In Confinement

"A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century."

This book addresses the confinement problem, which concerns the behavior of non-abelian gauge theories, and the force which is mediated by gauge fields, at large distances. The word “confinement” in the context of hadronic physics originally referred to the fact that quarks and gluons appear to be trapped inside mesons and baryons, from which they cannot escape. There are other, and possibly deeper meanings that can be attached to the term, and these will be explored in this book. Although the confinement problem is far from solved, much is now known about the general features of the confining force, and there are a number of very well motivated theories of confinement which are under active investigation. This volume gives a both pedagogical and concise introduction and overview of the main ideas in this field, their attractive features, and, as appropriate, their shortcomings. This second edition summarizes some of the developments in this area which have occurred since the first edition of this book appeared in 2011. These include new results in the caloron/dyon picture of confinement, in functional approaches, and in studies of the Yang-Mills vacuum wave functional. Special attention, in two new chapters, is given to recent numerical investigations of the center vortex theory, and to the varieties of confinement which may exist in gauge-Higgs theories. Reviews of the first edition: “This is indeed a very good book. I enjoyed reading it and... I learned a lot from it.... It is definitely a research book that provides readers with a guide to the most updated confinement models.” (Giuseppe Nardelli, Mathematical Reviews, Issue 2012 d) “The book is beautifully produced with special emphasis on the relevance of center symmetry and lattice formulation as well as an introduction to current research on confinement.” (Paninjukunnath Achuthan, Zentralblatt MATH, Vol. 1217, 2011)

Graduate-level text examines the essential physics underlying international research in magnetic confinement fusion with accounts of fundamental concepts behind methods of confining plasma at or near thermonuclear conditions. 1992 edition.

In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace.

"Ethnographically rich, thick with gritty details and original insights, Rhodes's revelatory book about US prisons--those who are incarcerated in them and those who run them--should be read by everyone who cares about social justice and the nature of power."—Emily Martin, author of Flexible Bodies "Thank you, Lorna Rhodes, for taking us to where the 'worst of the worst' are kept out of sight and out of mind in the new millennium. This powerful ethnography of the correctional high tech machine reveals how institutional power suffocates individual agency and redefines rationality and insanity. Good, bad and evil fall by the wayside."—Philippe Bourgois, author of In Search of Respect: Selling Crack in El Barrio "A truly remarkable book. The inside look at supermax confinement alone is worth the price of admission, and the prose sometimes verges on poetry. This is meticulous scholarship."—Hans Toch, author of Living in Prison

Annotation Toch (criminal justice, U. of Albany of the State U. of New York) and Adams (public and environmental affairs, Indiana U.-Purdue U.- Indianapolis) provide a humane discussion of the psychology of imprisonment, the challenges of creating humane confinement; and solutions to a set of conditions that typically only exacerbate problems among inmates. Annotation c. Book News, Inc., Portland, OR (booknews.com).

This book is a reflection on the nature of confinement, experienced by prison inmates as everyday life. It explores the meanings, purposes, and consequences involved with spending every day inside prison. Female Imprisonment results from an ethnographic study carried out in a small prison facility located in the south of Portugal, and Frois uses the data to analyze how incarcerated women talk about their lives, crimes, and expectations. Crucially, this work examines how these women consider prison: rather than primarily being a place of confinement designed to inflict punishment, it can equally be a place of transformation that enables them to regain a sense of selfhood. From in-depth ethnographic research involving close interaction with the prison population, in which inmates present their life histories marked by poverty, violence, and abuse (whether as victims, as agents, or both), Frois observes that the traditional idea of “doing time”, in the sense of a strenuous, repressive, or restrictive experience, is paradoxically transformed into “having time” – an experience of expanded self-awareness, identity reconstruction, or even of deliverance. Ultimately, this engaging and compassionate study questions and defies customary accounts of the impact of prisons on those subjected to incarceration, and as such it will be of great interest for scholars and students of penology and the criminal justice system.

Prolonged solitary confinement has become a widespread and standard practice in U.S. prisons—even though it consistently drives healthy prisoners insane, makes the mentally ill sicker, and, according to the testimony of prisoners, threatens to reduce life to a living death. In this profoundly important and original book, Lisa Guenther examines the death-in-life experience of solitary confinement in America from the early nineteenth century to today’s supermax prisons. Documenting how solitary confinement undermines prisoners’ sense of identity and their ability to understand the world, Guenther demonstrates the real effects of forcibly isolating a person for weeks, months, or years. Drawing on the testimony of prisoners and the work of philosophers and social activists from Edmund Husserl and Maurice Merleau-Ponty to Frantz Fanon and Angela Davis, the author defines solitary confinement as a kind of social death. It argues that isolation exposes the relational structure of being by showing what happens when that structure is abused—when prisoners are deprived of the concrete relations with others on which our existence as sense-making creatures depends. Solitary confinement is beyond a form of racial or political violence; it is an assault on being. A searing and unforgettable indictment, Solitary Confinement reveals what the devastation wrought by the torture of solitary confinement tells us about what it means to be human—and why humanity is so often destroyed when we separate prisoners from all other people.