Image Politics In The Middle East

Politics in the Middle East is now 'seen' and the image is playing a central part in processes of political struggle. This is the first book in the literature to engage directly with these changing ways of communicating politics in the region - and particularly with the politics of the image, its power as a political tool. Lina Khatib presents a cross-country examination of emerging trends in the use of visuals in political struggles in the Middle East, from the Cedar Revolution in Lebanon to the Green Movement in Iran, to the Arab Spring in Egypt, Syria and Libya. She demonstrates how states, activists, artists and people 'on the street' are making use of television, the social media and mobile phones, as well as non-electronic forms, including posters, cartoons, billboards and graffiti to convey and mediate political messages. She also draws attention to politics as a visual performance by leaders and citizens alike. With a particular focus on the visual dynamics of the Arab Spring, and based on case studies on the visual dimension of political protest as well as of political campaigning and image management by political parties and political leaders, Image Politics in the Middle East shows how visual expression is at the heart of political struggle in the Middle East today. It is a hard-hitting, enjoyable, groundbreaking book, challenging the traditional ways in which politics in the Middle East is conceived of and analysed.

"Politics in the Middle East is now seen and the image is playing a central part in processes of political struggle. This is the first book in the literature to engage directly with these changing ways of communicating politics in the region – and particularly with the politics of the image, its power as a political tool."--From the publisher's website.

A collection of essays examining the role and power of images from a wide variety of media in today’s Middle Eastern societies. This timely book examines the power and role of the image in modern Middle Eastern societies. The essays explore the role and function of image making to highlight the ways in which the images “speak” and what visual languages mean for the construction of Islamic subjectivities, the distribution of power, and the formation of identity and belonging. Visual Culture in the Modern Middle East addresses aspects of the visual in the Islamic world, including the presentation of Islam on television; on the internet and other digital media; in banners, posters, murals, and graffiti; and in the satirical press, cartoons, and children’s books. “This volume takes a new approach to the subject . . . and will be an important contribution to our knowledge in this area. . . . It is comprehensive and well-structured with fascinating material and analysis.” —Peter Chelkowski, New York University “An innovative volume analyzing and instantiating the visual culture of a variety of Muslim societies [which] constitutes a substantially new object of study in the regional literature and one that creates productive links with history, anthropology, political science, art history, media studies, and urban studies, as well as area studies and Islamic studies.” —Walter Armbrust, University of Oxford

This book provides a comprehensive analysis of Middle East international politics in the light of international relations theory. It assesses the impact of international penetration, including the historic formation of the regional state system, the continued role of external great powers, and the incorporation of the region into the international capitalist market. It examines the region’s distinctive dialect between trans-state identities, Arabism and Islam, and the consolidation of a sovereign state system. It looks at the consequences of state formation for the ability of state elites to manage the external and domestic arenas in which they must operate; and it analyzes the impact of the foreign policy process in individual states.

The fourth edition of this dynamic and popular text provides a comprehensive introduction to contemporary politics in the Middle East. Fully revised and updated throughout, it features a new chapter on the Arab Spring and its aftermath, plus a wide range of vibrant case studies, data, questions for class discussion and suggestions for further reading. Purposefully employing a clear thematic structure, the book begins by introducing key concepts and contentious debates before outlining the impact of colonialism, and the rise and relevance of Arab nationalism in the region. Major political issues affecting the Middle East are then explored in full. These include political economy, conflict, political Islam, gender, the regional democracy deficit, and ethnicity and minorities. The book also examines the role of key foreign actors, such as the USA, Russia and the EU, and concludes with an in-depth analysis of the Arab uprisings and their impact in an era of uncertainty.

When Barack Obama was elected in 2008, his foreign policy was at first seen to be the antithesis of that of his predecessor, George W. Bush. Eid Mohamed highlights how in the wake of this change of US administration, Arab media, literature and cinema began to assert the value of America as a potential source of `change' while attempting to renegotiate the Arab world's position in the international system. Arab cultural representation of the United States has variously changed and developed since 9/11, and again in the wake of the protests in 2011 and the ensuing political turmoil in Egypt, Libya, Yemen, and of course, Syria. Taking this into account, Mohamed offers an examination of the ways in which stereotypes of America are both presented and challenged through cinema, fiction and the wider media and intellectual production. Rather than seeing this process as one where the Middle East reacts to and attempts to negotiate with western modernity, Mohamed instead highlights the significant interplay of religion, pop culture and politics and the role they play in shaping the complex relation between America and the nations of the Middle East.

Demands for freedom, justice, and dignity have animated protests and revolutions across the Middle East in recent years, from the Iranian Green Movement and the Arab Spring uprisings to Turkey’s March for Justice and the ongoing struggle in Palestine. Although expectations raised by the Arab Spring were largely disappointed and protests that toppled entrenched rulers unleashed vicious counterrevolutionary forces, there is no doubt that the landscape of the Middle East has changed. Drawing from diverse disciplines, this volume offers critical perspectives on these changes, covering politics, religion, gender dynamics, human rights, media, literature, and music. What ultimately has changed in “the new Middle East”? Who are the actors pushing the direction of change? How are aspirations for change being expressed through media and the arts? With extensive analysis and thoughtful reflection, this book gives readers an in-depth portrayal of a modernizing Middle East.

A comprehensive assessment of the origins and staying power of Middle East autocracies, as well as a sober account of the struggles of state reformers and opposition forces to promote civil liberties, competitive elections and a pluralistic vision of Islam. Drawing on the insights of some 25 leading Western and Middle Eastern scholars, the book highlights the dualistic and often contradictory nature of political liberalization. Yemen suggest, political liberalization - as managed by the state - not only opens new spaces for debate and criticism, but is also used as a deliberate tactic to avoid genuine democratization. In several chapters on Iran, the authors analyze the benefits and costs of limited reform. There, the electoral successes of President Mohammad Khatami and his reformist allies inspired a new generation but have not as yet undermined the clerical establishment's power. By contrast, in Turkey a party with Islamist roots is moving a discredited system beyond decades of conflict and paralysis, following a stunning election victory in 2002. force for change. While acknowledging the enduring attraction of radical Islam throughout the Arab world, the concluding chapters carefully assess the recent efforts of Muslim civil society activists and intellectuals to promote a liberal Islamic alternative. Their struggles to affirm the compatibility of Islam and pluralistic democracy face daunting challenges, not least of which is the persistent efforts of many Arab rulers to limit the influence of all advocates of democracy, secular or religious.