In Crime S Archive

This book investigates what happens to criminal evidence after the conclusion of legal proceedings. During the criminal trial, evidentiary material is tightly regulated; it is formally regarded as part of the court record, and subject to the rules of evidence and criminal procedure. However, these rules and procedures cannot govern or control this material after proceedings have ended. In its ‘afterlife’, criminal evidence continues to proliferate in cultural contexts. It might be photographic or video evidence, private diaries and correspondence, weapons, physical objects or forensic data, and it arouses the interest of journalists, scholars, curators, writers or artists. Building on a growing cultural interest in criminal archival materials, this book shows how in its afterlife, criminal evidence gives rise to new uses and interpretations, new concepts and questions, many of which are creative and transformative of crime and evidence, and some of which are transgressive, dangerous or insensitive. It takes the judicial principle of open justice – the assumption that justice must be seen to be done – and investigates instances in which we might see too much, too little or from a distorted angle. It centres upon a series of case studies, including those of Lindy Chamberlain and, more recently, Oscar Pistorius, in which criminal evidence has re-appeared outside of the criminal process. Traversing museums, libraries, galleries and other repositories, and drawing on extensive interviews with cultural practitioners and legal professionals, this book probes the legal, ethical, affective and aesthetic implications of the cultural afterlife of evidence.

At once horrifying and fascinating, The Crime Archive is a rogue's gallery of murderers, hitmen, gang leaders, and kidnappers. This gripping foray into the criminal underworld details a variety of offenses--from serial killings to drug smuggling, localized rampages to international headlines. Includes rare facsimiles of documents that led to the capture and conviction of these criminals and more than 100 photographs.

The Eisner and Harvey Award-nominated series continues to recount the criminal deeds of the bandits, bank robbers, serial killers, and gangsters of yesteryear while reprinting some of the most notorious pre-Code comics of all time! Our latest deluxe hardcover--including every uncensored page from Crime Does Not Pay issues #58 to #61--is packed with timeless true-crime tales by artists George Tuska, Jack Cole, Fred Guardineer, Dan Barry, Charles Biro, and others! This volume also features an enlightening new foreword by Eisner Award-winning writer Jeff Jensen (Green River Killer)! "Even in today's more jaded times, the guilt-free exuberance the creators poured into every bullet and blood spatter is infectious. This Crime pays, with hours of fun." -The Seattle Times

Uncut and uncensored, the infamous pre-code Crime Does Not Pay comics are finally collected into a series of archival hardcovers! With brutal, realistic tales focusing on vile criminals, Crime Does Not Pay was one of the most popular comics of the 1940s. The series was a favourite target of Dr. Fredric Wertham and other censors and is partially responsible for the creation of the stifling Comics Code Authority.This collection - featuring every uncensored page from Crime Does Not Pay issues #54 to #57 - is brimming with sharp work by Charles Biro, George Tuska and many more!

Contained here is the complete run of Crime Illustrated, an innovative “Picto-Fiction” magazine containing illustrated prose stories of frightening crimes, daring heroes, and dangerous psychopaths, written and illustrated by Jack Oleck, Reed Crandall, Wally Wood, Joe Orlando, and more! This archive volume contains Crime Illustrated issues 1 though 3. Features the rare third issue, unpublished in its time.

Our latest collection—including every uncensored page from Crime Does Not Pay issues #54 to #57—is brimming with razor-sharp work by artists George Tuska, Fred Guardineer, Dan Barry, Charles Biro, and others! This volume also features a new foreword by crime and comics storytelling all-star Max Allan Collins (Road to Perdition, King of the Weeds)! * Featuring pre-Code work by Tuska, Biro, Guardineer, and others!

Tommy-gun-toting toughs roar across the pages of Crime Does Not Pay, the sensational 1940s comic that enraptured millions with its scandalous stories of criminal scum, ripped right from the headlines! This hardcover collects issues #42–#45 of this infamous series and features a new foreword by Goosebumps author R.L. Stine! Collects Crime Does Not Pay #42–#45. * Nearly seventy years later, CRIME still has the power to thrill and shock!

An extraordinary collection of photographs and drawings published here for the first time.