "gréco-romain", et ce qui serait "oriental" en articulant les données disponibles autour de quelques thèmes majeurs, comme les jeux d'échelle entre local et universel, la place du registre des émotions en relation avec les dimensions sotériologiques et mystériques, les stratégies d'intégration et de négociation des identités. Pour la première fois, les meilleurs spécialistes venus de tous les horizons croisent leurs approches et construisent ensemble un tableau des pratiques et des cadres de pensée qui, dans leur diversité et dans leur interaction, dessinent les contours d'un univers religieux dont la complexité aide à penser le monde moderne de la globalisation.

This book fills a gap in the study of mystery cults in Graeco-Roman Antiquity. Focusing on the visual language surrounding these cults, it aims to understand how images depict mysteries in different cults: Dionysus, Mithras, Mother of the Gods, and Isiac cults.

Rituals play a prominent role in Zoroastrianism, one of the oldest religious traditions of mankind. In this book, scholars from a broad range of disciplines make the first ever collective effort to discuss Zoroastrian rituals in different historical contexts and geographical settings.

The Roman cult of Mithras was the most widely-dispersed and densely-distributed cult throughout the expanse of the Roman Empire from the end of the first until the fourth century AD, rivaling the early growth and development of Christianity during the same period. As its membership was largely drawn from the ranks of the military, its spread, but not its popularity is attributable largely to military deployments and re-deployments. Although mithraists left behind no written archival evidence, there is an abundance of iconographic finds. The only characteristic common to all Mithraic temples were the fundamental architecture of their design, and the cult image of Mithras slaying a bull. How were these two features so faithfully transmitted through the Empire by a non-centralized, non-hierarchical religious movement? The Minds of Mithraists: Historical and Cognitive Studies in the Roman Cult of Mithras addresses these questions as well as the relationship of Mithraism to Christianity, explanations of the significance of the tauroctony and of the rituals enacted in the mithraea, and explanations for the spread of Mithraism (and for its resistance in a few places). The unifying theme throughout is an investigation of the 'mind' of those engaged in the cult practices of this widespread ancient religion. These investigations represent traditional historical methods as well as more recent studies employing the insights of the cognitive sciences, demonstrating that cognitive historiography is a valuable methodological tool.

The Roman Empire at Bay is the only one volume history of the critical years 180-395 AD, which saw the transformation of the Roman Empire from a unitary state centred on Rome, into a new polity with two capitals and a new religion—Christianity. The book integrates social and intellectual history into the narrative, looking to explore the relationship between contingent events and deeper structure. It also covers an amazingly dramatic narrative from the civil wars after the death of Commodus through the conversion of Constantine to the arrival of the Goths in the Roman Empire, setting in motion the final collapse of the western empire. The new edition takes account of important new scholarship in questions of Roman identity, on economy and society as well as work on the age of Constantine, which has advanced significantly in the last decade, while recent archaeological and art historical work is more fully drawn into the narrative. At its core, the central question that drives The Roman Empire at Bay remains, what did it mean to be a Roman and how did that meaning change as the empire changed? Updated for a new generation of students, this book remains a crucial tool in the study of this period.

At the outset of the period covered by this book, Rome was the greatest power in the world. By its end, it had fallen conclusively from this dominant position. David Potter's comprehensive survey of two critical and eventful centuries traces the course of imperial decline.