In An Unrelated Story

How do we understand language? What kinds of representations do people form when hearing a story or when reading a paragraph? In this dissertation, I will explore how people make meaning out of the language that they read or hear. One possibility is that the words we read or hear engage perceptuomotor representations, and language comprehension arises from modality-specific simulation or imagery of the linguistic content. Strong versions of the modality-specific approach assume complete overlap between the representations generated by language and those generated by perception and action. Perhaps representations brought about by language only partially overlap and interact with perception and action, with clear limits, and with important differences along the continuum from concrete to abstract language. The studies presented in this dissertation aim to delineate where perception and language understanding share representations and processing resources, and where they diverge. The findings suggest that language understanding affects visuospatial processing (Chapter 2) and visual motion processing (Chapter 3), but to a lesser extent than does perception itself.

First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Uses the concept of analogy to analyze how perspective taking functions in real life and in narrative.

In recent years, journalistic practices have undergone a radical change due to the increasing pressure of new digital media on the professional practice. The ever-growing development of new technologies and the ceaseless fluctuation of social practices have challenged some of the traditional genres found in these professional contexts. On the basis of these premises, this book investigates a particular genre found in the context of TV newscasts. The genre under investigation is that of news tickers (or crawlers), that is, the graphic elements that scroll at the bottom of the screen during newscasts. The book introduces readers to this under-researched genre through a year-long collection of the news tickers displayed on BBC World News. Thanks to a corpus-based genre analysis, the generic status of news tickers is better defined by highlighting the presence of given strategies of marketization. Additionally, this volume investigates if news tickers can be seen as a mixed (sub-)genre that interdiscursively combines traditional linguistic elements of headlines and lead paragraphs to achieve, from a (Critical) Genre Analysis point of view, a specific private intention in the context of the BBC.

The Heart of the Story will help you see God’s Word in a new and inspiring light. In the Bible’s seemingly disconnected stories, you’ll discover one grand, unfolding epic – God’s story from Genesis onward – and your own life-story contained within it. “To understand the Bible,” says author and pastor Randy Frazee, “you need bifocal lenses, because two perspectives are involved. The Lower Story, our story, is actually many stories of men and women interacting with God in the daily course of life. The Upper Story is God’s story, the tale of his great, overarching purpose that fits all the individual stories together like panels in one unified mural.” In this new edition, Randy dives deeper in the Upper and Lower stories and shows how both perspectives will open your eyes to the richness and relevance of the Bible. Illuminating God’s master-plan from Genesis to our daily lives, The Heart of the Story will encourage you to experience the joy that comes from aligning your stories with God’s.

This book constitutes the refereed proceedings of the IEEE International Conference on Intelligence and Security Informatics, ISI 2006. Gathers 39 revised full papers, 30 revised short papers, and 56 extended poster abstracts, organized in topical sections including intelligence analysis and knowledge discovery; access control, privacy, and cyber trust; surveillance and emergency response; infrastructure protection and cyber security; terrorism informatics and countermeasures; surveillance, bioterrorism, and emergency response.

This book discusses the American short story composite, or short story cycle, a neglected form of writing consisting of autonomous stories interlocking into a whole. The critical work done on this genre has so far focused on the closural strategies of the composites, on how unity is accomplished in these texts. This study takes into consideration, to a greater degree than earlier criticism, the short story composite as an open work, emphasizing the tension between the independent stories and the unified work, between the discontinuity and fragmentation, on the one hand, and the totalizing strategies, on the other. The discussion of the genre is illustrated with references to numerous American short story composites.

A sky-blue paper bird glued to a mirror. A handmade book on music to be gifted. A pair of mud-brown tea cups without handles. A shelf to hoard dying memories. A little home tucked away in a remote village. A haunting voice after boarding an empty bus... The images on the cover belong to people whose stories are packed in this book: A man who meets his lost friend in a new world. A seeker who resists everyone to reach an unwanted place. Lovers that separate, only to find some hope. A failed artist who finds another voice. A new entrant in a home who creates turmoil. A cheated girl who makes a desperate call. A shattered man who pegs on a sudden dreamy trip. With eleven stories of unrequited love, hope, acceptance, heart breaks or just needs, ‘Afsaane’ will tug at your heartstrings and open windows to people that experience unusual situations in far too usual lives.