Imperial Culture And The Sudan

General Gordon's death in the Sudan marks the height of imperial cultural fever. Even in the late nineteen seventies, the themes of Khartoum were still the basis for children's stories, comic books, and depictions of masculinity.Imperial Culture in the Sudan seeks to examine the cultural impact of Sudan on the popular image of the British empire – why were these colonial administrators characterized as 'adventurers'? Why was Sudan and the story of General Gordon so popular? The author argues it coincided with the mass production of popular journalism, the height of Jingoism as a cultural product and therefore a study of Sudan's experience tells us a lot about the British Empire – how it was made, consumed and remembered.

Histories written in the aftermath of empire have often featured conquerors and peasant rebels but have said little about the vast staffs of locally recruited clerks, technicians, teachers, and medics who made colonialism work day-to-day. Even as these workers maintained the colonial state, they dreamed of displacing imperial power. This book examines the history of the Anglo-Egyptian Sudan (1898-1956) and the Republic of Sudan that followed in order to understand how colonialism worked on the ground, affected local cultures, influenced the rise of nationalism, and shaped the postcolonial nation-state. Relying on a rich cache of Sudanese Arabic literary sources, including poetry, essays, and memoirs, as well as on colonial documents and photographs, this perceptive study examines colonialism from the viewpoint of those who lived and worked in its midst. By integrating the case of Sudan with material on other countries, particularly India, Sharkey gives her book broad comparative appeal. She shows that colonial legacies—such as inflexible borders, atomized multi-ethnic populations, and autocratic governing structures—have persisted, hobbling postcolonial nation-states. Thus countries like Sudan are still living with colonialism, struggling to achieve consensus and stability within borders that a fallen empire has left behind.

Imperial Sudan completes a study of the formative colonial period during which Britain and Egypt ruled the country. The previous volume, the acclaimed Empire on the Nile: The Anglo-Egyptian Sudan, 1898-1934, appeared in 1986. The current book takes the narrative to independence in 1956 and thus, with Empire, constitutes the first comprehensive survey of the political and economic history of the Anglo-Egyptian Sudan. Dr Daly examines the structure of the colonial regime, its role in Anglo-Egyptian relations, and the development of Sudanese nationalist politics during the inter-war years. He surveys economic and social developments, including government finance and development policy, transport and communications, agricultural production, and social services. He reveals the Sudan's important role in the Second World War, when the Sudan Defence Force held back Italian invasion. The complicated path to self-government and self-determination, which culminated in independence in 1956, is explained in great detail. The book ends with the transfer of power, and the author reflects on the legacy of the Condominium.

In the first half of the twentieth century, a pioneering generation of young women exited their homes and entered public space, marking a new era for women's civic participation in northern Sudan. A provocative new public presence, women's civic engagement was at its core a bodily experience. Amid the socio-political upheavals of imperial rule, female students, medical workers, and activists used a careful choreography of body movements and fashion to adapt to imperial mores, claim opportunities for political agency, and shape a new standard of modern, mobile womanhood. Khartoum at Night is the first English-language history of these women's lives, examining how their experiences of the British Empire from 1900–1956 were expressed on and through their bodies. Central to this story is the tobe: a popular, modest form of dress that wrapped around a woman's head and body. Marie Grace Brown shows how northern Sudanese women manipulated the tucks, folds, and social messages of the tobe to deftly negotiate the competing pulls of modernization and cultural authenticity that defined much of the imperial experience. Her analysis weaves together the threads of women's education and activism, medical midwifery, urban life, consumption, and new behaviors of dress and beauty to reconstruct the worlds of politics and pleasure in which early-twentieth-century Sudanese women lived.

This book focuses on British efforts to suppress the traffic in female slaves destined for Egyptian harems during the late-nineteenth century. It considers this campaign in relation to gender debates in England, and examines the ways in which the assumptions and dominant imperialist discourses of these abolitionists were challenged by the newly-established Muslim communities in England, as well as by English people who converted to or were sympathetic with Islam.

Argues that freed slaves exerted a profound influence on the transformation of Roman values under the Principate.

At the end of the nineteenth century, Germany turned toward colonialism, establishing protectorates in Africa, and toward a mass consumer society, mapping the meaning of commodities through advertising. These developments, distinct in the world of political economy, were intertwined in the world of visual culture. David Ciarlo offers an innovative visual history of each of these transformations. Tracing commercial imagery across different products and media, Ciarlo shows how and why the “African native” had emerged by 1900 to become a familiar figure in the German landscape, selling everything from soap to shirts to coffee. The racialization of black figures, first associated with the American minstrel shows that toured Germany, found ever greater purchase in German advertising up to and after 1905, when Germany waged war against the Herero in Southwest Africa. The new reach of advertising not only expanded the domestic audience for German colonialism, but transformed colonialism’s political and cultural meaning as well, by infusing it with a simplified racial cast. The visual realm shaped the worldview of the colonial rulers, illuminated the importance of commodities, and in the process, drew a path to German modernity. The powerful vision of racial difference at the core of this modernity would have profound consequences for the future.

Features 13 essays re-examining a selection of romantic-era writers, texts, and genres to explore the relation between romanticism as a literary field and the emergence of the second British empire during the formative period of 1780-1834.