In Between

2016 Governor General's Literary Award Finalist 2017 Kobo Emerging Writer Prize Winner 2017 Joe Shuster Award Nominee Teva Harrison was diagnosed with metastatic breast cancer at the age of 37. In this brilliant and inspiring graphic memoir, she documents through comic illustration and short personal essays what it means to live with the disease. She confronts with heartbreaking honesty the crises of identity that cancer brings: a lifelong vegetarian, Teva agrees to use experimental drugs that have been tested on animals. She struggles to reconcile her long-term goals with an uncertain future, balancing the innate sadness of cancer with everyday acts of hope and wonder. She also examines those quiet moments of helplessness and loving with her husband, her family, and her friends, while they all adjust to the new normal. Ultimately, In-Between Days is redemptive and uplifting, reminding each one of us of how beautiful life is, and what a gift.

Be the first to read the thought-provoking new novel from Melissa de la Cruz, the #1 New York Times bestselling author of The Isle of the Lost and Return to the Isle of the Lost. She had her whole life planned. She knew who she was and where she was going. Until the truth changed everything. Jasmine de los Santos has always done what’s expected of her. She’s studied hard, made her Filipino immigrant parents proud and is ready to reap the rewards in the form of a full college scholarship to the school of her dreams. And then everything shatters. Her parents are forced to reveal the truth: their visas expired years ago. Her entire family is illegal. That means no scholarships, maybe no college at all and the very real threat of deportation. As she’s trying to make sense of who she is in this new reality, her world is turned upside down again by Royce Blakely. He’s funny, caring and spontaneous—basically everything she’s been looking for at the worst possible time—and now he’s something else she may lose. Jasmine will stop at nothing to protect her relationships, family and future, all while figuring out what it means to be an immigrant in today’s society. ***** “A great read!” —Rachel Cohn, New York Times bestselling coauthor of Nick & Norah’s Infinite Playlist “We’re obsessed—and you will be too.” —The Editors of Seventeen magazine “Heartbreaking and bursting with hope, this is the book we all need.” —Marie Lu, #1 New York Times bestselling author of the Young Elites and Legend series “This book will change you. A must-read.” —Dhonielle Clayton, coauthor of Tiny Pretty Things and Shiny Broken Pieces, and the forthcoming The Belles “A must-read!” —Ally Condie, author of the #1 New York Times bestselling Matched trilogy “An immigrant herself, de la Cruz succeeds in presenting a complicated and multifaceted topic in a manner that is light enough to keep readers engaged.”—Kirkus Reviews “[A] great choice for younger teens…This book belongs in every middle school library.” —School Library Journal “De la Cruz presents a timely and thought-provoking look at the complex reality of being young and undocumented in the United States…Readers will root for Jasmine as she fights for her future and finds the power of her own voice.”—Publishers Weekly

After bouncing around in foster homes for most of her childhood, seventeen-year-old Tessa Jacobs doesn't believe she deserves love-not from her adoptive parents, and certainly not from anyone at school. But everything changes when she has a chance encounter with Skylar, a senior from a neighboring town who's a true romantic. Their budding relationship quickly leads to the kind of passion you only see in the movies. As her heart begins to open, Tessa starts to believe she might be deserving of love after all. When tragedy strikes, Tessa wakes up alone in a hospital room with no memory of how she got there. And then she learns the horrifying news: Skylar is dead. As Tessa searches for answers, Skylar's spirit reaches out to her from the other side. Desperate to see him one last time, Tessa must race against the clock to uncover the shocking truth of their relationship-a truth that might just lead to the afterlife itself. PRAISE FOR THE IN BETWEEN "This story and Marc had such a big impact on me. Somehow my heart breaks and swells all at the same time while reading this. A powerful telling of love and loss." -Joey King, star and producer of The In Between

"A deeply moving story of family, homelessness, and the ghosts that won't let us go. Haunting and unforgettable."—Megan Shepherd, New York Times bestselling author of The Secret Horses of Briar Hill Told in the naïve voice of a homeless girl sheltered by her mother from the world, this is a moving debut perfect for fans of David Almond, A Monster Calls, and Room. I'm invisible. Ma says I'm supposed to be so the Authorities don't get me. She goes out into the streets almost every day but I'm not allowed. I've got to stay inside the mill so they don't see me. In an old, abandoned mill, a girl and her ma take shelter from their memories of life on the streets, and watch the busy world go by. The girl calls it the Castle because it's the biggest place they've ever stayed, a home of her own like no other. The windows are boarded up and the floorboards are falling in, but for her neither of those things matter. Then developers show up, and it's clear that their lives are about to change forever. Desperate to save their refuge from the Authorities and her mother from her own personal demons, the girl seeks out the ghosts of the mill. And with only Caretaker—the old man who's slept outside the mill for decades—around to answer her questions, she begins to wonder what kind of ghosts are haunting both the mill and her mother. The Girl in Between is a compelling, witty, and at times heartbreaking novel that explores themes of loneliness and grief with effortless warmth and an unforgettable voice that will stick with you long after you've finished.

Traces the author's 2002 journey by foot across Afghanistan, during which he survived the harsh elements through the kindness of tribal elders, teen soldiers, Taliban commanders, and foreign-aid workers whose stories he collected along his way. By the author of The Prince of the Marshes. Original. 20,000 first printing.

Synthesizing many years' investigation into sexual identity and orientation, this book presents Dr Money's formulation of how sexual preference is determined. It includes a review of long-term follow-up studies on pre-natal influences on sexual identity, and discusses gender differentiation in childhood.

I Am Everything In Between highlights kids who may not fit into stereotypical gender ideals, and celebrates how they do identify by sending positive messages about gender identity. This book teaches children that regardless of biological gender, it's OK to feel like a boy, or a girl, or even both! The illustrations include bright and bold examples of boys that like to play dress up and wear makeup, girls that like to play sports and get dirty, and kids that want to grow up to be astronauts! I Am Everything In Between uses diverse, relatable examples to help kids understand that sometimes it's not as simple as being a boy or a girl.

Although children have proliferated in Spain’s cinema since its inception, nowhere are they privileged and complicated in quite the same way as in the films of the 1970s and early 1980s, a period of radical political and cultural change for the nation as it emerged from almost four decades of repressive dictatorship under the rule of General Francisco Franco. In Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition, Sarah Thomas analyses the cinematic child within this complex historical conjuncture of a nation looking back on decades of authoritarian rule and forward to an uncertain future. Examining films from several genres by four key directors of the Transition – Carlos Saura, Antonio Mercero, Víctor Erice, and Jaime de Armiñán – Thomas explores how the child is represented as both subject and object, and self and other, and consistently cast in a position between categories or binary poles. She demonstrates how the cinematic child that materializes in this period is a fundamentally shifting, oscillating, ambivalent figure that points toward the impossibility of fully comprehending the historical past and the figure of the other, while inviting an ethical engagement with each.