Image Power And Space

A collection of studies by scholars working at the Chelsea School Research Centre and the University of Brighton

Real places and events are constructed and used to symbolize abstract formulations of power and authority in politics, corporate practice, the arts, religion, and community. By analyzing the aesthetics of public space in contexts both mundane and remarkable, the contributors examine the social relationship between public and private activities that impart meaning to groups of people beyond their individual or local circumstances. From a range of perspectives--anthropological, sociological, and socio-cultural--the contributors discuss road-making in Peru, mass housing in Britain, an unsettling traveling exhibition, and an art fair in London; we explore the meaning of walls in Jerusalem, a Zen garden in Japan, and religious themes in Europe and India. Literally and figuratively, these situations influence the ways in which ordinary people interpret their everyday worlds. By deconstructing the taken for- granted definitions of social value (democracy, equality, individualism, fortune), the authors reveal the ideological role of imagery and imagination in a globalized political context.

Architects are creators of places. Spaces are produced by the social practice of the user within places. Thus, the user is brought into the picture as a producer of space whereas architects are classified as producers of place. The book addresses the notion of power relations within undefined spaces of transition through case study documentations and by analyzing individual and common expressions in four social housing projects in greater Copenhagen. Understanding the struggle of power relations can help identify an interest articulated by the user. The articulations are made by means of additions that are placed within the spaces of transition. The conclusion that can be drawn is that power relations should be recognized by architects as a phenomenon of the dominating aspect of architecture. Neglecting to consider this domination in the conception of residential housing projects has a large impact on the user and his/her possibilities for practicing social interactions.

Cities and urban societies have many faces. In this study, the pre-modern cities of Holland are presented as arenas where power relations between social classes are expressed in a more or less permanent appropriation of physical space and through discursive strategies. The continuity of the power relations in the cities of Holland, spanning centuries, makes it urgent to look not only at the assumption of urban space as an expression of power relations within society, but also at the contribution of this appropriation to the acceptance and continuity of the existing power relations in pre-modern Holland. Within this broad area, extensive attention is paid to: the very prominent and enduring appropriation of urban space in the field of housing; the less permanent, but violent appropriation of urban space during the public execution of scaffold punishments; the maintenance of public order by civic militias; and appropriation during riots and revolts. In addition, city descriptions, maps and pictures of the pre-modern cities of Holland are scrutinised for what they can reveal about the appropriation of urban spaces. These themes each have an extensive historiography, but they have never been brought together in an interpretative framework that fits in with Pierre Bourdieu's model of society and the work – of especially John Allen – on power until now.

Real places and events are constructed and used to symbolize abstract formulations of power and authority in politics, corporate practice, the arts, religion, and community. By analyzing the aesthetics of public space in contexts both mundane and remarkable, the contributors examine the social relationship between public and private activities that impart meaning to groups of people beyond their individual or local circumstances. From a range of perspectives—anthropological, sociological, and socio-cultural—the contributors discuss road-making in Peru, mass housing in Britain, an unsettling traveling exhibition, and an art fair in London; we explore the meaning of walls in Jerusalem, a Zen garden in Japan, and religious themes in Europe and India. Literally and figuratively, these situations influence the ways in which ordinary people interpret their everyday worlds. By deconstructing the taken for- granted definitions of social value (democracy, equality, individualism, fortune), the authors reveal the ideological role of imagery and imagination in a globalized political context.

Culture, Space and Power: Blurred Lines collects essays that study contemporary mutations of public and private space in multiple cultural contexts and media from a variety of theoretical and methodological approaches. The essays range from the general to the specific: the first section will explore how recent trends in globalization, nationalism, city design, and ruralist revival yield particular spatial morphologies. The second part of the volume investigates spaces of privacy and togetherness, including traditional settings for intimacy, such as the home, and enclosure, such as the prison, or the virtual locations created through digital media (cellphones, tablets and computers). At the same time, despite the two-part division into public and private, the volume stresses their connection and interdependency: the extent, that is, to which broader spatial configurations affect private, day-to-day practices and locations.

Power and Space sets out the inherently spatial nature of power today and seeks to change the conversation around how power exercises us in the contemporary moment. The essays brought together in this book are a response to the fact that conventional descriptions of power and its ordered geographies no longer chime with our lived experience. Spatiality matters to the workings of power nowadays, and this book sheds light on what it is that we face when power is exercised through more subtle, spatially nuanced arrangements. It is divided into three parts, each representing a different kind of engagement with power’s relationship to space, from the spatial shifts in the way power is exercised through to its assemblage-like entanglements and, in turn, its progressive topological character. Throughout the book, a wide range of social, political and economic examples are drawn upon to illustrate a more provisional sense of power, ranging, for instance, from the seductive logic of privatized public spaces to the attempt by a data analytics company to manipulate political behaviour, through to the offshore spaces invented by rising financial elites to challenge the established banking order. Illustrating the new-found abilities of the powerful to make their presence felt, this book provides an accessible account of the practical workings of power in the present day. It will be invaluable to students and academics in human geography and urban studies as well as politics, sociology and cultural studies.

Between 270 and 535 AD the city of Rome experienced dramatic changes. The once glorious imperial capital was transformed into the much humbler centre of western Christendom in a process that redefined its political importance, size, and identity. Urban Space and Aristocratic Power in Late Antique Rome examines these transformations by focusing on the city's powerful elite, the senatorial aristocracy, and exploring their involvement in a process of urban change that would mark the end of the ancient world and the birth of the Middle Ages in the eyes of contemporaries and modern scholars. It argues that the late antique history of Rome cannot be described as merely a product of decline; instead, it was a product of the dynamic social and cultural forces that made the city relevant at a time of unprecedented historical changes. Combining the city's unique literary, epigraphic, and archaeological record, the volume offers a detailed examination of aspects of city life as diverse as its administration, public building, rituals, housing, and religious life to show how the late Roman aristocracy gave a new shape and meaning to urban space, identifying itself with the largest city in the Mediterranean world to an extent unparalleled since the end of the Republican period.