In Defence Of Adam

In the wake of what has come to be called the ‘cultural turn’, it is often asked how the state should respond to the different and sometimes conflicting justice claims made by its citizens and what, ultimately, is the purpose of justice in culturally diverse societies. Building upon the work of a diversity of theorists, this book demonstrates that there is a distinct ‘epistemic’ tradition of liberalism that can be used to critique contemporary responses to cultural diversity and their underlying principles of justice. It critically examines multicultural, nationalist and liberal egalitarian approaches and argues that an epistemic account of liberalism, that emphasises social complexity rather than cultural diversity or homogeneity, is the most appropriate response to the question of justice in modern culturally diverse societies. Epistemic Liberalism will be of interest to students and scholars of contemporary political theory and philosophy, liberal political theory and the politics of culture and identity.

Adam of Bremen’s Gesta Hammaburgensis Ecclesiae Pontificum is one of the most important accounts documenting the history, geography and ethnology of Northern and Central-Eastern Europe in the period between the ninth and eleventh centuries. Its author, a canon of the archdiocese of Hamburg-Bremen, remains an almost anonymous figure but his text is an essential source for the study of the early medieval Baltic. However, despite its undisputed status, past scholarship has tended to treat Adam of Bremen’s account as, on the one hand, an historically accurate document, or, alternatively, a literary artefact containing few, if any, reliable historical facts. The studies collected in this volume investigate the origins and context of the Gesta and will enable researchers to better understand and evaluate the historical veracity of the text.

As the twentieth century ended, Canada was completing its sixth term on the UN Security Council. A decade later, Ottawa’s attempt to return to the council was dramatically rejected by its global peers, leaving Canadians – and international observers – shocked and disappointed. Canada on the United Nations Security Council tells the story of that defeat and what it means for future campaigns, describing and analyzing Canada’s attempts since 1946, both successful and unsuccessful, to gain a seat as a non-permanent member. Impeccably researched and clearly written, this is the definitive history of the Canadian experience on the world’s most powerful stage.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Huntington Library N035311 London: printed for J. Debrett, 1797. [4],75, [1]p.; 8°

Ardor, inspiration, the soul, the sublime: Such terms have long since fallen from favor among critics and artists alike. In his new collection of essays, Adam Zagajewski continues his efforts to reclaim for art not just the terms but the scanted spiritual dimension of modern human existence that they stake out. Bringing gravity and grace to his meditations on art, society, and history, Zagajewski wears his erudition lightly, with a disarming blend of modesty and humor. His topics range from autobiography (his first visit to a post-Soviet Lvov after childhood exile; his illicit readings of Nietzsche in Communist Poland); to considerations of artist friends past and present (Zbigniew Herbert, Czeslaw Milosz); to intellectual and psychological portraits of cities he has known, east and west; to a dazzling thumbnail sketch of postwar Polish poetry. Zagajewski gives an account of the place of art in the modern age that distinguishes his self-proclaimed liberal vision from the "right-wing radicalism" of such modernist precursors as Eliot or Yeats. The same mixture of ardor and compassion that marks Zagajewski's distinctive contribution to modern poetry runs throughout this eloquent, engaging collection.

McGowan reviews challenges to and disagreements over Reformed covenant theology and proposes that its strengths can best be retained by separating the two key ideas of union with Adam/Christ and God’s covenantal dealings with his people.

From a Pulitzer Prize and National Book Award finalist, a ferociously intimate story of a family facing the ultimate question: how far will we go to save the people we love the most? When Margaret's fiancée, John, is hospitalized for depression in 1960s London, she faces a choice: carry on with their plans despite what she now knows of his condition, or back away from the suffering it may bring her. She decides to marry him. Imagine Me Gone is the unforgettable story of what unfolds from this act of love and faith. At the heart of it is their eldest son, Michael, a brilliant, anxious music fanatic who makes sense of the world through parody. Over the span of decades, his younger siblings -- the savvy and responsible Celia and the ambitious and tightly controlled Alec -- struggle along with their mother to care for Michael's increasingly troubled and precarious existence. Told in alternating points of view by all five members of the family, this searing, gut-wrenching, and yet frequently hilarious novel brings alive with remarkable depth and poignancy the love of a mother for her children, the often inescapable devotion siblings feel toward one another, and the legacy of a father's pain in the life of a family. With his striking emotional precision and lively, inventive language, Adam Haslett has given us something rare: a novel with the power to change how we see the most important people in our lives. "Haslett is one of the country's most talented writers, equipped with a sixth sense for characterization"-Wall Street Journal "Ambitious and stirring . . . With Imagine Me Gone , Haslett has reached another level."-New York Times Book Review