Imagining Postcommunism

Although the 1956 Hungarian uprising failed to liberate the country from Soviet domination, it became a symbol of freedom for people throughout Eastern Europe and beyond. Labeling the events a counterrevolution, communist authorities exacted revenge in two years of terror and intimidation. Then, for the next thirty years, they pursued a policy of forced forgetting, attempting to obliterate public memory of the events. As communism unraveled in the late 1980s, the 1956 revolution was resurrected as inspiration for a new political order. In Imagining Postcommunism, Beverly James demonstrates how 1956 became a foundational myth according to which the bloody events of that fall led to the ceremonial reburial of the martyred prime minister Imre Nagy in 1989, free elections in 1990, and the withdrawal of the last Soviet soldiers on June 19, 1991. She shows how museums, monuments, and holiday rituals have aided the construction of a new Hungary through the reclamation and expression of competing memories of the critical events of 1956. Surveying the dazzling array of ceremonies, exhibitions, and memorials commemorating the revolution and its heros, James invites readers to consider the difference between the communist regime’s master narrative of 1956, with its smug, false unity, and the multiple, polemical stories woven by competing political forces in postcommunist Hungary. A thoughtful application of communication and historical theories on the uses of memory, this study offers a unique perspective on a crucial episode in the history of Eastern Europe.

Contributors follow the impact of post-Cold War globalization on Central-East European literatures, cultures, and theoretical-ideological debates, particularly literary and cultural-artistic trends such as experimentalism, the neo-avant-garde, and postmodernism. Essays investigate the new configurations of theme, form, and ideology that emerged in these former communist countries after 1989 and the ways artists, critics, and intellectuals have imagined themselves, their countries, and their world as it globalizes. Contributors combine literary-aesthetic and cultural-historical approaches while remaining sensitive to transnational developments.

Although the 1956 Hungarian uprising failed to liberate the country from Soviet domination, it became a symbol of freedom for people throughout Eastern Europe and beyond. Labeling the events a counterrevolution, communist authorities exacted revenge in two years of terror and intimidation. Then, for the next thirty years, they pursued a policy of forced forgetting, attempting to obliterate public memory of the events. As communism unraveled in the late 1980s, the 1956 revolution was resurrected as inspiration for a new political order. In Imagining Postcommunism, Beverly James demonstrates how 1956 became a foundational myth according to which the bloody events of that fall led to the ceremonial reburial of the martyred prime minister Imre Nagy in 1989, free elections in 1990, and the withdrawal of the last Soviet soldiers on June 19, 1991. She shows how museums, monuments, and holiday rituals have aided the construction of a new Hungary through the reclamation and expression of competing memories of the critical events of 1956. Surveying the dazzling array of ceremonies, exhibitions, and memorials commemorating the revolution and its heros, James invites readers to consider the difference between the communist regime’s master narrative of 1956, with its smug, false unity, and the multiple, polemical stories woven by competing political forces in postcommunist Hungary. A thoughtful application of communication and historical theories on the uses of memory, this study offers a unique perspective on a crucial episode in the history of Eastern Europe.

Explorations of cultural change in the former Soviet bloc

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Transformation is still the order of the day in the polities of the former Soviet Union and Eastern Europe as they emerge from decades of communism and try to forge new identities, new economies, new societies. The Political Analysis of Postcommunism offers the perspectives of prominent political scientists, historians, sociologists, philosophers, and others, each writing on a particular aspect of the transformation of society from communist to postcommunist forms. Originally published, in English and Ukrainian, in 1995 in Kiev by the editors of the Ukrainian journal Political Thought, this volume is written by those who have themselves lived through the changes. Political scientists, sociologists, and others interested in the progress of postcommunist society in the independent, formerly communist nations of Eastern Europe and Central Asia will profit from reading these thought-provoking early insights into the world to come.

Every epoch produces its own notions of social change, and the post-Communist societies of Eastern Europe are no exception. Imagining the Nation explores the fate of contemporary Latvia, a small country with a big story that is relevant for anyone wishing to better understand the nature of post-Communist transitions. As Latvia and other former Soviet-bloc countries seek to rebuild and transform their societies, what is the central dynamic at work? In Imagining the Nation, Daina Stukuls Eglitis finds that in virtually all aspects of life the guiding sentiment among Latvians has been a desire for normality in the wake of the &"deformations&" that marked the half-century of Soviet rule. In seeking to return to normality, many people look to the West for models; others look back in time to the period of Latvian independence from 1918 to 1940 before the years of Soviet domination. Ultimately, the changes in Latvia and other Eastern European countries are closely tied to a vital reimagining of the past, as the logic of progress long associated with &"revolution&" is amalgamated with nostalgia for what is gone. The radiant utopias of revolution give way to widely shared aspirations for a return to the normal in politics, place names, private property, and even gender relations. Eglitis draws upon published and unpublished documents, campaign posters, maps, and monuments, as well as interviews with Latvians from all walks of life. The resulting picture of life in contemporary Latvia offers fresh perspective on a dilemma facing millions throughout the post-Communist world.