Imageoutwrite Personal Pronouns

ImageOut, New York's longest running LGBTQ film and arts festival, presents ImageOutWrite's third volume of contemporary poetry and prose. In Personal Pronouns writers examine the theme of identity and gender.

Somber poems deal with the end of summer, winter dawn, travel, mortality, childhood, education, nature and the spiritual aspects of life.

A beautiful, and at times brutal, portrait of a people caught between cultures. Set in San Francisco from the 1980s to the present day, this debut collection explores the lives of families of Vietnamese immigrants as they struggle to adjust to life in their new country, often haunted by memories and customs of their old lives in Vietnam. While some are able to survive and assimilate, others are crushed by the promise of the American dream.

Poetry. African American Studies. Eisen-Martin's syntax lands somewhere between Sphinx and Thelonious...through poem he makes spare, efficient, wild-eyed jazz...rubs mud and accountability into the pores of the zeros and ones in the glass and steel city. Throughout SOMEONE'S DEAD ALREADY, I return to the wonder of the writer's economy of language, how deftly the words infuse their amulet casings with blood temperature at the edge of boiling. This work is as hungry as revolution, a necessary, deadly still in these shifting times...--Marc Bamuthi Joseph

The much-awaited second book by a truly revolutionary poet, in the lineage of Gil Scott Heron, Allen Ginsberg, Audre Lorde.

Gems, shards, quickies, bon bons, snapshots, nuggets, tickles, or even pinpricks. Each 100 Word Story is its own kind of special. NOTHING SHORT OF presents the best of 100 Word Story, the leader in short-short fiction and a popular go-to for great reading. In these very short stories, every word, every detail, every moment matters. And the things left out, the spaces around the stories, are just as intense. What can a hundred words do? They can send chills, they can bring you to tears, they can take your breath away. In often racy, always charged encounters -- from wild messy breakups to a disgruntled clown dinner to quiet revelations over folded laundry -- these 100-word stories take us to lightning moments when everything, big and small, is at stake. In NOTHING SHORT OF, a hundred words is all you need.

California's Over leads us down an unmarked road to the coast and then deep into the rotten, labyrinthine house where James Farmican, the famous poet, shot himself to death years ago, leaving behind a legacy of adulation and bankruptcy. Now his family is leaving, and the young narrator--who calls himself Baelthon--has been hired to haul the furniture onto the lawn and sort through the attic and basement. But as Baelthon excavates, he also discovers layers of family mystery and comedy and cruelty, all of it piled too deeply for anyone to sort out: the unexplained disappearance of Farmican's ashes, the unfinished novel that may actually be his suicide note, the opera about cannibalism that his son is writing to rescue himself from obscurity, and, finally, the family's migration to the Nevada desert to claim their inheritance. And Baelthon discovers Wendy, Farmican's sixteen-year-old daughter who keeps her checkers pieces taped to the board where she and her father left them before he died. Emerging from her chrysalis of baby fat and self-loathing, Wendy is destined to be both the love of Baelthon's life and the object of his betrayal. Twenty-five years later, from the perspective of mid- and middle-class life, Baelthon recalls the mistaken selves he and the Farmicans once inhabited. What he doesn't expect--or think he deserves--is the redemption and abiding against-all-odds love that await him.

With wit and candor, Hollie Hardy writes for her life. "Break up your own little tedium," these poems remind us. With their riffs on existing literature and recurrent crises, Hardy's poems show us what can be gained from trying old tricks in new ways. Hardy shows us how to survive a life lived just over the edge. These poems are playful in the way tussling wolf cubs are playful. They are physical and practical. They are recognizing and revealing strength. Camille T. Dungy, author of 'Smith Blue' and 'What to Eat, What to Drink, What to Leave for Poison'