Image Identity And John Wesley

The face of John Wesley (1703–91), the Methodist leader, became one of the most familiar images in the English-speaking and transatlantic worlds through the late eighteenth and nineteenth centuries. After the dozen or so painted portraits made during his lifetime came numbers of posthumous portraits and moralising ‘scene paintings’, and hundreds of variations of prints. It was calculated that six million copies were produced of one print alone – an 1827 portrait by John Jackson R.A. as frontispiece for a hymn book. Illustrated by nearly one hundred images, many in colour, with a comprehensive appendix listing known Wesley images, this book offers a much-needed comprehensive and critical survey of one of the most influential religious and public figures of eighteenth-century Britain. Besides chapters on portraits from the life and after, scene paintings and prints, it explores aspects of Wesley’s (and Methodism’s) attitudes to art, and the personality cult which gathered around Wesley as Methodism expanded globally. It will be of interest to art historians as a treatment of an individual sitter and subject, as well as to scholars engaged in Wesley and Methodist studies. It is also significant for the field of material studies, given the spread and use of the image, on artefacts as well as on paper.

John Wesley (1703–1791), leader of British Methodism, was one of the most prolific literary figures of the eighteenth century, responsible for creating and disseminating a massive corpus of religious literature and for instigating a sophisticated programme of reading, writing and publishing within his Methodist Societies. John Wesley, Practical Divinity and the Defence of Literature takes the influential genre of practical divinity as a framework for understanding Wesley’s role as an author, editor and critic of popular religious writing. It asks why he advocated the literary arts as a valid aspect of his evangelical theology, and how his Christian poetics impacted upon the religious experience of his followers.

The Routledge Companion to John Wesley provides an overview of the work and ideas of one of the principal founders of Methodism, John Wesley (1703-91). Wesley remains highly influential, especially within the worldwide Methodist movement of some eighty million people. As a preacher and religious reformer his efforts led to the rise of a global Protestant movement, but the wide-ranging topics addressed in his writings also suggest a mind steeped in the intellectual developments of the North Atlantic, early modern world. His numerous publications cover not only theology but ethics, history, aesthetics, politics, human rights, health and wellbeing, cosmology and ecology. This volume places Wesley within his eighteenth-century context, analyzes his contribution to thought across his multiple interests, and assesses his continuing relevance today. It contains essays by an international team of scholars, drawn from within the Methodist tradition and beyond. This is a valuable reference particularly for scholars of Methodist Studies, theology, church history and religious history.

This is an appraisal of the life and ministry of the Anglican minister and Evangelical leader Charles Welsey, and his contribution to the early Methodist movement. Lloyd's study offers a new perspective on the formative years of a denomination that today has about 80 million members.

Faces are more than a montage of organs that see, breathe, speak, hear, eat, sing, smell, and yell. As Josephine Tey points out in her mystery novel, The Daughter of Time, the slant of an eyebrow, the set of a mouth, the look of the eye, the firmness of a chin, often can provide evidence of character that is as telling as a report card or a police blotter. Those features depicted on portraits of individuals can be equally telling of the person’s inner nature or perhaps of what the artist thinks (or wants the viewer to think) about the person being portrayed. Sometimes a portrait might be even more useful than a biography. While examining these portraits, the author considers three questions: what was Wesley’s attitude toward the portrait (if any), how did the public respond to these portrayals, and what was the artist attempting to convey? This book focuses on the main portraits and their derivatives, looking at them within the three main categories that developed over the years: Oxford don, Methodist preacher, and notable person. Although these types seemed to arise in chronological order, there is some overlap between categories, especially toward the end of Wesley’s life and beyond.

John Wesley and George Whitefield are remembered as founders of Methodism, one of the most influential movements in the history of modern Christianity. Characterized by open-air and itinerant preaching, eighteenth-century Methodism was a divisive phenomenon, which attracted a torrent of printed opposition, especially from Anglican clergymen. Yet, most of these opponents have been virtually forgotten. Anti-Methodism and Theological Controversy in Eighteenth-Century England is the first large-scale examination of the theological ideas of early anti-Methodist authors. By illuminating a very different perspective on Methodism, Simon Lewis provides a fundamental reappraisal of the eighteenth-century Church of England and its doctrinal priorities. For anti-Methodist authors, attacking Wesley and Whitefield was part of a wider defence of 'true religion', which demonstrates the theological vitality of the much-derided Georgian Church. This book, therefore, places Methodism firmly in its contemporary theological context, as part of the Church of England's continuing struggle to define itself theologically.

Brian Beck has had a long and distinguished career in Methodist studies, having additionally served as President of the UK Methodist Conference and helped lead the international Oxford Institute of Methodist Theological Studies. This book is the first time that Beck’s seminal work on Methodism has been gathered together. It includes eighteen essays from the last twenty-five years, covering many different aspects of Methodist thought and practice. This collection is divided into two main sections. Part I covers Methodism’s heritage and its implications, while Part II discusses wider issues of Methodism’s identity. The chapters themselves examine the work of key figures, such as John Wesley and J. E. Rattenbury, as well as past and present forms of Methodist thought and practice. As such, this book is important reading for any scholar of Methodism as well as students and academics of religious studies and theology more generally.

Despite the fact that women are often mentioned as having played instrumental roles in the establishment of Methodism on the Continent of Europe, very little detail concerning the women has ever been provided to add texture to this historical tapestry. This book of essays redresses this by launching a new and wider investigation into the story of pioneering Methodist women in Europe. By bringing to light an alternative set of historical narratives, this edited volume gives voice to a broad range of religious issues and concerns during the critical period in European history between 1869 and 1939. Covering a range of nations in Continental Europe, some important interpretive themes are suggested, such as the capacity of women to network, their ability to engage in God’s work, and their skill at navigating difficult cultural boundaries. This ground breaking study will be of significant interest to scholars of Methodism, but also to students and academics working in history, religious studies, and gender.